Review: Sex and Sensibility, BBC 4

Set against political scandal, mass immigration and growing cultural hysteria, this three-part BBC d

Despite, being a dazzling time full of progress and change, as the turning of a new century loomed, drug abuse, sexual deviance and syphilis were rife. Europe in the late 1800s was a hot bed of radical ideas and “there were also more ominous undercurrents”. Indeed, as Smith points out Conrad’s Heart of Darkness was published in 1899, at art nouveau’s height.

The first episode, broadcast last Thursday, explores the rise and fall of this flamboyant decorative style from it’s emergence in the Bohemian underbelly of Paris onto the streets of the city, giving us an insight into both the flourishing aesthetic of art nouveau and the lives of some of the city’s most glamorous and controversial fin de siècle figures.

Smith looks at the iconic, sensual images of actress Sarah Bernhardt, the exclusive architecture of the famous Maxim’s restaurant, Paris’s art nouveau metro stations as well as the exquisitely gaudy beauty of jewellery designed by Renee Lalique. But Smith’s exploration of this decadent world is  not just a flick through the picture books, as he reveals how some of art nouveau's stars risked their reputation to give meaning and purpose to work they thought would affect social change.

In Episode two Smith shifts his exploration to Britain wherein the “sensuality of exotic foreign influences met the genius of British craftsmanship”. Our art nouveau heritage is excavated revealing the “meteoric”, “dazzling”, “controversial” yet brief career of illustrator Aubrey Beardsley whose illustrations and association with Oscar Wilde scandalised the British public of the day. Smith also looks at the work of William Morris and Charles Rene McKintosh as well as lesser-known talents such as Margaret Macdonald.

Episode three, airing on Thurdsay 5th April, will see Smith journeying to Vienna to take a look at the master of art nouveau, Gustav Klimt.

The series uncovers glimpses into the world of art nouveau. Through visits to their private houses, previously unseen collections of their work and interviews with their enthusiasts, Smith talks engagingly and intriguingly about this fashion fad that disappeared almost as fast as it emerged. Whether you are a fan of the art nouveau style or not, the scandalous lives of its fin de siècle’s participants more than makes up for its over-the-top and whimsical aesthetics.

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Harry Styles: What can three blank Instagram posts tell us about music promotion?

Do the One Direction star’s latest posts tell us about the future of music promotion in the social media age - or take us back to a bygone era?

Yesterday, Harry Styles posted three identical, captionless blank images to Instagram. He offered no explanation on any other social network, and left no clue via location serves or tagged accounts as to what the pictures might mean. There was nothing about any of the individual images that suggested they might have significance beyond their surface existence.

And, predictably, they brought in over a million likes – and thousands of Styles fans decoding them with the forensic dedication of the cast of Silent Witness.

Of course, the Instagrams are deliberately provocative in their vagueness. They reminded me of Robert Rauschenberg’s three-panelled White Painting (1951), or Robert Ryman’s Untitled, three square blank canvases that hang in the Pompidou Centre. The composer John Cage claimed that the significance of Rauschenberg’s White Paintings lay in their status as receptive surfaces that respond to the world around them. The significance of Styles’s Instagrams arguably, too, only gain cultural relevance as his audience engages with them.

So what did fans make of the cryptic posts? Some posited a modelling career announcement would follow, others theorised that it was a nod to a Taylor Swift song “Blank Space”, and that the former couple would soon confirm they were back together. Still more thought this suggested an oncoming solo album launch.

You can understand why a solo album launch would be on the tip of most fans’ tongues. Instagram has become a popular platform for the cryptic musical announcement — In April, Beyoncé teased Lemonade’s world premiere with a short Instagram video – keeping her face, and the significance behind the title Lemonade, hidden.

Creating a void is often seen as the ultimate way to tease fans and whet appetites. In June last year, The 1975 temporarily deleted their Instagram, a key platform in building the band’s grungy, black and white brand, in the lead up to the announcement of their second album, which involved a shift in aesthetic to pastel pinks and bright neons.

The Weekend wiped his, too, just last week – ahead of the release of his new single “Starboy”. Blank Instagrams are popular across the network. Jaden Smith has posted hundreds of them, seemingly with no wider philosophical point behind them, though he did tweet in April last year, “Instagram Is A BlackHole Of Time And Energy.”

The motive behind Harry’s blank posts perhaps seems somewhat anticlimactic – an interview with magazine Another Man, and three covers, with three different hairstyles, to go along with it. But presumably the interview coincides with the promotion of something new – hopefully, something other than his new film Dunkirk and the latest update on his beloved tresses. In fact, those blank Instagrams could lead to a surprisingly traditional form of celebrity announcement – one that surfaces to the world via the print press.

Anna Leszkiewicz is a pop culture writer at the New Statesman.