Stephen Gately deserves better than this

Jan Moir's homophobic rant is a disgrace.

 

On the day the remaining members of Boyzone prepare to bring the body of their adored bandmate and "brother" Stephen Gately back to Dublin, the Daily Mail columnist Jan Moir has unleashed a poisonous piece of thinly veiled homophobia, entitled "Why there was nothing 'natural' about Stephen Gately's death".

In her column, which is little more than ill-informed conjecture, and in sickeningly insensitive bad taste, Moir refuses to accept Gately's mother's official statement that there is a history of heart problems in the family, preferring instead to insinuate that -- you know -- he's a gay man, so it must have been drugs, mustn't it?

Consider the way it has been largely reported, as if Gately had gently keeled over at the age of 90 in the grounds of the Bide-a-Wee rest home while hoeing the sweet pea patch.

The sugar coating on this fatality is so saccharine-thick that it obscures whatever bitter truth lies beneath. Healthy and fit 33-year-old men do not just climb into their pyjamas and go to sleep on the sofa, never to wake up again.

Whatever the cause of death is, it is not, by any yardstick, a natural one. Let us be absolutely clear about this. All that has been established so far is that Stephen Gately was not murdered.

And I think if we are going to be honest, we would have to admit that the circumstances surrounding his death are more than a little sleazy.

Oh really, would we? What, because a couple who have been in a committed and loving marriage for three years (and despite the legal jargon, it is marriage) decide to open up their sex life from time to time in their own home? That's far worse than cheating on your wife with prostitutes, isn't it? Or, say, being found asphyxiated in ladies' underwear with an orange in your gob.

What is most disgusting -- and utterly hateful -- however, is Moir's pronouncement on gay partnerships in general. She implies that there is something inherently immoral, dirty and wrong about same-sex relationships by dragging poor Matt Lucas and his late ex-husband into her vile logic:

Gay activists are always calling for tolerance and understanding about same-sex relationships, arguing that they are just the same as heterosexual marriages. Not everyone, they say, is like George Michael.

Of course, in many cases this may be true. Yet the recent death of Kevin McGee, the former husband of Little Britain star Matt Lucas, and now the dubious events of Gately's last night raise troubling questions about what happened.

For once again, under the carapace of glittering, hedonistic celebrity, the ooze of a very different and more dangerous lifestyle has seeped out for all to see.

Two different and very sad deaths among hundreds of thousands of successful, happy, loving gay partnerships. But Moir's message is all too clear: gay relationships will never be "normal" -- and, by extension, if tragedy befalls a gay couple, then they only had it coming to them.

There is growing outrage at the Mail as Moir's column ripples across the internet. Some, including the Fabian Society's Sunder Katwala, have suggested that the article be reported to the Press Complaints Commission.

UPDATE: After Facebook users set up a group suggesting that people offended by the article should complain to companies that advertise with the Daily Mail, the paper appears to have taken down all corporate advertising from the page that hosts Moir's piece, and has changed its headline to the more anodyne "A strange, lonely and troubling death".

Thomas Calvocoressi is Chief Sub (Digital) at the New Statesman and writes about visual arts for the magazine.

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Edinburgh in the time of Harry Potter - growing up in a city that became famous for a book

At first, JK Rowling was considered a local author done good, rather than fiction’s future megastar. 

In an Edinburgh playground, circa 1998, I found myself excluded from one of the world’s first Harry Potter cliques. My best friend Sophie had a copy of a book with a title which seemed indecipherable to me, but she insisted it was so good she couldn’t possibly let me read it. Instead, she and the other owner of a book huddled together in corners of our concrete, high-walled playground. I was not invited.

Exclusion worked. Somehow I procured a copy of this book, rather sceptically read the praise on the cover, and spent the next day avoiding all company in order to finish it. After my initiation into the small-but-growing clique, I read the second book, still in hardback.

Edinburgh at that time was something of a backwater. Although it still had the same atmospheric skyline, with the castle dominating the city, the Scottish Parliament was yet to open, and the Scottish banks were still hatching their global domination plans. The most famous author of the moment was Irvine Welsh, whose book Trainspotting chronicled a heroin epidemic.

In this city, JK Rowling was still considered to be a local author done good, rather than fiction’s future megastar. She gave talks in the Edinburgh Book Festival, a string of tents in the posh West End Charlotte Square. By the time I saw her (Harry Potter and the Prisoner of Azkaban, hardback edition, 1999), she had graduated from the tepee to the big tent reserved for authors like Jacqueline Wilson and Michael Rosen. At the end we queued up for the book signing, and she told me she liked my purple dungarees.

At that time, there were no films, and what the characters should look and sound like was a constant playground debate. Another member of the Harry Potter clique I spoke to, Sally*, remembers how excited she was that “she did the same voice for Hagrid that my mum did when she was reading it to me”.

About the same time, a rumour spread around school so incredible it took a while to establish it was true. JK Rowling was moving to the street where some of our Harry Potter clique lived. We started taking detours for the privilege of scurrying past the grand Victorian house on the corner, with its mail box and security keypad. The mail box in particular became a focus of our imagination. Sophie and I laboured away on a Harry Potter board game which – we fervently believed – would one day be ready to post.

Gradually, though, it was not just ten-year-olds peeping through the gate. The adults had read Harry Potter by now. Journalists were caught raking through the bins.

Sally recalls the change. “It was exciting [after she first moved in], but as it was just after the first book it wasn’t as much of a big deal as it soon became,” she recalls. “Then it just felt a little bizarre that people would go on tours to try and get a glimpse of her house.

“It just felt like an ordinary area of town with ordinary people and it made me realise the price that comes with fame.”

Edinburgh, too, began to change. As teenagers (Harry Potter and the Order of the Phoenix, 2003) we liked to gather at the Elephant House cafe, on the bohemian George IV Bridge. We knew it was one of the cafes JK Rowling had written in, but we also liked its round wooden tables, and its bagels, and the fact you got one of the hundreds of miniature elephants that decorated the café if your bagel was late. It became harder and harder to get a seat.

We scoffed at the tourists. Still, we were proud that Harry Potter had put our city on the map. “As I grew older, it was fun to think of her writing the books in local cafes and just being an ordinary person living in Edinburgh with a great imagination,” Sally says. As for me, it was my trump card during long summers spent with bored Canadian teenagers, who had not heard and did not care about anything else relating to my teenage life in Scotland.

The last in the series, Harry Potter and the Deathly Hallows, was published in July 2007, a month after I left high school. Not long after that, I left Edinburgh as well. The financial crash the following year stunned the city, and exiled graduates like me. I fell out the habit of reading fiction for fun. JK Rowling moved to a house on the outskirts of Edinburgh, ringed by 50 foot hedges. The Scottish independence referendum divided my friends and family. On Twitter, Rowling, firmly pro-union, was a target for cybernats.

Then, two years ago, I discovered there is another Harry Potter city – Porto. As in Edinburgh, medieval passageways wind past stacked old houses, and the sea is never far away. JK Rowling lived here between 1991 and 1993, during her short-lived marriage, and drafted the first three chapters of Harry Potter and the Philosopher’s Stone. In the university district, students wear black, ragged gowns, and the fantastical wooden carvings of the Livraria Lello bookshop is tipped to be the inspiration for some of the aesthetic Rowling applies to the books.

I don’t know whether it did or not. But it made me realise that no city can possess an author, and not only because she could afford to any part of the globe at whim. Standing in the bookshop and watching the students drift by, I could imagine myself in some corner of the Harry Potter world. And simultaneously, perhaps, some tourists queueing for a table at the Elephant House were doing the same.

*Name has been changed

Now read the other articles included in the New Statesman’s Harry Potter Week.

Julia Rampen is the digital news editor of the New Statesman (previously editor of The Staggers, The New Statesman's online rolling politics blog). She has also been deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines. 

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