Preview: NS interview with Jonathan Franzen

The US author says the Tea Party movement "rejects the notion of a common good".

J P O'Malley has interviewed the US author Jonathan Franzen in this week's issue of the New Statesman. Here's what Franzen has to say on why he chose Freedom as the title of his new novel:

There is a vulgar notion of American freedom, according to which people wish to be left alone and they almost say: "Keep out." There's this deeply anti-communitarian streak among my fellow countrymen. You see this now with the Tea Party movement, which rejects the notion of a common good.

I was interested in the shocking rage I saw in the past ten years, on both the left and the right in America, the so-called freest and richest country on earth. It was interesting to explore that in the book and to discover reservoirs of misanthropy on both left and right.

Franzen is asked if he felt obliged to write a political novel, given America's current climate::

I don't feel any particular duty as a writer to address political concerns, but it's hard not to be affected by all the things that have happened in my country; hard not to imagine that a character akin to myself, living at the same time, would not also be affected by these things. So what was happening politically, socially, technologically, culturally, did lend itself to the construction of interesting characters.

Elsewhere, the author has praise for Oprah Winfrey and her television book club. In 2001 Franzen expressed unease at the selection of his previous novel, The Corrections, by Oprah. Here, however, his attitude appears to have changed:

Something Oprah Winfrey has been doing, and I hope will continue to do when her show goes off the air, is to inject writers like Toni Morrison, Jane Hamilton and Cormac McCarthy into the larger consciousness. I think that as long as we can keep alive the idea of the American novelist, the experience of getting lost in a novel will become increasingly attractive and become an alternative amid all the electronic noise.

Daniel Trilling is the Editor of New Humanist magazine. He was formerly an Assistant Editor at the New Statesman.

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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