In The Critics this week

David Jones remembered, the start of Simon Amstell’s post-Never Mind the Buzzcocks career and Adam S

In this week's Critic at Large essay, David Wheatley makes the case for the poet and artist David Jones, whose book-length prose poem about the First World War, In Parenthesis, has just been reissued by Faber & Faber (for whom Jones was discovered, in the 1930s, by T S Eliot).

Elsewhere, Ryan Gilbey wonders what happened to François Ozon (his new film is The Refuge), Rachel Cooke is not sure if Simon Amstell, whose post-Never Mind the Buzzcocks comedy vehicle Grandma's House began on BBC2 this week, is as smart as he thinks he is, and Andrew Billen isn't convinced by climate-change drama Earthquakes in London.

In Books, the economist Diane Coyle reviews a new biography of Adam Smith, which saves the economist from his battier free-market admirers, Jonathan Derbyshire talks to James Robertson about his novel And the Land Lay Still, Leo Robson wonders if Tom McCarthy's new novel really does stake out a new direction for fiction and Vernon Bogdanor remembers the "unheroic" Clement Attlee.

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Cabinet audit: what does the appointment of Karen Bradley as Culture Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Culture, Media and Sport.

The most politically charged of the culture minister's responsibilities is overseeing the BBC, and to anyone who works for - or simply loves - the national broadcaster, Karen Bradley has one big point in her favour. She is not John Whittingdale. Her predecessor as culture secretary was notorious for his belief that the BBC was a wasteful, over-mighty organisation which needed to be curbed. And he would have had ample opportunity to do this: the BBC's Charter is due for renewal next year, and the licence fee is only fixed until 2017. 

In her previous job at the Home Office, Karen Bradley gained a reputation as a calm, low-key minister. It now seems likely that the charter renewal will be accomplished with fewer frothing editorials about "BBC bias" and more attention to the challenges facing the organisation as viewing patterns fragment and increasing numbers of viewers move online.

Of the rest of the job, the tourism part just got easier: with the pound so weak, it will be easier to attract visitors to Britain from abroad. And as for press regulation, there is no word strong enough to describe how long the grass is into which it has been kicked.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.