Sexist Lego a success

In spite of the uproar, the Lego Friends range is selling well

 

Earlier this year, Lego released a “Lego Friends” series that would widen the plastic blocks’ appeal to girls. Pundits bemoaned the range’s perpetuation of stale gender stereotypes, questioning whether it was really necessary to replace the traditional boxy Lego figures with curvy teenage girls that hang out in beauty parlours and cafes. Despite the controversy, Lego’s sales have increased 24 per cent year-on-year and “Lego Friends” have proved a success.

This is unsurprising considering the amount of market research that went into the range. Lego spent four years analysing girls’ playing preferences. According to Businessweek, the company found that girls paid more attention to things like aesthetics, level of detail, and role-play (this last point justifies the “Ladyfig” innovation – girls see the figurines as avatars, and are therefore, allegedly, more likely to see themselves reflected in a less angular piece of plastic). Furthermore, they found that although girls enjoyed building as much as boys, they did so in different way; while males enjoyed the more “linear” process of copying what is on the box as quickly as possible, females preferred “stopping along the way” for story telling and rearranging pieces.

The study confirms that boys and girls, at least broadly, play differently. But I suspect that the range’s success is less tied with this than with the simple fact that Lego Friends have made it more socially acceptable for girls to ask for Legos. The truth is, the brand has always done its best to fit squarely in the boys’ aisle of Toy’R’Us – since 1966, the Lego has been selling gas stations, trains and cars. Its recent makeover (side note - makeovers happen to be one of Emma’s [a Lego Friend] favourite hobbies) has made it possible for the brand to compete alongside dolls and kitchen sets. The difference between the Star Wars series and Lego Friends is, basically, a matter of packaging. But at an age where – however artificially - gender divides are at their most blatant (everyone knows that six year old boys have cooties and are to be derided for it), neither boys nor girls want to be seen wandering down each other’s aisles. Lego can't be held to blame for effectively doubling its demographic, and it is unequivocally a good thing that little girls can enjoy building blocks without feeling like a silly boy.

Or maybe kids don't actually care about these things and it's adults that find it easier to narrow their options when choosing presents. 

In any case, it’s sad that even toys are a partisan affair.  

Lego Freddie Mercury Photograph: Ghetty Images
Felipe Araujo
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Hull revisited: What happens when a Brexit stronghold becomes City of Culture?

We report from Hull, to find out if you can replace the kind of nostalgia that led to a Leave vote with cultural investment.

At 75 metres long, the offshore wind turbine blade erected across Queen Victoria Square, in the heart of Hull, is a sculpture intended to mark a new chapter in the city’s history. For the next 12 months, Hull, a city of more than a quarter of a million people in the northeast of England, will be the UK’s City of Culture.

The 28-tonne blade hails from the local Siemens plant. The German technology company employs around 1,000 people in the area, making it Hull’s biggest single employer.

Seen up close in this context – laid dormant in the middle of a town square instead of spinning up in the air generating energy – the structure is meant to remind passersby of a giant sea creature. It is also, I’m told, an allusion to Hull’s rich maritime history.


All photos: Felipe Araujo

Nostalgia is a big thing in this part of the country. At one point, Hull was the UK’s third largest port but technology and privatisation drastically changed that. The battle over cod fishing with Iceland in the waters of the North Sea 40 years ago has also dealt a major blow to a region with a long and proud trawling tradition.

People here still talk about a bygone era when the fishing industry provided jobs for everyone and there was enough money to go around.

Fast forward to 2017, and the country’s new capital of culture is the same city that voted 67 per cent in favour of leaving the EU last June. Its new-found prestige, it seems, is not enough to erase years of neglect by a political class “too busy for commoners like us”, as one resident puts it.

“More than a message to Brussels, it [the Brexit vote] was a message to Westminster,” Paul Leeson-Taylor, a filmmaker born and bred in Hull, tells me. “For the first time in a long time people in Hull felt like they had the chance to change something, and they took it.”

But while speaking to people on the high street and hanging out with locals at the Community Boxing Club in Orchard Park, one of the city’s most deprived areas, there is one word that consistently popped up in conversation – more than any specific policy from Westminster or the much-hated rules “dictated” by Brussels. Foreigners.

According to official figures, Hull’s population is 89.1 per cent white British. Still, immigration is big on people’s minds here.

During my two-day stay in the city, I find myself being the only black person in most places I visit – I’m certainly the only black guy at the boxing club. So when someone begins a sentence with “I’m not racist but…”, I know a tirade on immigrants is about to ensue.

“There are just too many of them,” Nick Beach, an estate agent whose Polish clientele is a big part of his business, tells me as he is about to teach a boxing class to local children. Beach was born in Shepherd’s Bush, in West London, but has been living in Hull for the last 20 years.

“When I go down there these days and go into Westfield shopping centre, it is very rare you get an English person serving you now,” he says. “I just find it disappointing that you go into your capital city and you are a minority there.”

These are the much-discussed “left behind”, a white working-class community that has gained particular prominence in a time of Brexit and Donald Trump. Under economic pressure and facing social change, they want to have their say in running a country they claim to no longer recognise.

For Professor Simon Lee, a senior politics lecturer at the University of Hull, immigration is only a superficial layer when it comes to explaining the resentment I witness here. For him, the loss of the empire 70 years ago is still something that as a country Britain hasn’t come to terms with.

“The reason for us to be together as a United Kingdom has gone, so what is the project?”

As destiny would have it, a foreign company will now play a major role on Hull’s economic future, at least in the short term. In the wake of the Brexit vote, there were widespread fears Siemens would pull out of the region and take its factory elsewhere. With the massive blade looming large in the background, Jason Speedy, director of the blade factory in Hull, assures me that isn’t the case.

“The Brexit decision has made no difference. We have made our investment decision, so Siemens, together with the Association of British Ports, has put in £310m. It’s all full steam ahead.”

As Hull becomes the country’s cultural hub for the next few months, the hope is that its residents stop looking back and start looking forward.

For Professor Lee, though, until there is a complete change in the power structures that run the country, the north-south divide will remain – with or without the EU. “The way you kill nostalgia is to have something new,” he said. “The reason why people here are nostalgic is because there is nothing to replace it with.”

Felipe Araujo is a freelance journalist based in London. He writes about race, culture and sports. He covered the Rio Olympics and Paralympics on the ground for the New Statesman. He tweets @felipethejourno.