All change in Shangri-la?

Ahead of Bhutan's parliamentary elections, Michael Hutt looks at the reality of the transition of th

The small Himalayan kingdom of Bhutan is currently engaged in an extremely interesting exercise. The aim of its ruling Buddhist elite is to take Bhutan a few steps down the road towards becoming a genuine participative democracy, but without unleashing forces that will loosen its own control of the country’s destiny.

This is a carefully calculated response to popular aspirations within Bhutan and to the expectations of Bhutan’s foreign friends and neighbours.

Until the 20th century, Bhutan was ruled jointly by a reincarnate lama and a secular administrator. The country underwent many years of internal conflict between the feudal lords of its various districts during the previous centuries. The establishment of the Wangchuck monarchy in 1907, which brought this conflict to an end, was in large part an outcome of the country’s encounter with the British colonial state.

Since then, the preservation of the sovereignty and distinct cultural identity of Bhutan has been an overriding concern, especially as independent India became more heavily involved in the country’s development and internal affairs. For much of the 20th century, the King held absolute power, supported and advised by a small handpicked political elite. A National Assembly, established in 1953, met for just a few weeks each year.

2008 will see the conclusion of a long and gradual process of political change. In 1998 the King appointed a Council of Ministers, and a prime minister began to represent the country in overseas fora. Bhutan’s first written constitution was drafted in 2004 and was taken out to every district for a long and carefully guided process of comment, discussion and consultation. The constitution provides for elections to a small upper house (part elected and part appointed by the King) and a 47-seat lower house, the National Assembly. Having stated earlier that he would abdicate when the elections were held in 2008, King Jigme Singye Wangchuck (the fourth Wangchuck king) abdicated in favour of his son Jigme Khesar Namgyel in December 2006.

Last year a mock election was conducted across the whole country, with the electorate casting its vote for either a ‘red’ party or a ‘yellow’ party. A peculiarity of the constitution is that while it allows for the establishment and registration of political parties for the very first time, and allows these parties to contest the first stage of its general elections, only the two most successful parties in this round can proceed to the next. The party that wins the higher number of votes then forms the government, while the runner-up forms the opposition. Thus, Bhutan is establishing a ‘two-party democracy’ rather than a multi-party democracy.

The first round of elections to the National Council was held during the first week of January; elections to the National Assembly are scheduled for March. Only two parties contested these first elections: the People's Democratic Party (PDP), headed by an uncle of the King, and the Druk Phuensum Tshogpa (DPT) headed by a former chairman of the Council of Ministers. Bhutan’s Election Commission denied registration to a third party, the Bhutan People's United Party (BPUP), allegedly on the grounds that its candidates did not possess the necessary competence, experience or qualifications. This decision has given rise to some stridency even among bloggers on Bhutanese websites that are normally very strongly nationalistic and fiercely loyal to the establishment.

Bhutan’s population comprises three main ethnic groups, none of which constitutes a numerical majority. During the early 1990s, approximately one half of one of these groups — the ethnic Nepali population —either fled or was expelled to refugee camps in eastern Nepal in one of the world’s least known ethnic conflicts.

These 100,000 people are now very sorely divided over the question of whether to continue to wait to be repatriated (a prospect that remains extremely remote) or to accept offers of resettlement recently made by countries including the USA and Canada. There is evidence to suggest that many of the Nepalis who remain in Bhutan are denied many rights, including the citizenship documentation that would enable them to vote in Bhutan’s new electoral processes.

The unending exile of about one sixth of the population of Bhutan, combined with the denial of civil and political rights to their ethnic kin within the country, is beginning to give rise to a politics of violence that closely mirrors that witnessed in Nepal over the past decade.

The latest example of this was the detonation of bombs in four locations inside Bhutan on 20 January. In an email sent to regional newspapers and selected individuals, a group calling itself the United Revolutionary Front of Bhutan claimed responsibility for the blasts and declared ‘we have come to the conclusion that all the new changes which so much is being hyped is just cosmetic and in reality is not going to benefit all the Bhutanese except a small section’.

Journalists regularly describe Bhutan as a Shangri-la, and its government’s policy of striving for ‘Gross National Happiness’ is often quoted with approval. However, the political realities here are very starkly problematic. Charting the course for the future political development of a tiny multi-ethnic country lodged in high mountains between India and China must be one of the greater challenges of the 21st century.

Michael Hutt is Professor of Nepali and Himalayan Studies at the School of Oriental and African Studies in London. His recent publications include Unbecoming Citizens: Culture, Nationhood and the Flight of Refugees from Bhutan (Oxford University Press, 2003) and a translation of the Nepali novel Basain by Lil Bahadur Chettri, published as Mountains Painted with Turmeric (Columbia University Press, 2008).
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First they came for Pepe: How “ironic” Nazism is taking over the internet

Over the last year, various internet subcultures have embraced Nazi iconography while simultaneously claiming to hold no Nazi beliefs. Why?

There is a scene in Roman Polanski’s critically-acclaimed World War Two film The Pianist in which the Jewish protagonist, played by Adrien Brody, puts on a German soldier’s coat to keep warm.

“Don’t shoot!” he tells the Polish troops who have come to liberate Warsaw. “I’m Polish!” A soldier, realising his mistake, lowers his gun. With disdain on his face, he asks: “Why the fucking coat?”

The chilly hero might not have been acting unreasonably, but neither was the soldier. It's safe to say that in normal circumstances, "Nazi coat" can be used as shorthand for "Nazi person". I found myself asking a similar question last month when I interviewed a “Nazi furry”. The furry (ie. person who dresses as an animal, often for sexual reasons) likes to wear a red armband reminiscent of those worn by the Nazi party. “It’s just a piece of cloth,” he said at the time, insisting he held no far-right views. Then why not choose another piece of cloth? I wondered to myself.

This furry is just one of hundreds of people online who flaunt the iconography of National Socialism whilst denying they hold any Nazi views. If that doesn’t make sense, it shouldn’t. “Ironic” Nazism, “satirical” Nazism, and “just joking” Nazism have taken over the internet. Who is behind it, what are they doing, and how did it begin?

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Unfortunately, it is probably Hillary Clinton’s fault. In September 2016, the presidential hopeful’s website declared popular internet meme Pepe the Frog to be a white supremacist symbol. If we ignore that this has now become a self-fulfilling prophecy (racists embraced Pepe after the Anti-Defamation League chimed in and officially declared the meme a hate symbol), this was a frankly ridiculous assertion.

“We've won folks... My God ...We've won,” read a post on r/TheDonald – the Reddit hub for Donald Trump supporters – after the news. They didn't hold back with their disdain. “This makes her look absolutely retarded to anyone young enough to be on the internet,” read the top comment. Why? White supremacists were undoubtedly already using the meme – many on the notoriously politically incorrect 4Chan board /pol/ had emblazoned the frog with swastikas. So why wasn’t it, in turn, a white supremacist symbol?

The answer to this is irony. Layers and layers of it slathered with thick, glutinous nonsense that form a Bruce Bogtrotter’s cake that is impossible to digest. You and I are what 4Chan would pejoratively call “normies”, i.e. normal people. We can’t possibly hope to understand the difference between someone on 4Chan who holds sincere Nazi beliefs and someone who is shouting “Death to all Jews” for the keks (see glossary), like a toddler who has just learnt the word “poo”.

This doesn’t normally matter – we can just ignore them – but Clinton’s post gave them the legitimacy and media attention that they craved.

It also, I would argue, set off a new internet trend. Angry at liberals labelling everything (most notably, the alt-right) “Nazis”, fringe internet communities decided to fight back. The logic – if it can be called that – went like this:

“Let’s dress like Nazis and act like Nazis so that liberals call us Nazis when we’re not! That will show just how stupid these liberals are!”

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“The press, the media, does not deserve to have a consistent picture of reality presented to them.”

These are the words of Qu Qu, a man in his late twenties who considers himself the leader of the “alt furry” movement, who is speaking to me over Twitter. Alt furries are furries who have embraced far-right messages and Nazi iconography on the social network. Some wear armbands, others write erotic Nazi literature, some tweet anti-Semitic jokes. When I spoke to some last month, I was shocked when only one of them actually admitted to holding Nazi views. Many claimed they were being “ironic” or fighting back at what they consider to be left-wing intolerance.

“If the press becomes obsessed with a moral panic, such as the one about the resurgence of National Socialism, it is the duty of every subculture to feed that paranoia until its absurdity becomes plain for all to see.”

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Earlier this week, the king of this logic died.

PewDiePie – the most subscribed content creator on YouTube – was dropped by Disney after the Wall Street Journal exposed an array of anti-Semitic comments in his videos. In the past, he has spoken out against the media for misrepresenting his “jokes”, but this time he wrote a blog post in which he admitted: “I understand that these jokes were ultimately offensive.” What changed?

What changed is that PewDiePie was confronted with a reality that anti-hate campaigners have long since known to be true. After his anti-Semitic videos, PewDiePie was embraced by the neo-Nazi website The Daily Stormer, which is now calling itself “The world’s #1 PewDiePie Fansite.” PewDiePie has learnt a truth that many of the “just joking” brigade frequently try to deny – that satire, irony, and jokes can validate and legitimise hate speech in a way that helps it to spread.

“Pushing out anti-Semitic tropes has consequences in the real world,” says a spokesperson for anti-racism organisation Hope Not Hate. “PewDiePie may or may not believe this stuff himself, but he does need to understand that he has an effect on the world, and that racists and haters can sometimes act on the words and memes that are shared so readily on social channels, and – with soaring hate crime rates – already have.”

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Then they came for Trash Dove.

The head-banging purple pigeon is a Facebook sticker (a picture users can post in the social network’s comment sections) that went viral this week. In response, 4Chan started “Operation Nazi Bird”, a satirical campaign to turn the meme into a Nazi symbol. The aim was to trick the left.

This started to work when a self-described philosopher known as Quincy Frey wrote a satirical Medium post (which has since been removed after a copyright claim) declaring Trash Dove to be an “alt-right” symbol. When people began to fall for this, 4Chan won. Yet so too – as Hope Not Hate argue – did actual white supremacists.

“What started as irony will now actually spread and this will become a ‘Nazi hate’ symbol whether we like it or not,” Quincy Frey tells me. “The alt-righters from 4Chan work in a funny way; it always starts ironic but they seem to take irony to the next level and then these idiots become brainwashed… eventually their sickness will spread.”

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Which leaves us with a question that regrettably summarises today’s state of affairs: are ironic Nazis as dangerous as real Nazis?

Simon Johnson, the chief executive of the Jewish Leadership Council, seems to think so. “It is difficult to understand how people can use Holocaust language, imagery or comments and think that it is a joke,” he says. “The French comedian Dieudonne uses the Quenelle gesture and other supposedly humorous Holocaust imagery, as well as dressing cast members in concentration camp uniforms, as part of his act." The Quenelle gesture was an originally jokey gesture which has grown to be considered anti-Semitic after individuals posed in front of Jewish institutions holding the stance. In December 2013, French President François Hollande reacted to the gesture, saying: "We will fight against the sarcasm of those who purport to be humorists but are actually professional anti-Semites.”

Johnson agrees it is important to tackle this alleged comedy. "For many this demeans the Holocaust and would be considered anti-Semitism. Allowing these acts to continue perpetuates myths and often leads prejudice against the Jewish community.”

It is also important to note that many who claim to be “satirical” Nazis are simply hiding behind a thin veil of plausible deniability. The word “irony” – however incorrectly it’s being used – allows them to spread Nazi messages and iconography whilst denying culpability. It also leaves many on the left unsure where they stand. What’s more important: combatting hate speech or protecting free speech?

Kassie is a 31-year-old graduate student who reached out to me after being mocked for taking Trash Dove seriously as an alt-right symbol - proving that online trends can have real-world consequences. “My friend is liberal but thinks I'm overreacting and don't understand satire,” she tells me. “But I don't get why I have to call Nazi jokes satire.

“The most frustrating part is that my concern is immediately written off as stupid because I don't belong to the community. If we get past that part, then I'm overreacting or dumb because I don't get that it's ironic or I don't understand that it's a joke. But I get that on some level people are saying that it's a joke, and some are ‘just joking’ and I still think that a joke can be racist and misogynist and alt-right or whatever.

“I'm just left with feeling like I've fallen down a hole of ironic devils advocates who use that as an excuse to say ‘funny’ racist and misogynistic things.”

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When Prince Harry donned a Nazi uniform for a fancy dress party in 2005, no one thought he was actually a fan of Hitler. If ironic Nazis had emerged twelve years ago, they might have been given the same benefit of the doubt by being considered poor taste but not ultimately racist. Yet context is key. In an era when the President of the United States wants a registry of Muslim citizens, and fascism appears to be on the rise across Europe, no one who is “just joking” – not furries, YouTubers, or 4Channers – can be annoyed if the media labels them Nazis.

I do agree that fundamentally it is important to combat the left’s tendency to label everything right-wing “Nazi” or “racist”. Internet subcultures are not wrong to attempt to challenge this and other examples of left-wing extremes. Yet if this is what they really want, then one - very pressing - question remains. Why the fucking coat? 

Amelia Tait is a technology and digital culture writer at the New Statesman.