Rewarding representation

Seven artists in the running to take award for representational painting.

The shortlist for the annual Lynn Painter-Stainers Prize for Representational Painting has been announced. Sponsored by the Painter-Stainers company and the Lynn Foundation (amongst other organisations with a strong history of supporting fine art), the prize rewards outstanding skill in draughtsmanship and representational painting.

The artists shortlisted for the award are:

Peter Brown NEAC
Peter Clossick
Naomi Grant
Christopher Green
Rachel Ross
Melissa Scott-Miller RP NEAC
Antony Williams

The prize is now in its seventh year. The selectors for 2012 include Andrew Wilton (Visiting Research Fellow at Tate Britain) and artists Chris Orr and William Packer. Receiving over a thousand entries, the judges were tasked with whittling the works down to the 98 which will be exhibited at the Mall Galleries from 28 March - 5 April. The selectors said: "We are delighted this year to have been able to select a larger exhibition demonstrating the breadth and skill of representational painting in the UK". The exhibition will feature work in a variety of media, including paintings in oil, watercolour and ink. The winner of this year's award will take away not only the prestige that comes with the title, but also the tidy sum of £15,000.

"The Shard from King William Street" by Christopher Green
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The radio station where the loyal listeners are chickens

Emma Hills, the head chicken trainer at Giffords Circus, knows what gets them clucking.

“The music is for the chickens, because of course on the night the music is very loud, and so it needs to be a part of their environment from the very start.” Emma Hills, the head chicken trainer at Giffords Circus, is standing in the sawdusty ring under a big top in a field outside Stroud as several rare-breed chickens wander freely around boxes and down ramps. They are the comic stars of the summer 2017 show, and Emma is coaxing them to walk insouciantly around the ring while she plays the early-morning show on Radio 1.

It’s the chickens’ favourite station. There seems to be something about its longueurs, combined with the playlist, that gets them going – if that’s the word. They really do respond to the voices and songs. “It’s a bit painful, training,” Emma observes, as she moves a little tray of worms into position as a lure. “It’s a bit like watching paint dry sometimes. It’s all about repetition.”

Beyond the big top, a valley folds into limestone hills covered in wild parsley and the beginnings of elderblossom. Over the radio, Adele Roberts (weekdays, from 4am) hails her listeners countrywide. “Hello to Denzel, the happy trucker going north on the M6. And van driver Niki on the way from Norwich to Coventry, delivering all the things.” Pecking and quivering, the chickens are rather elegant, each with its fluffy, caramel-coloured legs and explosive feather bouffant, like a hat Elizabeth Taylor might have worn on her way to Gstaad in the 1970s.

Despite a spell of ennui during the new Harry Styles single, enthusiasm resumes as Adele bids “hello to Simon from Bournemouth on the M3 – he’s on his way to Stevenage delivering meat”. I don’t imagine Radio 1 could hope for a better review: to these pretty creatures, its spiel is as thrilling as opening night at the circus. Greasepaint, swags of velvet, acrobats limbering up with their proud, ironic grace. Gasps from beholders rippling wonder across the stalls.

Emma muses that her pupils learn fast. Like camels, a chicken never forgets.

“I’ve actually given up eating them,” she admits. “Last year I had only two weeks to train and it was like, ‘If they pull this off I won’t eat chicken ever again.’ And they did. So I didn’t.” 

Antonia Quirke is an author and journalist. She is a presenter on The Film Programme and Pick of the Week (Radio 4) and Film 2015 and The One Show (BBC 1). She writes a column on radio for the New Statesman.

This article first appeared in the 25 May 2017 issue of the New Statesman, Why Islamic State targets Britain

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