Racism and the tabloids

The hypocrisy of Question Time outrage

If you thought tabloid outrage over Nick Griffin's appearance on Question Time was hypocritical, you weren't alone. Anton Vowl at The Enemies of Reason blog has produced a very thorough picture essay on the subject, which we repost here in full.

NB: "Today" below refers to Friday 23 October, as that's when Anton made the original post.

Today's tabloids express mock outrage at the appearance of N*ck Gr*ff*n on the BBC Question Time programme. But they have short memories.

Here's today's Star:

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Hang on, though. Isn't that the same newspaper that did this?

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And this?

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The Express, meanwhile, is also clutching its pearl necklace, claiming that the party is going to get taxpayer-funded broadcasts at the next election. Not a big lead on Griffin, because there's apparently another twist in the Diana saga (and as ever the stock image of her wearing a seat belt, which would have saved her life in the crash, nutjob neenaw whoop-whoop conspiracy or no conspiracy).

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But it's got those because it's gained votes. I wonder why? I wonder which newspapers are read by BNP supporters? Maybe ones that say stuff like this

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Or this?

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Or even this?

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And not forgetting the all-time classic:

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Not some. Not five hundred. Not even a thousand. Not half. Not three-quarters. No. ALL. IN BIG RED LETTERS SO YOU'RE MADE CLEARLY AWARE THAT IT'S ALL.

Hey, and please let's not forget this:

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I almost didn't include this!

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Which is almost the same as this!

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But no. The Express doesn't like the BNP. They just happen to share entirely the same views on immigration, but Griffin is bad, because . . . well. I haven't quite worked out why he's bad. Maybe he doesn't hate Muslims enough for their tastes?

The Mail have also had a bash, but as ever they're more concerned with attacking their nemesis the BBC than they are about hand-wringing over Griffin:

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Having said which, I still think

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it's worth making the point

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that the Mail doesn't always steer so far away

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from using content

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which the BNP and "bigot" N*ck Gr*ff*n

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might completely agree with

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and it's not long

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before you might start thinking to yourself

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are they really protesting a bit too much? And what's the difference, really, between the BNP bigots and the supposedly mainstream newspaper which claims to distance itself from them so much?

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And you have to start thinking: do these newspapers which select certain types of images of ethnic minorities and use them again and again

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really have such different views or agendas from the likes of the BNP?

It's all very well people blaming Labour, or the BBC, or whoever, for the "rise" of the BNP. But if there has been a significant increase in BNP support -- and it hasn't translated into votes yet, despite a severe recession and growing unemployment -- perhaps that might have more to do with the legitimisation and absorption of their extreme views by newspapers creating scare story after scare story concerning race and immigration, often baseless stories created simply to scare? It's one thing going to a BNP meeting but it's quite another to hear exactly the same thing over the breakfast table from a publication which purports to report the facts.

But no. It's all the BBC's fault. Let's blame them.

 

Daniel Trilling is the Editor of New Humanist magazine. He was formerly an Assistant Editor at the New Statesman.

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Don’t worry, Old Etonian Damian Lewis calls claims of privilege in acting “nonsense!”

The actor says over-representation of the privately educated at the top of acting is nothing to worry about – and his many, many privately educated peers agree.

In the last few years, fears have grown over the lack of working class British actors. “People like me wouldn’t have been able to go to college today,” said Dame Julie Walters. “I could because I got a full grant. I don’t know how you get into it now.”

Last year, a report revealed that half of Britain’s most successful actors were privately educated. The Sutton Trust found that 42 per cent of Bafta winners over all time were educated independently. 67 per cent of British winners in the best leading actor, actress and director categories at the Oscars attended fee-paying schools – and just seven per cent of British Oscar winners were state educated.

“That’s a frightening world to live in,” said James McAvoy, “because as soon as you get one tiny pocket of society creating all the arts, or culture starts to become representative not of everybody but of one tiny part. That’s not fair to begin with, but it’s also damaging for society.”

But have no fear! Old Etonian Damian Lewis is here to reassure us. Comfortingly, the privately-educated successful actor sees no problem with the proliferation of privately-educated successful actors. Speaking to the Evening Standard in February, he said that one thing that really makes him angry is “the flaring up recently of this idea that it was unfair that people from private schools were getting acting jobs.” Such concerns are, simply, “a nonsense!”

He elaborated in April, during a Guardian web chat. "As an actor educated at Eton, I'm still always in a minority," he wrote. "What is true and always rewarding about the acting profession is that everyone has a similar story about them being in a minority."

Lewis’s fellow alumni actors include Hugh Laurie, Tom Hiddleston, Eddie Redmayne – a happy coincidence, then, and nothing to do with the fact that Etonians have drama facilities including a designer, carpenter, manager, and wardrobe mistress. It is equally serendipitous that Laurie, Hiddleston and Tom Hollander – all stars of last year’s The Night Manager – attended the same posh prep school, The Dragon School in Oxford, alongside Emma Watson, Jack Davenport, Hugh Dancy, Dom Joly and Jack Whitehall. “Old Dragons (ODs) are absolutely everywhere,” said one former pupil, “and there’s a great sense of ‘looking after our own’." Tom Hollander said the Dragon School, which has a focus on creativity, is the reason for his love of acting, but that’s neither here nor there.

Damian Lewis’s wife, fellow actor Helen McCrory, first studied at her local state school before switching to the independent boarding school Queenswood Girls’ School in Hertfordshire (“I’m just as happy to eat foie gras as a baked potato,” the Telegraph quote her as saying on the subject). But she says she didn’t develop an interest in acting until she moved schools, thanks to her drama teacher, former actor Thane Bettany (father of Paul). Of course, private school has had literally no impact on her career either.

In fact, it could have had an adverse affect – as Benedict Cumberbatch’s old drama teacher at Harrow, Martin Tyrell, has explained: “I feel that [Cumberbatch and co] are being limited [from playing certain parts] by critics and audiences as a result of what their parents did for them at the age of 13. And that seems to me very unfair.”

He added: “I don’t think anyone ever bought an education at Harrow in order for their son to become an actor. Going to a major independent school is of no importance or value or help at all.” That clears that up.

The words of Michael Gambon should also put fears to rest. “The more Old Etonians the better, I think!” he said. “The two or three who are playing at the moment are geniuses, aren’t they? The more geniuses you get, the better. It’s to do with being actors and wanting to do it; it’s nothing to do with where they come from.”

So we should rejoice, and not feel worried when we read a list of privately educated Bafta and Oscar winners as long as this: Chiwetel Ejiofor (Dulwich College), Emilia Clarke (St Edward’s), Carey Mulligan (Woldingham School), Kate Winslet (Redroofs Theatre School), Daniel Day-Lewis (Sevenoaks School, Bedales), Jeremy Irons (Sherborne School), Rosamund Pike (Badminton), Tom Hardy (Reed), Kate Beckinsale (Godolphin and Latymer), Matthew Goode (Exeter), Rebecca Hall (Roedean), Emily Blunt (Hurtwood House) and Dan Stevens (Tonbridge).

Life is a meritocracy, and these guys were simply always the best. I guess the working classes just aren’t as talented.

Anna Leszkiewicz is a pop culture writer at the New Statesman.

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