Culture Vulture: reviews round-up

The critics' verdicts on Dave Eggers, James Shapiro and a history of anarchism.

Zeitoun by Dave Eggers

Although he has reservations, Harry Shearer in the New Statesman welcomes this book on Hurricane Katrina: "Eggers is blessed with a story Hollywood movie-makers would kill for". In the Guardian, Valerie Martin criticises the "queasy-making hagiographic tribute that occupies the first 80 or so pages of the book", only warming to it once she has seen "what Eggers is after -- nothing less than an indictment of the entire Bush era". In the Telegraph, Sameer Rahim concurs: "Eggers clearly wants his story to be a parable about the War on Terror"; but wonders if "Eggers's good intentions might come at the expense of balanced journalism". Robin Yassin-Kassab at the Independent is not perturbed, however: "Reminiscent of Gabriel García Márquez's documentaries, this is a true story told with the skills of a master of fiction", he writes.

The World That Never Was by Alex Butterworth

John Gray, the New Statesman's lead book reviewer, describes this account of turn-of-the-century anarchism as "riveting... teeming with intrigue and adventure and packed with the most astonishing characters". In the Times, Iain Finlayson praises "an intelligent political and social overview", and in the Independent, Sheila Rowbotham says the book "conveys the labyrinthine coils of conspirators and spies with graphic panache", even if it "leaves the reader puzzling over what exactly this world that never was actually meant to [its] protagonists." Christopher Howse of the Telegraph is less enamoured: "among the cast of Butterworth's sometimes bewildering narrative, too many simply disappear".

Contested Will by James Shapiro

Although "fully explaining the authorship controversy isn't a job for a Shakespearean scholar: it's a job for a pathologist", writes Michael Dobson in the Financial Times, the result "isn't just the most intelligent book on the topic for years, but a re-examination of the documentary evidence offered on all sides of the question." In the Times, John Carey finds that "Shapiro's book is unlikely to cut much ice" with conspiracy theorists. "All the same, it deserves to. It is authoritative, lucid and devastatingly funny". Hilary Mantel, writing in theGuardian, is impressed, too. Shapiro's "glinting, steely facts" are "the most riveting part of his book." She continues: "Shapiro is at his most combative when he engages with the autobiographical approach to Shakespeare studies... Self-revelation, Shapiro persuades us, was not an early modern mode."

"Contested Will" will be reviewed in a forthcoming edition of the New Statesman.

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Why a Keeping Up with the Kardashians cartoon would make genuinely brilliant TV

The Kardashians are their own greatest satirists.

You’ve seen Keeping Up with the Kardashians, Kourtney and Kim Take Kyoto, and Kylie and Kendall Klarify Kommunications Kontracts, but the latest Kardashian show might take a step away from reality. Yes, Kartoon Kardashians could be on the way. According to TMZ, an animated cartoon is the next Kardashian television property we can expect: the gossip website reports that Kris Jenner saw Harvey Weinstein’s L.A. production company earlier this month for a pitch meeting.

It’s easy to imagine the dramas the animated counterparts of the Kardashians might have: arguments over who gets the last clear plastic salad bowl? Moral dilemmas over whether or not to wear something other than Balenciaga to a high profile fashion event? Outrage over the perceived betrayals committed by their artisanal baker?

If this gives you déjà vu, it might be because of a video that went viral over a year ago made using The Sims: a blisteringly accurate parody of Keeping Up with the Kardashians that sees the three sisters have a melodramatic argument about soda.

It’s hysterical because it clings onto the characteristics of the show: scenes opening with utter banalities, sudden dramatic music coinciding with close-ups of each family member’s expressions, a bizarre number of shots of people who aren’t speaking, present tense confessionals, Kim’s ability to do an emotional 0-60, and Kourtney’s monotonous delivery.

But if the Kardashians, both as a reality TV show and celebrity figures, are ripe for ridicule, no one is more aware of it than the family themselves. They’ve shared teasing memes and posted their own self-referential jokes on their social channels, while Kim’s Kimoji app turned mocking viral pictures into self-depreciating in-jokes for her fans. And the show itself has a level of self-awareness often misinterpreted as earnestness - how else could this moment of pure cinema have made it to screen?

The Kardashians are their own greatest satirists, and they’ve perfected the art of making fun of themselves before anyone else can. So there’s a good chance that this new cartoon won’t be a million miles away from “Soda Drama”. It might even be brilliant.

Anna Leszkiewicz is a pop culture writer at the New Statesman.