Culture Vulture: reviews round-up

The critics' verdicts on David Remnick's Obama biography, David Mitchell and Helen Simpson.

The Bridge: the Life and Rise of Barack Obama by David Remnick

"Remnick's book is not impartial", writes Robert Harris in the Times, "The editor of The New Yorker, [Remnick] is overwhelmingly sympathetic to his subject. But then, in the context of the wider story of the black struggle for equality in America, how could he not be?"

Gwen Ifill, writing for the Washington Post, says: "Remnick efficiently strips some of the gloss off the version Obama offered in his best-selling 1995 memoir Dreams From My Father. [He] deserves credit for telling Obama's story more completely than others, for lending a reporter's zeal to the task, for not ducking the discussion of race and for peeling back several layers of the onion that is Barack Obama."

"The great achievement of The Bridge is the sheer voluminousness of its coverage", writes Patricia Williams in the Guardian."The structure of the book resembles nothing less than an epic, like the Aeneid, or a morality tale, like Pilgrim's Progress."

"The Bridge" will be reviewed in the forthcoming New Statesman.

The Thousand Autumns of Jacob de Zoet by David Mitchell

This "accomplished and thrillingly suspenseful new novel travels back more than 200 years", writes Peter Kemp in The Times. Dejima is an artificial island offshore from Nagasaki, "a place where two empires chafe against each other." Kemp continues: "As his earlier works have shown, Mitchell is restless with genres . . . Switching style, mood and tone, while continuing to deal with the same themes, is a hallmark of his fiction. Here, this is adroitly effected." In the Telegraph, Holly Kyte says it will "doubtless earn Mitchell his fourth Man Booker nomination, and, if there's any justice, his first win."

Elsewhere, Henry Hitchings argues in the Financial Times that for all its "moments of brilliance" Mitchell's rich imagery occasionally borders on the "self-indulgent", whilst in the New Statesman, Leo Robson calls the book "a disappointment." "The basic narrative grammar is treated as a succession of boxes to be ticked, or hoops to be jumped through", he writes. "The juggling of divergent perspectives in Ghostwritten and Cloud Atlas, the adolescent solipsism of number9dream and Black Swan Green, have ill-equipped [Mitchell] for the challenges of the multi-character set-piece novel."

In-Flight Entertainment by Helen Simpson

"Simpson's talent for compression, and for working first-person perceptions seamlessly into a third-person narrative serves her well", writes the Guardian's Christopher Tayler of this short story collection loosely themed on climate change. For him Simpson "brings together an impressive number of micro-strands - parents, children, adultery, gardening, the Tudors - without becoming jumbled, congested or hard to follow, and comes to a sharp point." In the Times, Kate Webb agrees: "it is packaged with Simpson's deadpan wit - she is one of the most sharply funny writers in England today."

In the Independent, James Urquhart disagrees: "despite the muscular strength and succinct entertainment of the stories, the doomish density of her headline theme somehow dissipates the pithy attack that is the hallmark of Simpson's style." Likewise, Lorna Bradbury in the Telegraph argues: "the problem with the collection is that though the title story is well observed, the references to climate change elsewhere feel forced . . . It's difficult to believe that this issue drives relationships, and one wonders whether Simpson is straining for coherence in the collection."

Despite these criticisms, however, Amanda Craig in the New Statesman writes that at her best, Simpson can "easily beat other admired authors such as Lorrie Moore and Carol Shields."

Special offer: get 12 issues of the New Statesman for just £5.99 plus a free copy of "Liberty in the Age of Terror" by A C Grayling.

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Cabinet audit: what does the appointment of Karen Bradley as Culture Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Culture, Media and Sport.

The most politically charged of the culture minister's responsibilities is overseeing the BBC, and to anyone who works for - or simply loves - the national broadcaster, Karen Bradley has one big point in her favour. She is not John Whittingdale. Her predecessor as culture secretary was notorious for his belief that the BBC was a wasteful, over-mighty organisation which needed to be curbed. And he would have had ample opportunity to do this: the BBC's Charter is due for renewal next year, and the licence fee is only fixed until 2017. 

In her previous job at the Home Office, Karen Bradley gained a reputation as a calm, low-key minister. It now seems likely that the charter renewal will be accomplished with fewer frothing editorials about "BBC bias" and more attention to the challenges facing the organisation as viewing patterns fragment and increasing numbers of viewers move online.

Of the rest of the job, the tourism part just got easier: with the pound so weak, it will be easier to attract visitors to Britain from abroad. And as for press regulation, there is no word strong enough to describe how long the grass is into which it has been kicked.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.