Art in Regent's Park

Frieze London opens for its tenth edition

The Frieze Art Fair returns from New York to London this Thursday, bringing together 175 of the world’s most innovative contemporary art galleries in a bespoke temporary structure erected in Regent’s Park. Exhibitors will come from 35 countries including Argentina, China, Columbia, Hungary, India, Korea and South Africa. Furthermore, this year the Fair includes two exciting (if a little overdue) new sections: Focus and Frieze Masters.

Focus is only open to galleries established after 2001, each of whom are invited to curate up to three artists’ works at the Fair, while Frieze Masters, which will run in parallel with the main festival and require a separate ticket, will present “a contemporary perspective on historical art”. That is to say, for the first time, Frieze will sell old as well as new art.

Over 90 galleries from territories including Spain, Lebanon, Turkey and Brazil will exhibit works “ranging from the ancient era and old masters through to art of the 20th century”, a decision praised by the Guardian’s art critic Jonathan Jones. “Lo and behold,” he writes, “the art world has discovered that time is not flat. We do not occupy an eternal present. There were artists before we were born, and there will be artists after we die … New art is not an orphan: it is the child of history. Frieze Masters will make it easier for everyone to see that.”

Frieze curator Sarah McCrory has commissioned five site-specific pieces for this year’s Fair. One, a structure which explores the “use-value” of art by providing a forum for artists who produce food, chaotic dining events, performances and talks has been created by Lake District-based Grizedale Arts and the Yangjiang Group collection. Another will see a section of Regent’s Park smouldering as a field of incense burns to suggest contemplation and reflection (Joanna Rajkowska), and a recreated crime drama scene by Asli Çavuşoğlu will interrogate the parallels between murder mystery production and the destructive decisions taken when making art.

The Fair will also boast films, talks and a Sculpture Park curated by Clare Lilley, Director of Programme at Yorkshire Sculpture Park, alongside gourmet food, workshops and a Family Space. Although the primary function of the Fair is to sell the works exhibited, most visitors will attend as spectators rather than prospective buyers. In fact, Frieze stopped publishing sales figures in 2006, for this and other reasons. Tickets are limited “to ensure the best experience for all visitors”, but for those not lucky enough to get a ticket, the Sculpture Park is open free to the public.

Frieze London will be in Regent’s Park from 11-14 October.

"The Maids" by Paula Rego, a Frieze Master. Image: Frieze.

Philip Maughan is Assistant Editor at the New Statesman.

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From probiotics to poetry: how Rachel Kelly keeps depression at bay

Kelly describes herself as a people-pleaser and yet 12 years ago she fled her own Christmas party, crushed by a deep depression. Now she's written 52 Small Steps to Happiness.

Rachel Kelly describes herself as a people-pleaser and yet 12 years ago she fled her own Christmas party, crushed by a deep depression. Hours later, she returned to her home in Notting Hill, west London, where her husband helped her to bed. The party continued downstairs – the Camerons and Osbornes were present, joined by the family’s other high-flying friends. “The struggle was over,” she wrote in her 2014 memoir, Black Rainbow. “I had tried and I had lost.”

Kelly’s suffering came as a surprise to many. A journalist at the Times, with a successful husband, beautiful house and healthy children, she had achieved everything she had wanted. But her mental health declined after the birth of her second child in 1997 and it took years of medication and therapy to recover.

Kelly’s latest book, Walking on Sunshine: 52 Small Steps to Happiness, describes the strategies that have helped her stay “calm and well” ever since. Drawing equally from science and art, each chapter (one for every week of the year) offers salves for both body and mind, from probiotics to poetry.

When we met one recent evening at a café near her home, Kelly barely remembered to drink her water, so eager was she to share her experiences. She hopes that her new book will be for “those of us who, at times, find life stressful, or who wish to try to feel a little steadier”. It’s the kind of book she wishes she had read before becoming ill. “I’m a believer in prevention rather than cure,” she said. “I do a lot of work in schools, where we have a massive problem with teenage mental health. What makes me feel so exhilarated is that there really are things you can do.”

Having seen depression from both sides, as a sufferer and a campaigner, she is acutely aware of the stigma that mental illness still carries, particularly among people working in middle-class jobs. “If you’re unemployed or facing real social deprivation, there’s an expectation that you might get depressed. But in that middle cohort – of lawyers, bankers, doctors – there’s a lot of pressure, yet it’s hard to admit you might be suffering.”

Challenging such stigmas is vital. The head of the charity Mind estimates that 75 per cent of people with mental health problems do not receive any treatment. The number of those who do has continued to rise: the NHS issued roughly 53 million prescriptions for antidepressants in 2013, an increase of a quarter in three years. In some cases “antidepressants can be life savers”, Kelly told me. For others, “it’s empowering to take responsibility for what you can do yourself”. In her own case, she found that useful strategies came not only from professionals but from family, friends, readers and those who took part in the workshops she runs. She has found the words of poets helpful. It was a poem, “Love (III)”, by the 17th-century clergyman George Herbert, that she credits with kick-starting her recovery: “Love bade me welcome. Yet my soul drew back.”

Pointing to work being done by the Royal College of Music and a new charity, ReLit, which promotes the use of imaginative literature in treating stress and anxiety, Kelly is hopeful that the bonds between well-being and the arts will grow.

“The NHS rightly has to be evidence-based,” she said, “but I’m absolutely certain that the arts have an important part to play in mental health and we’re beginning to see the research that proves it.” Though Kelly spoke cheerfully about her experiences, her present life is not without anxiety. Like anyone, she worries about the future. “I suppose if I wish for something, it’s for my children to avoid what I went through,” she said. “You wouldn’t wish depression on anyone.”

India Bourke is the New Statesman's editorial assistant.

This article first appeared in the 19 November 2015 issue of the New Statesman, The age of terror