Centres of gravity

The Nobel Prize for Literature is awarded to Herta Müller

This year's Nobel Prize for Literature has been awarded to the Romanian-born writer Herta Müller. (Müller has lived in Germany since 1987 and writes in German.) According to the judges, Müller, "with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed".

Ahead of the award, one member of the jury, Peter Englund, had wondered if the prize had become too "Eurocentric" and said that "in most language areas . . . there are authors that really deserve and could get the Nobel Prize and that goes for the United States and the Americas, as well".

This was in marked contrast to the remarks last year of the prize's permanent secretary, Horace Engdahl, who appeared to argue that one of the functions of the Nobel was to ensure that the centre of gravity of the literary world remained in Europe. "There is powerful literature in all big cultures," Engdahl said. "But you can't get away from the fact that Europe is still the centre of the literary world . . . not the United States. The US is too isolated, too insular. They don't translate enough and don't really participate in the big dialogue of literature . . . That ignorance is restraining." (I wrote a piece about Engdahl, the Nobel and the growing dominance of the literary "Anglosphere" for the NS last year.)

Jonathan Derbyshire is Managing Editor of Prospect. He was formerly Culture Editor of the New Statesman.

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Katy Perry just saved the Brits with a parody of Donald Trump and Theresa May

Our sincerest thanks to the pop star for bringing one fleeting moment of edge to a very boring awards show.

Now, your mole cannot claim to be an expert on the cutting edge of culture, but if there’s one thing we can all agree on in 2017, it’s that the Brit Awards are more old hat than my press cap. 

Repeatedly excluding the genres and artists that make British music genuinely innovative, the Brits instead likes to spend its time rewarding such dangerous up-and-coming acts as Robbie Williams. And it’s hosted by Dermot O’Leary.

Which is why the regular audience must have been genuinely baffled to see a hint of political edge entering the ceremony this year. Following an extremely #makeuthink music video released earlier this week, Katy Perry took to the stage to perform her single “Chained to the Rhythm” amongst a sea of suburban houses. Your mole, for one, doesn’t think there are enough model villages at popular award ceremonies these days.

But while Katy sang of “stumbling around like a wasted zombie”, and her house-clad dancers fell off the edge of the stage, two enormous skeleton puppets entered the performance in... familiar outfits.

As our Prime Minister likes to ask, remind you of anyone?

How about now?

Wow. Satire.

The mole would like to extend its sincerest lukewarm thanks to Katy Perry for bringing one fleeting moment of edge to one of the most vanilla, status-quo-preserving awards ceremonies in existence. 

I'm a mole, innit.