Daily life in Beijing. Photograph: Getty Images.
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"No Romance": A short story from Xiaolu Guo

You can check any Chinese dictionary, there's no word for romance.

You can check any Chinese dictionary, there's no word for romance.

We say "Lo Man", copying the English pronunciation. What the fuck use was a word like romance to me anyway? There wasn't much of it about in China, and Beijing was the least romantic place in the whole universe. "Eat first, talk later," as old people say. Anyway, there was zero romance between me and Xiaolin.

We met when I was in this TV series set in the imperial court of the Qing dynasty. The whole set was a reproduction of what life looked like 300 years ago. The peonies in the vases were all made from paper, and the lotus lilies in the pond were plastic. I was playing one of the Princess's many servant girls, a role that required me to wear a thick fake plait. It was so heavy it pulled my head backwards. The make-up assistant had given me a disdainful look and sniffed at the length of my hair, before grabbing a handful of it and attaching the chunky braid. My scenes involved walking solemnly into the palace, pouring tea for my Princess, or combing my Princess's hair. All without speaking, of course.

Xiaolin was Assistant to the Producer. His job was to chauffeur the Producer around, bark out orders on his behalf, and basically eat, drink and sleep for him. As well as this he was expected to nanny the whole crew. The first time Xiaolin and I spoke was during a lunch break.

Every day we would all queue for lunchboxes. Key cast members and important behind-the-scenes people - the TV show's upper class - were given a large lunchbox worth eight yuan. The extras, the assistants and the runners received a smaller five-yuan lunchbox. Water was free.

I had collected my five-yuan lunchbox - pickled cucumber, rice with not more than one centimetre of meat - and was sitting alone in a corner to eat, avoiding conversation. I didn't want to talk to anyone. Instead I watched the crew members out of the corner of my eye as they discussed the actress's large bra, the Director's new mistress, or the recent news, featured in that day's Beijing Evening, that a serial killer was on the loose. Then I saw a young man walking towards me. It was Xiaolin. He was tall, with a body like a solid pine tree. He stopped in front of me, holding out one of the large lunchboxes.

"You like fish?" he said. "There's one left."

I have to say, I didn't feel anything special towards Xiaolin at first. He was too male, with his big feet and big hands. To me, that wasn't beautiful, or "city" enough. He looked like any young man from my village with dust in their hair. Which was strange, since he was actually a Beijinger born and bred. Anyway, eat first, talk later.

I took the lunchbox and started to devour the juicy pieces of carp. There was no doubt about it, it was tastier than my five-yuan lunch. By the time I had finished the fish, I was feeling warmer towards Xiaolin. In all the time I'd been in Beijing, no one had ever offered me a lunch like that. It was something.

Between mouthfuls, I cast furtive glances at my lunch-giver. I noticed his rice was swimming in a sea of black soy sauce. At that time I didn't know Xiaolin loved to add heaps of soy sauce to his rice. And he had to have a particular brand - Eight Dragons Soy Sauce. He could eat a whole bowl of rice with Eight Dragons and not need anything else. Anyway, as he tucked into his rice, he told me how he hated the hierarchy on the set. He hated the pretentious actors he had to deal with. Xiaolin said the best people were the extras. Then he said to me, "You don't look like an actress. You're not snooty enough."

Not snooty enough? I felt offended. But maybe he was right, otherwise why did I still only get lousy roles like "Woman walking over the bridge in the background" or "Waitress wiping some stupid table"?

Then he asked my age, and I asked his. That's the tradition in China. If we know each other's ages we can understand each other's past. We Chinese have been collective for so long, personal histories are not worth mentioning. Therefore as soon as Xiaolin and I knew how old the other was, we knew exactly what big shit had happened in our lives. The introduction of the One Child Policy shortly before our births, for instance, and the fact that, in 1985, two pandas were sent to the USA as a national gift and we had to sing a tearful panda song at school. 1989 was the Tiananmen Square student demonstration, etc. Anyway, Xiaolin was one year younger than me, so I assumed we were from the same generation. But when he said he had never once left Beijing, I changed my mind. It was clear he wouldn't understand why I had left home. Perhaps we were from different generations after all.

If I had been thinking straight, I would have realised that Xiaolin wasn't for me. His animal sign was the rooster, and they say the monkey and the rooster don't mix. But I was young. I didn't think about the future seriously. I was just in search of those shiny things . . .

Soon after Xiaolin gave me the lunchbox, the crew had a day off. He wanted to take me swimming. He said he knew a reservoir on the outskirts of Beijing that used to be a part of some Yuan Emperor's garden. I immediately agreed, although I didn't know how to swim. Forget the swimming, let's just see the kind of place Emperors used to go, I thought.

I warned him that I didn't have a swimming costume and I was scared of water, but Xiaolin said he would sort it out. So we went to Xidan department store and he bought me an apple-green bathing suit. Then we caught a bus on Long Peace Street, and we passed the solemn Forbidden City and the grand Friendship Hotel, in the end we crossed the whole capital. That was the highlight of the day. Everything else was pretty disappointing.

For a start, the place was nothing like an Emperor's garden. Just some boring little hill with a murky little pond in the middle. The scorching sun was beating down on our heads and even the pond looked thirsty. It wasn't that the landscape was ugly exactly, it's just that you wouldn't take a photo of it. Xiaolin pulled off his T-shirt and jumped straight into the mossy water. I turned around and changed into my brand-new swimsuit. When I looked back, I saw Xiaolin swimming off to the other side of the pond. He didn't give a damn that I was scared of water. In that moment, I thought that I would never learn how to swim if I stayed with him. Sometimes you just know these things, even if you can't explain how. It's fate, if you believe in fate.

As soon as my foot touched it, the shapeless liquid wanted to swallow me. The rock I was standing on was slippery and sharp. I lost my balance, fell into the black water and started to scream. Xiaolin swam back and dragged me out.

So I ended up sitting on the bank, with water dripping from my body, and my legs covered in pondweed. I watched Xiaolin swimming, from left to right, from near to far. What did the Emperor do here? I wondered. Would he swim with his concubines? And how did his concubines learn how to swim? While I was thinking about all this, Xiaolin was floating in the water as effortlessly as a duck. He didn't have anything particular to say to me, as if, on a first date, swimming in circles while the girl watches from the bank was the most normal thing to do.

From that day on, Xiaolin and I were together. I lived with his family in the tiny one-bedroom flat that was their home. A collective of three generations: his parents, his father's mother, his two younger sisters and us, not forgetting two brown cats and a white dog - all sleeping and coughing in the one bedroom. A solid family life, no romance, and I knew there would never be any.

There were moments when I glimpsed a different Xiaolin. He would hold my hand in the cinema and, afterwards, buy me barbecued squid in the night street. Sometimes, when we were out for a walk, he stopped and kissed me on the head. And in bed, whether sound asleep or restless with frenzied dreams, Xiaolin always held me close, as though afraid of our naked bodies parting. If I slept with my back to him, he would curl his body around mine, his arm resting on my ribcage, his warm, hairy legs entangled with my legs. I, too, depended on him to sleep. I'd prop my toes on his ankles, and stroke his fingernails with my thumb. Sometimes, if I slept with my ear on his chest, I could hear his heart beat like a drum.

But most of the time Xiaolin was either angry or zombie-like. He was stuck in a rut. Get up, go to work, go to bed. Never any change. For every meal, the three animals and six humans in Xiaolin's family (seven, if you included me) huddled round the small, circular table in the small, square room. The food was the same, the whole time I lived there. Eight Dragons Soy Sauce with rice, Eight Dragons with noodles, Eight Dragons with dumplings. We lived so close to each other, every millimetre of the floor was used. The two cats would pee in a sandbox, but the dog always shat beside our bed. He also kept making neighbours' bitches pregnant.

After three years, the grandmother was even more decrepit, and the two little sisters were getting on my nerves. There was no oxygen left in the room, I was worn out. It was like being back with the rotten sweet potatoes. I wanted to run and run and run.

Xiaolu Guo was born in 1973 in a fishing village in China, moving to London in 2002. In 2013 she was made one of Granta Magazine's Best of Young British Novelists.

This article first appeared in the 17 December 2007 issue of the New Statesman, Christmas and New Year special 2007

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An English hero for the ages: Ian Botham at 60

Botham blends his sportsmanship and deep-seated passion for cricket with a lust for life.

Begging W H Auden’s pardon, it is possible both to honour and to value the vertical man, and in the case of Ian Botham, who turned 60 on 24 November, it is our bounden duty. No sportsman has given Britons so much to enjoy in the past half-century and no sportsman is loved more. Two decades after he retired from first-class cricket, his reputation as one of life’s champions remains unassailable.

No mere cricketer is he, either. Botham is a philanthropist, having raised more than £12m for various charities, notably Leukaemia and Lymphoma Research. In December, 30 years after his first walk from John o’Groats to Land’s End, he will set off again, in South Africa, where England are on tour. And he really does walk, too, not amble. As somebody who accompanied him on one of his dozen walks said: “You can’t keep up with him. The man is a phenomenon.”

Of all postwar sportsmen, only Bobby Charlton and, at a pinch, Henry Cooper come close to matching Botham’s enduring popularity. But Charlton, a shy man who was scarred by the Munich plane crash of 1958 (and may never have recovered from its emotional effects), has never comfortably occupied a public stage; and Cooper, being a boxer, had a solitary role. Botham, by contrast, spoke for England. Whenever he picked up his bat, or had a ball in his hand, he left spectators in no doubt.

Others have also spoken for England. Bobby Moore and Martin Johnson, captains respectively of England’s World Cup-winning football and rugby teams, were great players but did not reach out to people as naturally as Botham. Nick Faldo, Lester Piggott, Sebastian Coe and, to bring us up to date, Lewis Hamilton have beaten the best in the world, but they lacked those qualities that Botham displayed so freely. That is not to mark them down. They were, and are, champions. But Botham was born under a different star.

It was John Arlott, the great cricket commentator, who first spotted his uniqueness. Covering a match at Taunton in 1974, he asked the young colt to carry his bags up the rickety staircase to the press box, where Arlott, wearing his oenophile’s hat, pulled out a bottle of red wine and invited Botham to drink. Forty years later Botham is a discriminating wine drinker – and maker. Along with his friend and fellow England great Bob Willis, and their Australian wine­making pal Geoff Merrill, he has put his name to a notable Shiraz, “BMW”.

Arlott, with his nose for talent and good company, saw something in the young Botham that Brian Close, his captain at Somerset, was beginning to bring out. Later, Mike Brearley, as England captain, drew out something even more remarkable. As Rodgers and Hammerstein wrote, you’ve got to be carefully taught. And Botham, a fine team man as well as a supreme individual performer, has never withheld praise from those who enabled him to find his voice.

If sport reveals character, then cricket is the game that reveals it most clearly. In no other sport is the individual performance rooted so firmly in a team context. Every over brings a contest of skill and intelligence between batsman and bowler but only a team can win the match. “A cricketer,” as Arlott said, “is showing you something of himself all the time.”

Cricket also reveals national character more than any other sport. Football may be the most popular game in the world but cricket, and cricketers, tell us far more about England and Englishness. It is instructive, in this regard, to hear what Philippe Auclair, a French journalist and author long resident in London, has to say about Botham: “He is essentially an 18th-century Englishman.” In one! It’s not difficult to sense a kinship with Tom Jones, Fielding’s embodiment of 18th-century life, who began his journey, as readers may recall, in Somerset.

A country boy who played for Worcestershire after leaving Somerset, and who lives by choice in North Yorkshire, Botham is an old-fashioned Englishman. Although nobody has yet found him listening to the parson’s sermon, he is conservative with a small and upper-case C, a robust monarchist, handy with rod and gun, and happiest with a beaker in front of him. He represents (though he would never claim to be a representative) all those people who understand instinctively what England means, not in a narrow way, but through something that is in the blood.

Above all, he will be remembered for ever as the hero of 1981. Even now it takes some believing that Botham bowled and batted with such striking success that the Australians, who were one up after two Tests, were crushed. Some of us who were actually at Headingley for the famous third Test – thousands who claim to have been there were not – recall the odds of 500-1 on an England victory going up on the electronic scoreboard that Saturday evening.

Botham made 149 not out as England, following on, beat the Aussies by 18 runs. For three hours the country seemed to stop. In the next Test, at Edgbaston, Botham took five wickets for one run as Australia fell under his spell. Then, at Old Trafford, on a dank Saturday afternoon, he played the most memorable innings of his life and one of the greatest innings ever played by an Englishman: 118 magnificent, joyful runs. Joy: that’s the word. Botham brought joy into people’s lives.

Yet it was the final Test at the Oval, which ended in a draw, that brought from him a performance no less remarkable than those from before. He bowled 89 overs in that match, flat out, continuing to run in when others withdrew with injury. That was the team man coming to the fore. Little wonder his comrades thought the world of him.

Modest, loyal, respectful to opponents, grateful to all who have lent him a hand, and supported throughout a turbulent life by Kath, his rock of a wife, and their three children, this is a cricketing hero to rank with W G Grace, Jack Hobbs, Wally Hammond and Fred Trueman. A feature in the lives of all who saw him, and a very English hero. 

This article first appeared in the 26 November 2015 issue of the New Statesman, Terror vs the State