Democratic National Congress thrown off YouTube for copyright infringement

Michelle Obama's speech infringed copyright, some robots believe.

Remember how I was saying that robots will take all our jobs (paraphrasing slightly here)? Well, if they're going to, they have to get better than this. Wired's Ryan Singel reports on an embarrassing screw-up from YouTube's copyright-eforcement robots:

While First Lady Michelle Obama’s speech won rave reviews on Twitter Tuesday night, those who got inspired to try to watch the livestream of the convention on or YouTube found the video flagged by copyright claims shortly after it finished.

YouTube, the official streaming partner of the Democratic National Convention, put a copyright blocking message on the livestream video of the event shortly after it ended, which was embedded prominently at and DemConvention2012.

It's unclear, at the moment, what actual content the video contained that caused it to be blocked, but YouTube's automated takedown notice claims it contains content from:

WMG, SME, Associated Press (AP), UMG, Dow Jones, New York Times Digital, The Harry Fox Agency, Inc. (HFA), Warner Chappell, UMPG Publishing and EMI Music Publishing

This comes shortly after the somehow even more forehead-slapping-stupidity which occurred during the live stream of the Hugo awards, a science fiction prize.

That broadcast was pulled shortly after Neil Gaiman accepted his award for "Best Dramatic Presentation, Short Form", which he won for his episode of Doctor Who, The Doctor's Wife. It seems the award show tripped the enforceobots when it aired short clips of the five TV shows nominated.

The whole thing is particularly stupid because the Hugos actually got permission to air the clips, but even if they hadn't, it's the sort of thing which is covered under fair use. And while we can't tell what, precisely, caused the DNC livestream to be pulled, it seems unlikely that the Obama campaign hadn't cleared their media use.

Passing control to robot lawyers of almost the entirety of new media doesn't seem like the best way to effectively guarantee freedom of speech. When even the President's wife can get cut off in case she might be given penniless teens a way to listen to chart hits without paying, it seems like the pendulum has swung too far in a direction which nobody will like.

Michelle Obama speaks. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.