Reviews round-up

The critics' verdicts on Nelson Mandela, Nadine Gordimer and a critique of the modern media.

Conversations with Myself by Nelson Mandela

Peter Godwin gives a highly laudatory account of Conversations with Myself in the Observer, describing it as a self-portrait of "a man devoid of self-pity, who is immune to the temptations of self-aggrandisement". Godwin praises the book for containing "substantive political insights" on the negotiations to end apartheid, but notes that it is also filled with "unexpectedly lighthearted moments".

Graham Boynton, in his Telegraph review, is less glowing in his still fulsome praise, complaining of the "unnecessary foreword by Barack Obama" and the "strange traces of Harvard-speak throughout", the legacy of Mandela's American ghostwriter, Richard Stenghel. Boynton is, however, impressed by the book's ability to jump "from the mundane ... to the historic ... with barely a breath taken" and says it offers a thorough account of the "extraordinarily self-disciplined" Mandela.

Alec Russell, in the Financial Times, concurs, saluting Conversations with Myself as a "splendid finale to the Mandela literature".

The Return of the Public by Dan Hind

Writing in the Guardian, Roy Greenslade describes Hind's critique of the modern media as a "superb analysis of the way in which citizens have lost power in a political and economic system built around the free market".

John Lloyd, in the Financial Times, is more equivocal, pointing out that "Hind wildly overestimates the appetite for information and revelation, as he does the ability of journalism to create the kind of public he wants" but accepting that "there is something large-hearted in the view that the facts will not just set us free, but allow us to be fuller citizens".

In the Independent, Boyd Tonkin is largely positive, semi-ironically praising the "near-theological splendour of his opprobrium", though acknowledging that Hind's schemes to harness "the ultra-involved citizens of tomorrow" sometimes seem "fanciful or utopian".

Life Times: Stories 1952-2007 by Nadine Gordimer

In the Telegraph, Ruth Scurr is impressed that Gordimer's stories are both "deeply embedded in the social, political or historical context that gave rise to them" and yet seem "almost undated in content, style or tone". The first and final stories in this collection "provide a more meaningful frame to Gordimer's work than any stark set of dates".

Penelope Lively, though, writing in the Financial Times, is perplexed as to why the stories are "clumped according to collection but not dated". While, according to Lively, the inclusion of certain stories suggests that "perhaps sometimes she just wrote too much", this collection still illustrates Gordimer's "extraordinary capacity to summon up a time, a place, a people".

The Jump/Channel 4
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The most dangerous show on TV: is The Jump becoming a celebrity Hunger Games?

Will it take a life-threatening injury, or worse, before the madness ends?!

First they came for former EastEnders actor Louis Lytton. Then, they came for former EastEnders actor Sid Owen. Then, they came for former Holby City actor Tina Hobley. But now, the third season of Channel 4’s The Jump has moved on from retired soap stars to claim a new set of victims: Britain’s top athletes, including Rebecca Adlington, Beth Tweddle and Linford Christie.

The winter sports reality show The Jump takes your average collection of D-list celebrities, with a few sports personalities mixed in for good measure, and asks them to compete in a series of alpine challenges – skeleton, bobsleigh, snowboarding and, of course, ski jumping – while Davina McCall says things like, “Look at that jump. Just look at it. Are you nervous?”

It sounds fairly mild, but Sir Steve Redgrave, Ola Jordan, Sally Bercow and Melinda Messenger have all withdrawn from the programme after injuries in the past.

Riskier than I’m a Celebrity, Splash! and Dancing on Ice mixed together, the third season of The Jump is fast turning into a dystopian celebrity harm spectacle, a relentless conveyor belt of head injuries and fractured bones.

So far, seven out of the competition’s 12 contestants have sustained injuries. First, Lytton tore a ligament in her thumb, before being rushed to hospital after a training incident at the end of last month. Then, Owen fell on his leg during the first episode having previously complained of “a bad crash during training” for the skeleton.

Adlington (who openly wept with fear when she first gazed upon the titular ski jump, described as being the “height of three double decker buses”) was hospitalised and withdrew from the show after a televised fall left her with a dislocated shoulder: she said the pain was “worse than childbirth”. Hobley soon followed with a dislocated elbow.

Tweddle suffered a particularly bad accident during rehearsals, and now remains in hospital after having her spine fused together, which involved having a piece of bone taken from her hip. On Monday, Christie became the fourth contestant to be hospitalised in the space of two weeks, pulling his hamstring. As of today, Made in Chelsea cast member Mark Francis is the fourth contestant to withdraw, after fracturing his ankle.

In response to criticisms, Channel 4 reminded viewers that 46 of their celebrity participants have so far emerged unscathed across the three series, which seems like a remarkably low bar to set for a major reality TV series: “no one’s been seriously hurt so far” is not much of a safety procedure.

Judge Eddie the Eagle implied that contestents were injuring themselves through their own laziness and coffee obsessions. He wrote in the Daily Mail:

“Those competitors should be up and down the steps relentlessly – jump and go back, jump and go back. Instead too many will have a couple of goes before going off for a coffee and forgetting to return because they're feeling tired.”

But as the celebrity casualty list approaches double figures and more than 12 viewers have officially complained, the channel has begun an urgent safety review of the show, after one insider reportedly labelled it “the most dangerous show on television”.

It all seemed like fun and games when we were watching reality TV stars rolling around in the snow in embarrassing lurid lyrca suits. But will it take a life-threatening injury, or worse, before the madness ends?! Pray for Brian McFadden. Pray for Sarah Harding. Pray for Tamara Beckwith. Pray for the end of The Jump.

Anna Leszkiewicz is a pop culture writer at the New Statesman.