George Entwistle: a decent man out of his depth

The director general of the BBC failed to convince MPs that he was not guilty of wilful blindness.

The director general of the BBC came to the House of Commons this morning to restore his reputation over the Jimmy Savile scandal - and failed. After a two-hour ordeal by MPs on the culture select committee, George Entwistle left to be doorstepped by one of his own reporters and asked if he planned to resign.

Entwistle volunteered to appear to demonstrate he'd got a grip on the increasing chaos within the BBC. Just 12 hours earlier, viewers had seen one prestigious BBC programme, Panorama, sit in judgement of another, Newsnight, and raise serious questions about leadership in the corporation. They heard of furious rows between staff and the Newsnight editor amid suspicion he had been leaned on from above before deciding to axe an investigation into Savile. Enwistle was there today to demonstrate that the BBC had acted properly throughout; that his were indeed the safe pair of hands the BBC needed at this momentous time.

Sadly, what emerged during the confrontation was a picture of a decent man out of his depth in this crisis. It was an obviously nervous DG who was welcomed to the  Thatcher Room by committee chairman John Whittingdale,who is sometimes brighter than he looks. Within minutes, he had Entwistle muttering "maybe's and should's"as he made mild-mannered replies to charges that the BBC seemed rudderless.

If that was't a bad enough start, he was then turned over to the committee's in-house Tory rottweiler, Phillip Davies MP, for whom obtuse abuse is second nature. It was obvious that the DG rarely spends his time in the company of such people, as his every attempt to be pleasant in reply to Davies's increasingly irrelevant questions met with further insults. Having asked him about events in the 1970s, Davies accused Entwistle of a "lamentable lack of knowledge" and sat down to self-applause.

But the director general was on equally rocky ground as he rolled between MPs of all parties obviously unimpressed by his view of the business he now runs. As he confirmed that the editor of Newsnight, Peter Rippon, had been "stood aside" following a series of errors in his recollection of the affair, he was asked if he was "angry". "I was very disappointed indeed," he said, as if anger was an emotion not to be found about his person.

But the best, or worst, had been saved for last when committee chairman Whittingdale finally turned to the matter of who knew what when the Newsnight Savile probe was dropped. As the executive in charge of the eulogy programmes being planned  on Savile, "yes" Entwistle had been told in a brief conversation that Newsnight were looking into the DJ's past. But "no" he had not asked what it was about, he told the increasingly incredulous MPs, because that might have been seen as interference in the editorial process.

This three monkeys approach to management went down like a lead balloon with the MPs. "You are beginning to sound like James Murdoch", said Damian Collins, as the DG denied turning "a blind eye" to the Newsnight investigation. But when chairman Whittingale asked what he thought the programme was investigating, Entwistle replied: "I don't remember reflecting on it". Having agreed early and decisive action was needed, he told the committee the the independent inquiry into Newsnight by Nick Pollard could take four or five weeks. All that remains now is for the chairman of the BBC Trust, Chris Patten, to declare he has "total confidence" in his DG. 

BBC director general George Entwistle leaves Portcullis House in Parliament after giving evidence to the media select committee. Photograph: Getty Images.

Peter McHugh is the former Director of Programmes at GMTV and Chief Executive Officer of Quiddity Productions

Felipe Araujo
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Hull revisited: What happens when a Brexit stronghold becomes City of Culture?

We report from Hull, to find out if you can replace the kind of nostalgia that led to a Leave vote with cultural investment.

At 75 metres long, the offshore wind turbine blade erected across Queen Victoria Square, in the heart of Hull, is a sculpture intended to mark a new chapter in the city’s history. For the next 12 months, Hull, a city of more than a quarter of a million people in the northeast of England, will be the UK’s City of Culture.

The 28-tonne blade hails from the local Siemens plant. The German technology company employs around 1,000 people in the area, making it Hull’s biggest single employer.

Seen up close in this context – laid dormant in the middle of a town square instead of spinning up in the air generating energy – the structure is meant to remind passersby of a giant sea creature. It is also, I’m told, an allusion to Hull’s rich maritime history.


All photos: Felipe Araujo

Nostalgia is a big thing in this part of the country. At one point, Hull was the UK’s third largest port but technology and privatisation drastically changed that. The battle over cod fishing with Iceland in the waters of the North Sea 40 years ago has also dealt a major blow to a region with a long and proud trawling tradition.

People here still talk about a bygone era when the fishing industry provided jobs for everyone and there was enough money to go around.

Fast forward to 2017, and the country’s new capital of culture is the same city that voted 67 per cent in favour of leaving the EU last June. Its new-found prestige, it seems, is not enough to erase years of neglect by a political class “too busy for commoners like us”, as one resident puts it.

“More than a message to Brussels, it [the Brexit vote] was a message to Westminster,” Paul Leeson-Taylor, a filmmaker born and bred in Hull, tells me. “For the first time in a long time people in Hull felt like they had the chance to change something, and they took it.”

But while speaking to people on the high street and hanging out with locals at the Community Boxing Club in Orchard Park, one of the city’s most deprived areas, there is one word that consistently popped up in conversation – more than any specific policy from Westminster or the much-hated rules “dictated” by Brussels. Foreigners.

According to official figures, Hull’s population is 89.1 per cent white British. Still, immigration is big on people’s minds here.

During my two-day stay in the city, I find myself being the only black person in most places I visit – I’m certainly the only black guy at the boxing club. So when someone begins a sentence with “I’m not racist but…”, I know a tirade on immigrants is about to ensue.

“There are just too many of them,” Nick Beach, an estate agent whose Polish clientele is a big part of his business, tells me as he is about to teach a boxing class to local children. Beach was born in Shepherd’s Bush, in West London, but has been living in Hull for the last 20 years.

“When I go down there these days and go into Westfield shopping centre, it is very rare you get an English person serving you now,” he says. “I just find it disappointing that you go into your capital city and you are a minority there.”

These are the much-discussed “left behind”, a white working-class community that has gained particular prominence in a time of Brexit and Donald Trump. Under economic pressure and facing social change, they want to have their say in running a country they claim to no longer recognise.

For Professor Simon Lee, a senior politics lecturer at the University of Hull, immigration is only a superficial layer when it comes to explaining the resentment I witness here. For him, the loss of the empire 70 years ago is still something that as a country Britain hasn’t come to terms with.

“The reason for us to be together as a United Kingdom has gone, so what is the project?”

As destiny would have it, a foreign company will now play a major role on Hull’s economic future, at least in the short term. In the wake of the Brexit vote, there were widespread fears Siemens would pull out of the region and take its factory elsewhere. With the massive blade looming large in the background, Jason Speedy, director of the blade factory in Hull, assures me that isn’t the case.

“The Brexit decision has made no difference. We have made our investment decision, so Siemens, together with the Association of British Ports, has put in £310m. It’s all full steam ahead.”

As Hull becomes the country’s cultural hub for the next few months, the hope is that its residents stop looking back and start looking forward.

For Professor Lee, though, until there is a complete change in the power structures that run the country, the north-south divide will remain – with or without the EU. “The way you kill nostalgia is to have something new,” he said. “The reason why people here are nostalgic is because there is nothing to replace it with.”

Felipe Araujo is a freelance journalist based in London. He writes about race, culture and sports. He covered the Rio Olympics and Paralympics on the ground for the New Statesman. He tweets @felipethejourno.