Blogging the London Film Festival: the highlights

Ten to watch, as recommended by us

The 53rd London Film Festival begins on 14 October. Among the hundred-plus films drawn from around the world are the latest Coen brothers comedy, a biopic of the poet John Keats and not one, but two, films starring George Clooney. Over the coming weeks, the NS culture team will bravely attend as many screenings as possible and blog about it here. In the meantime, here is our pick of ten highlights to whet your appetite:

Fantastic Mr Fox (dir: Wes Anderson)

Anderson, director of quirky comedies such as The Royal Tenenbaums, makes his first foray into animation with this adaptation of Roald Dahl's classic children's story.

The White Ribbon (dir: Michael Haneke)

The Austrian-born Haneke has long been known for his punishing films, but his last, Funny Games, proved a little too much for our own Ryan Gilbey. Will this tale of malice and spite in early-20th-century Germany fare any better?

Bluebeard (dir: Catherine Breillat)

Famously retold by Angela Carter in her story collection The Bloody Chamber, this fairy tale gets a low-budget treatment from the provocative Breillat.

Tales from the Golden Age (dir: Cristian Mungiu)

The 20th anniversary of the fall of communism is being marked by various arts projects. Here, the acclaimed Romanian director Mungiu presents a series of vignettes of life under Ceausescu. You can read the NS review of his previous film, 4 Months, 3 Weeks and 2 Days, here.

Oil City Confidental (dir: Julien Temple)

After giving us documentaries on the Sex Pistols and the Glastonbury Festival, Temple turns his attention to Britain's much-maligned pub rock scene.

She, a Chinese (dir: Xiaolu Guo)

Guo is better known for her novels (the most recent of which we reviewed here), but she is also an accomplished film-maker. She, a Chinese tells the story of a young immigrant in Britain and features a score by John Parish, the PJ Harvey collaborator.

Hadewijch (dir: Bruno Dumont)

With a visual style that has more in common with the painters of his native Flanders than any of his contemporaries, Dumont cuts something of an outsider figure in French cinema. Hadewijch is tipped to be his best work yet -- while you wait for it, read this 2007 NS interview with the director.

Journey to the Moon (dir: Kutluğ Ataman)

Ataman, who was nominated for the Turner Prize in 2004, may be better known to NS readers as a video artist -- Fisun Güner wrote about him in April. Journey to the Moon reconstructs an incident from 1950s Turkey.

Perestroika (dir: Sarah Turner)

Structured around a journey on the Trans-Siberian Express, this exploration of amnesia is a promising highlight of the festival's experimental film strand.

Bad Lieutenant: Port of Call New Orleans (dir: Werner Herzog)

Herzog, the visionary German director who has been making films since the 1960s, is enjoying a late surge in popularity. This remake of a 1992 Abel Ferrara crime drama, starring Nicholas Cage, is a departure from his recent run of documentaries. You can read our Q+A with the director here.

Daniel Trilling is the Editor of New Humanist magazine. He was formerly an Assistant Editor at the New Statesman.

Photo: Channel 4
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Who will win Great British Bake Off 2017 based on the contestants’ Twitters

An extremely serious and damning investigation. 

It was morning but the sky was as dark as the night – and the night was as dark as a quite dark rat. He walked in. A real smooth gent with legs for seconds. His pins were draped in the finest boot-cut jeans money could buy, and bad news was written all over his face. “I’m Paul,” he said. “I know”. My hooch ran dry that night – but the conversation never did. By nightfall, it was clear as a see-through rat.   

Some might say that going amateur detective to figure out which contestants win and lose in this year’s Great British Bake Off is spoiling the fun faster than a Baked Alaska left out of the freezer. To those people I’d say: yes. The following article is not fun. It is a serious and intense week-by-week breakdown of who will leave GBBO in 2017. How? Using the contestants’ Twitter and Instagram accounts, of course.

The clues are simple but manifold, like a rat with cousins. They include:

  • The date a contestant signed up for social media (was it during, or after, the competition?)
  • Whether a contestant follows any of the others (indicating they had a chance to bond)
  • A contestant’s personal blog and headshots (has the contestant already snaffled a PR?)
  • Pictures of the contestant's baking.
  • Whether a baker refers to themselves as a “baker” or “contestant” (I still haven’t figured this one out but FOR GOD’S SAKE WATSON, THERE’S SOMETHING IN IT)

Using these and other damning, damning, damning clues, I have broken down the contestants into early leavers, mid-season departures, and finalists. I apologise for what I have done.

Early leavers

Kate

Kate appears not to have a Twitter – or at least not one that the other contestants fancy following. This means she likely doesn’t have a book deal on the way, as she’d need to start building her social media presence now. Plus, look at how she’s holding that fork. That’s not how you hold a fork, Kate.

Estimated departure: Week 1

Julia

This year’s Bake Off began filming on 30 April and each series has ten episodes, meaning filming ran until at least 9 July. Julia first tweeted on 8 May – a Monday, presumably after a Sunday of filming. Her Instagram shows she baked throughout June and then – aha! – went on holiday. What does this mean? What does anything mean?

Estimated departure: Week 2

James

James has a swish blog that could indicate a PR pal (and a marketing agency recently followed him on Twitter). That said, after an April and May hiatus, James began tweeting regularly in June – DID HE PERHAPS HAVE A SUDDEN INFLUX OF FREE TIME? No one can say. Except me. I can and I am.

Estimated departure: Week 3

Tom

Token-hottie Tom is a real trickster, as a social media-savvy youngster. That said, he tweeted about being distracted at work today, indicating he is still in his old job as opposed to working on his latest range of wooden spoons. His Instagram is suspiciously private and his Twitter sparked into activity in June. What secrets lurk behind that mysteriously hot face? What is he trying to tell me, and only me, at this time?

Estimated departure: Week 4

Peter

Peter’s blog is EXCEPTIONALLY swish, but he does work in IT, meaning this isn’t a huge clue about any potential managers. Although Peter’s bakes look as beautiful as the moon itself, he joined Twitter in May and started blogging then too, suggesting he had a wee bit of spare time on his hands. What’s more, his blog says he likes to incorporate coconut as an ingredient in “everything” he bakes, and there is absolutely no bread-baking way Paul Hollywood will stand for that.

Estimated departure: Week 5

Mid-season departures

Stacey

Stacey’s buns ain’t got it going on. The mum of three only started tweeting today – and this was simply to retweet GBBO’s official announcements. That said, Stacey appears to have cooked a courgette cake on 9 June, indicating she stays in the competition until at least free-from week (or she’s just a massive sadist).

Estimated departure: Week 6

Chris

Chris is a tricky one, as he’s already verified on Twitter and was already solidly social media famous before GBBO. The one stinker of a clue he did leave, however, was tweeting about baking a cake without sugar on 5 June. As he was in London on 18 June (a Sunday, and therefore a GBBO filming day) and between the free-from week and this date he tweeted about bread and biscuits (which are traditionally filmed before free-from week in Bake Off history) I suspect he left just before, or slap bang on, Week 7. ARE YOU PROUD NOW, MOTHER?

Estimated departure: Week 7

Flo

Flo’s personal motto is “Flo leaves no clues”, or at least I assume it is because truly, the lady doesn’t. She’s the oldest Bake Off contestant ever, meaning we can forgive her for not logging onto the WWWs. I am certain she’ll join Twitter once she realises how many people love her, a bit like Val of seasons past. See you soon, Flo. See you soon.

Estimated departure: Week 8

Liam

Liam either left in Week 1 or Week 9 – with 0 percent chance it was any of the weeks in between. The boy is an enigma – a cupcake conundrum, a macaron mystery. His bagel-eyed Twitter profile picture could realistically either be a professional shot OR taken by an A-Level mate with his dad’s camera. He tweeted calling his other contestants “family”, but he also only follows ONE of them on the site. Oh, oh, oh, mysterious boy, I want to get close to you. Move your baking next to mine.

Estimated departure: Week 9

Finalists

Steven

Twitter bios are laden with hidden meanings and Steven Carter-Bailey’s doesn’t disappoint. His bio tells people to tune in “every” (every!) Tuesday and he has started his own hashtag, #StevenGBBO. As he only started tweeting 4 August (indicating he was a busy lil baker before this point) AND his cakes look exceptionally lovely, this boy stinks of finalist.  

(That said, he has never tweeted about bread, meaning he potentially got chucked out on week three, Paul Hollywood’s reckoning.)

Sophie

Sophie’s Twitter trail is the most revealing of the lot, as the bike-loving baker recently followed a talent agency on the site. This agency represents one of last year’s GBBO bakers who left just before the finale. It’s clear Sophie’s rising faster than some saffron-infused sourdough left overnight in Mary’s proving drawer. Either that or she's bolder than Candice's lipstick. 

Chuen-Yan

Since joining Twitter in April 2017, Yan has been remarkably silent. Does this indicate an early departure? Yes, probably. Despite this, I’m going to put her as a finalist. She looks really nice. 

Amelia Tait is a technology and digital culture writer at the New Statesman.