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Arts Diary

Ben Dowell

Published 26 February 2007

A weekly round-up of what's going on in the arts

Get ready for Harry Enfield - opera director. The former milkman (and opera nut) is being lined up to direct a comical work for English Chamber Opera, an enterprising bunch of young thesps planning to give fresh "slimline" twists to the classics. ECO, which will launch formally in April, has also got Stephen Fry's tacit agreement to translate Lorenzo da Ponte's libretto for Mozart's masterpiece on marital fidelity, Così fan tutte.

Apartheid South Africa gets the Working Title treatment next month with the release of Phillip Noyce's Catch a Fire, about the black activist Patrick Chamusso (Derek Luke). Despite the great US previews, my guess is that Brit crits will call for a slightly more thoughtful and less polarised story.

Will 2007 (finally) be the year of the graphic novel? I gather that BBC Drama has optioned The Vesuvius Club, an Edwardian thriller by Mark Gatiss (The League of Gentlemen). And this month, Hamlet and Romeo and Juliet are retold as Japanese graphic novels, or manga. Sky TV is snapping up the rights.

The sprawling Gilbert and George show at Tate Modern doesn't even mention the many thousands of artworks influenced by the oddball duo. Ben Borthwick, co-curator of the exhibition, tells me space constraints prohibited it - the 200 G&G works crammed into the gallery still represent less than 20 per cent of their life's work.

Still - "Gilbert and George" was always going to be better than the National Portrait Gallery's pretentious "Face of Fashion", which launched on 15 February. Never have I seen the director, Sandy Nairne, deliver so short an introduction - and scarper so quickly. Why, Sandy, were you embarrassed?

bendowell@ btinternet.com

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About the writer

Ben Dowell

Ben Dowell is a 32 year old freelance journalist who has written extensively on the arts and media for a range of publications including The Sunday Times, The Guardian, The Evening Standard, the Sunday Mirror and most tabloids. As well as providing punditry for a number of media outlets he has also sat on judging panels for many awards including Bafta and the Royal Television Society. He writes the Arts Diary in the New Statesman.

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