EasyJet's linking policy bans you from using the colour orange

Luckily, we don't link to easyJet.

Yesterday, I mentioned easyJet's 2004 squabble with Orange over the colour orange:

The Easy conglomerate, owners of the travel company easyJet, uses Pantone 021C, but famously got into trouble with the mobile phone company Orange – which has trademarked the similar shade Pantone 151C – when it started easyMobile in 2004.

EasyJet hasn't backed down over that claim in the intervening eight years. If anything, they've gone in harder.

Their linking policy – which I'm not linking to because, well, you'll see – bans anyone "linking to the easyJet Website by any means" from using the colour Orange. At all:

3.3 You agree that you shall not use the colour orange (pantone reference 021C, HTML reference #FF6600) on your Website except as part of an easyJet Trade Mark used as permitted in clause 3.1 above.

The policy also bans you from linking to anywhere on the site other than the homepage:

4.1 You are permitted to provide and maintain a Link to the easyJet Website Homepage only at URL You may not direct the Link to any other webpage contained within the easyJet Website.

Of course, such policies have been around for ages. But I've not yet seen one which claims ownership over an entire colour.

EastJet Orange.

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.