Stephen Gately deserves better than this

Jan Moir's homophobic rant is a disgrace.

 

On the day the remaining members of Boyzone prepare to bring the body of their adored bandmate and "brother" Stephen Gately back to Dublin, the Daily Mail columnist Jan Moir has unleashed a poisonous piece of thinly veiled homophobia, entitled "Why there was nothing 'natural' about Stephen Gately's death".

In her column, which is little more than ill-informed conjecture, and in sickeningly insensitive bad taste, Moir refuses to accept Gately's mother's official statement that there is a history of heart problems in the family, preferring instead to insinuate that -- you know -- he's a gay man, so it must have been drugs, mustn't it?

Consider the way it has been largely reported, as if Gately had gently keeled over at the age of 90 in the grounds of the Bide-a-Wee rest home while hoeing the sweet pea patch.

The sugar coating on this fatality is so saccharine-thick that it obscures whatever bitter truth lies beneath. Healthy and fit 33-year-old men do not just climb into their pyjamas and go to sleep on the sofa, never to wake up again.

Whatever the cause of death is, it is not, by any yardstick, a natural one. Let us be absolutely clear about this. All that has been established so far is that Stephen Gately was not murdered.

And I think if we are going to be honest, we would have to admit that the circumstances surrounding his death are more than a little sleazy.

Oh really, would we? What, because a couple who have been in a committed and loving marriage for three years (and despite the legal jargon, it is marriage) decide to open up their sex life from time to time in their own home? That's far worse than cheating on your wife with prostitutes, isn't it? Or, say, being found asphyxiated in ladies' underwear with an orange in your gob.

What is most disgusting -- and utterly hateful -- however, is Moir's pronouncement on gay partnerships in general. She implies that there is something inherently immoral, dirty and wrong about same-sex relationships by dragging poor Matt Lucas and his late ex-husband into her vile logic:

Gay activists are always calling for tolerance and understanding about same-sex relationships, arguing that they are just the same as heterosexual marriages. Not everyone, they say, is like George Michael.

Of course, in many cases this may be true. Yet the recent death of Kevin McGee, the former husband of Little Britain star Matt Lucas, and now the dubious events of Gately's last night raise troubling questions about what happened.

For once again, under the carapace of glittering, hedonistic celebrity, the ooze of a very different and more dangerous lifestyle has seeped out for all to see.

Two different and very sad deaths among hundreds of thousands of successful, happy, loving gay partnerships. But Moir's message is all too clear: gay relationships will never be "normal" -- and, by extension, if tragedy befalls a gay couple, then they only had it coming to them.

There is growing outrage at the Mail as Moir's column ripples across the internet. Some, including the Fabian Society's Sunder Katwala, have suggested that the article be reported to the Press Complaints Commission.

UPDATE: After Facebook users set up a group suggesting that people offended by the article should complain to companies that advertise with the Daily Mail, the paper appears to have taken down all corporate advertising from the page that hosts Moir's piece, and has changed its headline to the more anodyne "A strange, lonely and troubling death".

Thomas Calvocoressi is Chief Sub (Digital) at the New Statesman and writes about visual arts for the magazine.

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"By now, there was no way back for me": the strange story of Bogdan Stashinsky

Serhii Plokhy’s The Man with the Poison Gun is a gripping, remarkable Cold War spy story.

On the morning of 12 August 1961, a few hours before the supreme leader of East Germany, Walter Ulbricht, announced the sealing of the border between East and West Berlin, a funeral took place for a four-month-old boy at the Rohrbeck Evangelical Cemetery in Dallgow. Numerous KGB agents and officers of the East German ministry of security were in attendance, but the boy’s parents were missing. Instead, Bogdan Stashinsky and Inge Pohl were preparing their imminent escape from Soviet-occupied territory and into the West. They had intended to flee the following day, but the funeral provided a moment of opportunity when their surveillance was relaxed. If they wanted to go, they had to go now.

“The KGB operatives present at the child’s funeral were puzzled by the parents’ absence,” a Soviet intelligence officer later wrote. “By the end of the day on 13 August 1961, it was clear that the Stashinskys had gone to the West. Everyone who knew what tasks the agent had carried out in Munich in 1957 and 1959, and what could happen if Stashinsky were to talk, was in shock.”

Those “tasks” were the state-sponsored assassinations of Lev Rebet and Stepan Bandera, two exiled leaders of the Ukrainian anti-communist movement who had been living in Munich. Stashinsky, one of the KGB’s top hitmen, and the focus of Serhii Plokhy’s gripping book, had been given the task of tracking and killing them with a custom-built gun that sprayed a lethal, yet undetectable poison. It was only after Stashinsky’s defection to the Central Intelligence Agency, and then to the West German security services, that the cause of Rebet and Bandera’s deaths was finally known.

For decades, the KGB denied any involvement in the assassinations, and the CIA has never been entirely sure about Stashinsky’s motives. Was he telling the truth when he confessed to being the assassin, or was he, as some still claim, a loyal agent, sent to spread disinformation and protect the true killer? Plokhy has now put to rest the many theories and speculations. With great clarity and compassion, and drawing from a trove of recently declassified files from CIA, KGB and Polish security archives, as well as interviews conducted with former heads of the South African police force, he chronicles one of the most curious espionage stories of the Cold War.

Stashinsky’s tale is worthy of John le Carré or Ian Fleming. Plokhy even reminds us that The Man With the Golden Gun, in which James Bond tries to assassinate his boss with a cyanide pistol after being brainwashed by the Soviets, was inspired by the Stashinsky story. But if spy novels zero in on a secret world – tradecraft, double agents, defections, and the moral fallout that comes from working in the shadows – Plokhy places this tale in the wider context of the Cold War and the relentless ideological battle between East and West.

The story of Stashinsky’s career as a triggerman for the KGB plays out against the backdrop of the fight for Ukrainian independence after the Second World War. He was a member of the underground resistance against the Soviet occupation, but was forced to become an informer for the secret police after his family was threatened. After he betrayed a resistance cell led by Ivan Laba, which had assassinated the communist author Yaroslav Halan, Stashinsky was ostracised by his family and was offered the choice of continuing his higher education, which he could no longer afford, or joining the secret police.

“It was [only] a proposal,” he said later, “but I had no alternative to accepting it and continuing to work for the NKVD. By now, there was no way back for me.” He received advanced training in Kyiv and Moscow for clandestine work in the West and became one of Moscow’s most prized assets. In 1957, after assassinating Rebet, he was awarded the
Order of the Red Banner, one of the oldest military decorations in the Soviet Union.

Plokhy’s book is about more than the dramas of undercover work; it is also an imaginative approach to the history of Cold War international relations. It is above all an affective tale about the relationship between individual autonomy and state power, and the crushing impact the police state had on populations living behind the Iron Curtain. Stashinsky isn’t someone of whom we should necessarily approve: he betrayed his comrades in the Ukrainian resistance, lied to his family about who he was and killed for a living. Yet we sympathise with him the more he, like so many others, turns into a defenceless pawn of the Communist Party high command, especially after he falls in love with his future wife, Inge.

One of the most insightful sections of Plokhy’s book converges on Stashinsky’s trial in West Germany in 1962 over the killings of Rebet and Bandera, and how he was given a reduced sentence because it was deemed that he had been an instrument of the Soviet state. The decision was influenced by German memories of collective brainwashing under the Third Reich. As one of the judges put it: “The accused was at the time in question a poor devil who acted automatically under pressure of commands and was misled and confused ideologically.”

What makes Plokhy’s book so alarmingly resonant today is how Russia still uses extrajudicial murder as a tool of foreign policy. In 2004 Viktor Yushchenko, the pro-Western future president of Ukraine, was poisoned with dioxin; two years later Aleksandr Litvinenko, the Russian secret service defector, unknowingly drank radioactive polonium at a hotel in London. The Russian journalist Anna Politkovskaya survived a poisoning in 2004 after drinking tea given to her by an Aeroflot flight attendant (she was murdered two years later). The collapse of the Soviet Union did not bring the end of the Russian threat (Putin, remember, is ex-KGB). As le Carré noted in a speech in the summer of 1990, “The Russian Bear is sick, the Bear is bankrupt, the Bear is frightened of his past, his present and his future. But the Bear is still armed to the teeth and very, very proud.”

The Man with the Poison Gun: a Cold War Spy Story by Serhii Plokhy is published by Oneworld (365pp, £18.99)

This article first appeared in the 12 January 2017 issue of the New Statesman, Putin's revenge