Christopher Hitchens on Orwell: "What people do not want to hear"

Christopher Hitchens reviews Bernard Crick's "George Orwell: A Life".

Lack of power corrupts. Yet any ambitious liberal or reformer will glibly assert the converse, and then cite George Orwell as an authority. There is scarcely a cliché uttered by a Western statesman or editor that does not derive in part from 1984 or Animal Farm. But Orwell, who both sensed and experienced the terror of absolute rule, also chronicled the life of those denied exertion of strength by their gentleness, their deference, their poverty or innocence. For Big Brother to triumph, it was necessary to trade on the despair of illiterate hop-pickers, starved Catalans, debt-ridden clerks and wretched, repressed family life.

His hatred of lust for power, and his division of scorn and pity between those who lacked it, was what made Orwell a complicated and sometimes contradictory figure. Marvellously easy to read and admire; accessible in so many ways, plain and simple on the face of things, he still cannot be assimilated to ordinary “English” patterns. If he could be, then Bernard Crick would have written a standard work.

In the opening pages of Coming Up for Air, George Bowling (whom Crick is absolutely right in defining as a Dickensian character) is accosted on a suburban train by another commercial type in need of a light. Without introduction, this man addresses Bowling as “Tubby”. I have always found this scene incredibly unrealistic, un-English and inaccurate. It is, if I am right, yet another discrepancy between Orwell the writer and the reputation that has been draped over him. That reputation is now used to judge his every action and argument. Attempts to judge his reputation by his actions are apparently out of fashion, or too much trouble. When he defended Shakespeare against the clodhopping criticisms of Tolstoy, or P G Wodehouse against the carping malice of Quintin Hogg et al, he was of course being “quintessentially English”. So, when he defended Henry Miller, Salvador Dali and James Joyce, are we to suppose he was quintessentially cosmopolitan? Do such portmanteaux, when unpacked, prove to be worth the bother?

Professor Crick does not concern himself very much with questions like these. With his predecessors Peter Stansky and William Abrahams (who receive some well-merited rebukes in his book) he takes a fairly orthodox and medium-paced view. And, as the trusted scrutineer of Sonia Orwell's archive, he comes the closest yet of anybody to defying Orwell's ban on a posthumous “authorised biography”. Where Stansky and Abrahams were precious, Crick can be blunt. Where they were speculative, he can often have the final say.

As one of the keystones of our social democratic professoriat, Crick treats his subject with appropriate gravity. There is certainly no danger of him being “betrayed into purple passages”. But he does have a tendency to generalisation, as in the following extract:

“Yet his [Orwell's] influence has been to reprove backsliding socialists, to sustain democratic Socialists (he always capitalised it thus) and to win back Communist fellow-travellers rather than to convert non-socialists.

This is an inadequate summary of all those — Raymond Williams, Isaac Deutscher, Edward Thompson and Conor Cruise O'Brien — who have criticised Orwell from the Left as a pessimist and a co-sponsor of the Cold War. It is also a misleading account of the many centrist and liberal types who find in Orwell something to admire which they do not detect in socialism as a force. This lack, or relative lack, of political nuance makes Crick's narrative slightly flat at times.

Its chief strength lies in its thoroughness and its honesty. Crick has no time for the “Blair into Orwell” transformation allegedly discovered by Stansky and Abrahams (a piece of work which always reminds me of Louis Althusser's phoney “epistemological break” between young and old Marx). He's certainly correct in stressing the primacy of experience over “character”. And he freely admits that some of the source material is in poor shape, and that many conclusions must remain provisional. Still, while being courteous to them in general, he can show Stansky and Abrahams a thing or two about use of evidence when it comes to Orwell's prep school, his teacher, his travels and the disputed question of whether he was sterile as a husband (Crick says that it can't be proved and therefore shouldn't be asserted).

Yet character is important. In the Forties Orwell was lunching with Malcolm Muggeridge at the Little Akropolis in Charlotte Street. When Kingsley Martin came in, Orwell asked Muggeridge to change places so that he could be spared the sight of “that corrupt face” all through the meal. Crick throws in this fine anecdote almost casually. Could it not have been pressed into more effective service?

Is that not the same man who resented the memory of his own sycophancy at school, detested the bien-pensant Left press in Spain, and who had been revolted by his own hypocrisy in Burma? In almost all cases, Orwell's attitudes were determined by a very developed sense of immediate, personal responsibility. Yet there is something bloodless in Crick's account of him, as if his emergence on the scene and his oddly “English” spikiness was somehow to be expected. If he was distilled from such plain and decent qualities, how come he was so unique in his generation?

Crick quite likes English empiricism, and I suspect that he sees Orwell as a fine exemplar of it. In fact, Orwell was interested in theory and theorists, and took them seriously. A better word for his method might be practical; he always wanted the confirmation of conviction by experience. Stansky and Abrahams, obsessed with breaking the code of “Englishness”, muddied this point. Crick, I fear, is too much at home with England to see how different Orwell was.

The best parts of the book are, I think, the several accounts of Orwell's battles on and with the Left. He was a Dreyfusard by nature, and did not ask cui bono? when faced with a case of injustice or censorship on his own side. The revolting conduct of Kingsley Martin and the New Statesman over the Spanish War is well-known. But Crick has unearthed much new material about the other left-wing poseurs who always remembered an urgent appointment elsewhere when trouble threatened. Of Orwell's publishers Victor Gollancz comes out as a moral coward and Fredric Warburg as less upright than he depicted himself. The National Council for Civil Liberties emerges (then) as a Stalinist front. (Especially when it came to sticking up for anarchists; incidentally Crick, who is fond of anarchists, spells Emile Témime in two different ways, neither of them correct.)

The struggle to publish Animal Farm, and the engagements not just with fellow-travellers but with the evasive Faber editor T S Eliot and the petit commerçant Jonathan Cape, is itself an allegory of England at the time, and Crick tells the story very well. He has also brought to light the India Office files which deal with official attempts to hamper Orwell's movements; these should be read by anyone who has a taste for the genteel police mentality so prevalent in the period. Other vignettes stay in the mind: Orwell hiding with Willy Brandt on the Ramblas in Barcelona; Orwell stuffing a hasty ten-bob note into an envelope of rejected poetry while literary editor of Tribune. Crick makes use at one point of Blake's reference to “the tribe of the tiger and the lamb”; he certainly makes a good case for Orwell's membership.

Where I think he is mistaken is in his comparison of Orwell with Hobbes. There is certainly an echo of Leviathan in 1984, but the deadly and crushing pessimism, so memorably rendered, is redeemed in a way that Hobbes's is not. “If there is hope, it lies in the proles.” That may not cheer everybody up — indeed it depressed some people even to think about it – but it was certainly intended as affirmative. Orwell was of the age of the Holocast and the Gulag, but he managed to see it coming where others didn’t, just as he saw the point of social revolution in Catalonia while other tourists looked the other way. He was, as Crick points out, a Puritan without being intolerant. He also helped to define the crucial point where a euphemism or a simplification becomes a lie. “Liberty is what people do not want to hear.” That is almost a paraphrase of Rosa Luxemburg. To call it English decency is to reduce the measure of a man.

28 November 1980

Christopher Hitchens outside the NS offices in 1978.

Christopher Hitchens (1949-2011) was an author and journalist. He joined the New Statesman in 1973.

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Cabinet audit: what does the appointment of Andrea Leadsom as Environment Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Environment, Food and Rural Affairs.

A little over a week into Andrea Leadsom’s new role as Secretary of State for Environment, Food and Rural Affairs (Defra), and senior industry figures are already questioning her credentials. A growing list of campaigners have called for her resignation, and even the Cabinet Office implied that her department's responsibilities will be downgraded.

So far, so bad.

The appointment would appear to be something of a consolation prize, coming just days after Leadsom pulled out of the Conservative leadership race and allowed Theresa May to enter No 10 unopposed.

Yet while Leadsom may have been able to twist the truth on her CV in the City, no amount of tampering will improve the agriculture-related side to her record: one barely exists. In fact, recent statements made on the subject have only added to her reputation for vacuous opinion: “It would make so much more sense if those with the big fields do the sheep, and those with the hill farms do the butterflies,” she told an audience assembled for a referendum debate. No matter the livelihoods of thousands of the UK’s hilltop sheep farmers, then? No need for butterflies outside of national parks?

Normally such a lack of experience is unsurprising. The department has gained a reputation as something of a ministerial backwater; a useful place to send problematic colleagues for some sobering time-out.

But these are not normal times.

As Brexit negotiations unfold, Defra will be central to establishing new, domestic policies for UK food and farming; sectors worth around £108bn to the economy and responsible for employing one in eight of the population.

In this context, Leadsom’s appointment seems, at best, a misguided attempt to make the architects of Brexit either live up to their promises or be seen to fail in the attempt.

At worst, May might actually think she is a good fit for the job. Leadsom’s one, water-tight credential – her commitment to opposing restraints on industry – certainly has its upsides for a Prime Minister in need of an alternative to the EU’s Common Agricultural Policy (CAP); a policy responsible for around 40 per cent the entire EU budget.

Why not leave such a daunting task in the hands of someone with an instinct for “abolishing” subsidies  thus freeing up money to spend elsewhere?

As with most things to do with the EU, CAP has some major cons and some equally compelling pros. Take the fact that 80 per cent of CAP aid is paid out to the richest 25 per cent of farmers (most of whom are either landed gentry or vast, industrialised, mega-farmers). But then offset this against the provision of vital lifelines for some of the UK’s most conscientious, local and insecure of food producers.

The NFU told the New Statesman that there are many issues in need of urgent attention; from an improved Basic Payment Scheme, to guarantees for agri-environment funding, and a commitment to the 25-year TB eradication strategy. But that they also hope, above all, “that Mrs Leadsom will champion British food and farming. Our industry has a great story to tell”.

The construction of a new domestic agricultural policy is a once-in-a-generation opportunity for Britain to truly decide where its priorities for food and environment lie, as well as to which kind of farmers (as well as which countries) it wants to delegate their delivery.

In the context of so much uncertainty and such great opportunity, Leadsom has a tough job ahead of her. And no amount of “speaking as a mother” will change that.

India Bourke is the New Statesman's editorial assistant.