National Portrait Gallery adds Dame Kelly Holmes to its contemporary idols

Dame Kelly joins the "heroes" in the NPG's range of celebrities.

A portrait of Dame Kelly Holmes is the latest addition to the National Portrait Gallery as part of the BP Portrait award competition. The large-scale oil painting joins such important figures in the NPG's Contemporary Collection as footballer Bobby Charlton and the UK's "favourite"  billionare, Sir Richard Branson. Glancing over the portraits in the Contemporary rooms of the NPG, I'd say that, aesthetically, they have a lot to offer. The variation in styles begins to be somewhat overwhelming, however, leaving one skimming over pieces with less initial impact, such as John Swannell's photo portrait of Princess Diana with her sons (which at first glance I presumed to be a promotional shot from a 1970s family sitcom). Excluding this happy accident of a photo, most of the paintings could belong in any wing of the Tate Modern; some are so obscure that it seems the artists just decided to paint something  in their characteristic style, the famous figures depicted being mere quirks that made the pictures noteworthy enough to get into the NPG. The portrait of Holmesis one of the exceptions in its initial straightforwardness, though she looks so remarkably sad one would guess she had had her two Olympic gold medals revoked. In fact, there is no allusion to her sporting career at all.

But it does leave us questioning the kinds of people our society chooses as role models. Why is it that we value these people? If their fame is celebrated in the form of a portrait, why are the reasons for their being celebrated so often left out of the picture? This is perhaps less surprising in the case of some of the well-known actors portrayed, such as Alan Rickman and Helen Mirren. Perhaps they've reached the stage when they're famous for being famous, like the disreputable Kardashians or the wretched Jade Goody? We see faces such as those of Sir Roy Calne, surgeon extraordinaire, scientist Robert Winston and Body Shop founder and human rights activist Dame Anita Roddick, who have contributed to society in a slightly more productive way. But they are a lonely few in a sea of tabloid-worthy celebrities.

Kelly Holmes and J K Rowling are Orwellian Big Brothers,  inspiration to the proles to make something, anything, of their lives. Congratulations to Dame Kelly for joining the ranks of 16th-century kings and 20th-century singers. Let's hope it motivates the lazy nobodies to get out and climb the ladder so high they're forced to cover their faces in public.

Dame Kelly's portrait will appear alongside Britain's favourite celebrities, including the Queen. Photograph: Andrew Cowie/AFP/GettyImages
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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