Gordon's retribution, Chavez's defeat

The PM gets his own back for Vince Cable's Mr Bean jibe and the blogosphere rejoices as Chavez loses

With Vince Cable’s Mr Bean jibe still ringing in many MPs’ ears, PMQs provided the PM with an opportunity to bite back. Adam Boulton describes the scene: “Vince Cable got lost with lacklustre questions on Northern Rock. Brown got his own back for Mr Bean suggesting Cable was ‘better at jokes than economics’. No pretty footwork but the prime minister was still on his feet at the end of the half hour.”

As the Labour Party funding fiasco continues to niggle the government, Luke Akehurst took offence to a Yasmin Alibhai-Brown article in the Independent which suggested the Labour Friends of Israel were somehow involved. Akehurst describes the article as “winner of most idiotic and unhelpful contribution to the debate on Party funding”, and concludes: “I cannot understand what, other than anti-Semitism, would motivate someone to write a whole column whose only hook was the shared ethnicity of David Abrahams and Jonny Mendelsohn.”

Over in Venezuela, President Chavez narrowly lost a controversial vote that would have changed the constitution to allow him to be re-elected. The condemnation of his attempt, and rejoice at the outcome of the vote, was widespread across the UK political blogosphere.

David T at Harry’s Place writes: “I think Chavez is more of a fool than a monster. Perhaps he is not as bad as some of his strongest critics hold. Nevertheless, I find the adulation heaped upon this rather comic man - more of a Peron than an Allende - in some parts of the Left difficult to understand … This result illustrates that Venezuelans have an affection for a robust democracy, and prefer to keep their leaders on an electoral leash to government by coup.”

While Lenin’s Tomb is more sympathetic, seeing the result not so much as anti-Chavez as more pro-democracy: “The reality is probably that Chavez’s supporters were simply unwilling to turn out to vote for a constitution among whose main priorities was to enhance executive power. This was always the most problematic aspect of Chavez’s reforms. Unfortunately, this result will probably strengthen the rightist opposition, despite the continuing popularity of Chavez and his other reforms.”

Finally, on Monday Iain Dale announced he would be leaving 18 Doughty Street to concentrate on launching a new political magazine and write a book. Let’s hope it does not interfere with his blogging duties.

Owen Walker is a journalist for a number of titles within Financial Times Business, primarily focussing on pensions. He recently graduated from Cardiff University’s newspaper journalism post-graduate course and is cursed by a passion for Crystal Palace FC.
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Ariana and the Arianators: "We really are like a family"

The pop star provides her fans with a chance to express themselves joyfully - their targeting was grimly predictable.

Ariana Grande’s concert at Manchester Arena on 22 May began like any other. Children and teenagers streamed through the doors wearing pink T-shirts, rubber wristbands and animal ears (one of Grande’s signature looks). They screamed when she came on stage and they sang along with every song. It was only once the music had ended, and the 20,000-strong audience began to leave the venue, that the horror began – with a bomb detonated at the main entrance.

The show was just one date on Grande’s Dangerous Woman tour, which began in Phoenix, Arizona in February, moved across the United States and Europe, and had stops scheduled for South America, Japan, Australia and Hong Kong. (Since the Manchester attack, Grande has suspended the tour indefinitely.)

Since releasing her debut album in 2013, Grande has successfully transitioned from teen idol to fully fledged pop star (all three of her studio albums have sold over a million each) with a combination of baby-faced beauty and Mariah Carey-style, breathy vocals. Her most popular records are bubblegum pop with a Nineties R’n’B influence, a combination also expressed in her fashion choices: Nineties grunge meets pastel pinks.

She entered the limelight at 16 on the children’s TV programme Victorious, which ran on the Nickelodeon channel, pursuing her musical ambitions by performing the show’s soundtracks. Many of the young people who grew up watching her as the red-haired arts student Cat Valentine on Victorious would become fans of her pop career – or, as they call themselves, the Arianators.

As she outgrew her child-star status, Grande’s lyrics became more sexually suggestive. Recent songs such as “Side to Side” and “Everyday” are more explicit than any of her previous hits. She has repeatedly insisted that young women should be able to speak openly about sex and feel empowered, not objectified.

“Expressing sexuality in art is not an invitation for disrespect,” she tweeted in December. “We are not objects or prizes. We are QUEENS.”

Grande also has a reputation as something of a gay icon. She has advertised her records on the gay dating app Grindr, headlined shows at Pride Week in New York, and released a single and a lipstick to raise money for LGBTQ charities.

Cassy, a 19-year-old film student and fan, told me the fanbase is “made mostly of young women from 14-23, but I run into guys and non-binary fans all the time.”

“It’s pretty well known that Ariana has got a LGBTQ+ fan base. She’s so outspoken about it and that’s what draws us to her. Because she’s accepting of everyone, no matter who you are.”

Like many child actresses-turned-pop star, Grande has a fan base skewed towards the young and female: teenage and pre-teen girls are by far the majority of her most dedicated supporters. A writer on the Phoenix New Times described the typical Ariana Grande crowd as “pre-tween, tweens, teens, young gay (and fabulous) men, moms with cat ears, and multiple candidates for father of the year”. The Arianators form tight-knit groups on social media. I spoke to several over Twitter after the attack.

Arena concerts, which often have more relaxed age restrictions than nightlife venues, have long been a safe space for children, young people and teenage girls. They provide a secure place for concert-goers to dress up, experiment, play with burgeoning sexualities, dance, scream and cry: to flirt with an adult life still slightly out of reach. Glitter-streaked tears stream down the unapologetic faces of fans touched by an emotion bigger than themselves. It is appalling, if grimly predictable, to see children, teenage girls and young gay men targeted by agents of regressive ideologies for expressing themselves so joyfully. On 23 May, Isis claimed the attack.

Andréa, a 17-year-old fan from France, told me about her first experience of a Grande concert. “It was incredible,” she said. “Everyone was so kind, excited and happy. We really are like a family.”

The fans are devastated by Monday’s bombing. Thousands of messages appeared on social media to commemorate those who lost their lives. “As an Arianator,” Alexandre, aged 16, told me, “I’m really sad and I’m scared.”

“We’re all taking it really hard,” Cassy said. “We’re a family and we lost 22 members of that family last night.”

Ariana began her gig in Manchester with the song that has opened every night of her current tour: “Be Alright”. In it, she repeatedly reassures the crowd, “We’re gonna be all right.” It’s a phrase that her fans are clinging to after the attack. So, too, are the lyrics of “Better Days”, by Grande and her support act Victoria Monét, which was also performed the night of the explosion. “There’s a war right outside our window,” the words go. “I can hear the sirens . . ./I can hear the children crying . . ./I’m hoping for better days . . .”

“It’s hit us all very hard because we’ve lost some of our own,” said one Arianator who runs a popular Twitter account about the tour. “People we interacted with on a daily basis. People that just wanted to have a night of fun. These are dark times, but we are looking forward to better days.”

Anna Leszkiewicz is a pop culture writer at the New Statesman.

This article first appeared in the 25 May 2017 issue of the New Statesman, Why Islamic State targets Britain

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