FILM: "Into the Fire: the Hidden Victims of Austerity in Greece"

Watch Kate Mara and Guy Smallman's new documentary on migrants in Athens here.

About the film:

In times of severe austerity things look bleak for Greek people, but they're far worse for those who have recently arrived. Without housing, legal papers or support, migrants in Greece are faced with increasing and often violent racism at the hands of the growing Nazi party Golden Dawn and the police in Athens. Many are trapped by EU laws and legislation of other EU countries meaning they'd be returned to Greece if they managed to get to another member state, they are desperate to leave the country.

Into the Fire gives incredible insights to the reality faced by people who simply want to lead peaceful, normal lives.

Having been to Athens to shoot footage about austerity in April last year, Reel News video activists started talking and working with a young Somalian refugee, they made many contacts in the migrant world and those contacts gave them access to a huge number of untold and shocking stories.

Funded by small donations from friends and organisations, the film makers are once more turning to their supporters and allies in the UK to distribute the film online and through screenings to grassroots groups across the country. No one has been paid to work on this film.

Into the Fire is being crowd-released: All over the internet people are embedding Into the Fire on their website or blog. With everyone who participates the audience and distribution network will grow. Are you participating? http://intothefire.org

The film-makers:

Guy Smallman has previously made 15 Million Afghans, on unemployment in Afghanistan. He is a photojournalist who has worked in all over Europe, South Asia and the Middle East covering the Lebanon war in 2006 and the ongoing conflict in Afghanistan. His work has appeared in most UK national papers and periodicals. Also on the BBC, Channel 4 and ITV.

Kate Mara studied Film and Video at the University of the Arts London. After graduating with first honours she worked freelance in production and post-production, specialising in participatory community media and documentary. Into the Fire is her first independent production.

Central Athens, September 2012. (Photo: Getty.)
Getty
Show Hide image

Cabinet audit: what does the appointment of Boris Johnson as Foreign Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Foreign and Commonwealth Affairs.

The world shared a stunned silence when news broke that Boris Johnson would be the new Foreign Secretary. Johnson, who once referred to black people as “piccaninnies” and more recently accused the half-Kenyan President of the United States of only commenting on the EU referendum because of bitterness about colonialism, will now be Britain’s representative on the world stage.

His colourful career immediately came back to haunt him when US journalists accused him of “outright lies” and reminded him of the time he likened Presidential candidate Hillary Clinton to a “sadistic nurse”. Johnson’s previous appearances on the international stage include a speech in Beijing where he maintained that ping pong was actually the Victorian game of “whiff whaff”.

But Johnson has always been more than a blond buffoon, and this appointment is a shrewd one by May. His popularity in the country at large, apparently helped by getting stuck on a zip line and having numerous affairs, made him an obvious threat to David Cameron’s premiership. His decision to defect to the Leave campaign was widely credited with bringing it success. He canned his leadership campaign after Michael Gove launched his own bid, but the question of whether his chutzpah would beat May’s experience and gravity is still unknown.

In giving BoJo the Foreign Office, then, May hands him the photo opportunities he craves. Meanwhile, the man with real power in international affairs will be David Davis, who as Brexit minister has the far more daunting task of renegotiating Britain’s trade deals.