22 March 1958: Barbara Castle, Father Hooper and justice in South Africa

From our correspondence.

22 March 1958

Sir, - Among the many letters I have received arising out of my recent articles on South Africa there is one from Father Hooper, which I feel I must share with your readers. Father Hooper is the Anglican priest and missionary at Zeerust, in the North-West Transvaal, near the borders of Bechuanaland. I have already described in a New Statesman article the fearless way in which he has identified himself with the resistance of the local African people to the government’s attempt to impose passes on the women. Now he writes:

Things are very dire here: much more so than at the time of your visit. In reply to your request for news I shall outline one or two salient matters:

1. On the Friday of the week after you were here (24 January) four people were shot dead and several wounded in Gopane, 35 miles from Zeerust. The wounded who could run did so; some have not been seen since. Those who could not run were taken into custody and kept under guard in the Zeerust hospital. The official version is that the police were attacked. The unofficial version differs from the official version – diametrically. Among the four dead were a youngster and the village simpleton. At the time of the shooting the police are said to have been assaulting an old man – his youngest son ran, and bystanders and this son were shot. None of the bodies fell nearer than 75 yards from the scene of police action. Quite a civilising mission, really. Sten guns; and a lot of pieces of person on the grass. We had been expecting this for months.

2. Three to five thousand refugees have left the area for Bechuanaland – figures are uncertain. They are being well looked after there. I was told in Lobatsi that they are scattered from the border to the Kalahari, and from Mafeking to Serowe. A similar number have left for Johannesburg, many passing through this rectory. One woman had a miscarriage here at the rectory.

3. Police and pro-government chief action continue to be less than benign. A large number of illegal fines have been levied, and the people are in a terrible condition – their cattle having been seized in most instances. As a direct result of police action we face a major famine – no ploughing, or no weeding of crops means that this year this district is going to produce almost nothing. This will doubtless be represented as a visitation from the White Man’s God. For this reason, and because now we can no longer afford legal defence (in one instance 80 people are facing a charge of murder for the death of one man) we desperately need money. Can you help?

4. Banishment of local people to Natal has begun.

5. Last Friday the government (i.e., Vermoerd) made it illegal for anybody to enter these reserves without a permit from the Native Commissioner – penalty three years or £300. This means (a) refugees cannot return if they wish to; (b) nobody has access to observe what is going on behind our local iron curtain; (c) exempted people such as myself can be banned from entering – I have no received notice of such banning – yet; (d) husbands from the towns can no longer visit their wives or children. Further any statement, verbal or written, which is “likely to subvert the authority of the state, chief or headman”, carries a penalty of £300 or three years. Most of the people are of course ignorant of this proclamation.

6. Our own position is more or less impossible. When I go to visit church members in the reserves, police vans (riot cars) accompany me. Nobody wants to see his priest in such company.

7. In spite of all this, three villages have again refused to take reference books for their women. I don’t know what it is about these people, but they are both courageous and stubborn. They say: “The elephant is now stamping us into the ground”. And then they get up and defy the elephant all over again. In the end the elephant will have to depart or tire, and then we may expect all hell to break loose. Guns just can’t subdue the spirit; or not for long.

Father Hooper has risked a great deal to make these evils known. In this he is typical of many brave spirits in South Africa. In return we owe them our support – moral, political and – above all in the immediate future – financial.

Barbara Castle
House of Commons

Barbara Castle in 1974. Photo: Getty Images.

Letters, articles and notes from the New Statesman's centenary archive.

HELEN SLOAN / THE FALL 3 LTD
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The Fall is back - and once again making me weary

Five more episodes to go, after which its “feminist” writer (his word, not mine), Allan Cubitt, should pull the plug on it at last. Plus: Damned.

It is with much weariness that I return to The Fall (Thursdays, 9pm), the creepy drama that still doesn’t know whether it wants to be a horror-fest or a love story. I’ve written in the past about what I regard as its basic misogyny – to sum up, it seems to me to make a fetish of the violence committed against women, a preoccupation it pathetically tries to disguise by dint of its main character being a female detective – and I don’t propose to return to that theme now. However, in its early days, it was at least moderately gripping. Now, though, it appears to be recovering from some kind of nervous breakdown. If in series two the plot was wobbling all over the place, series three has misplaced the idea of drama altogether. Nothing is happening. At all.

To recap: at the end of the last series, Paul Spector, aka the Belfast Strangler (Jamie Dornan), had been shot while in police custody, somewhat improbably by a man who blames him for the demise of his marriage (oh, that Spector were only responsible for breaking up a few relationships). On the plus side for his supposed nemesis, DSI Stella Gibson (Gillian Anderson), before he fell he led them to Rose Stagg, the ex-girlfriend he’d locked in the boot of a car some days previously, and she is going to live. On the minus side, Spector’s injuries are so bad, it’s touch and go whether he’ll survive, and so Gibson may never see him brought to justice. Of course, the word “justice” is something of a red herring here.

The real reason she wants Spector to live is more dubious. As she stared at his body in the ICU, all tubes and monitors, her expression was so obviously sexual – her mouth opened, and stayed that way, as her eyes ran over every part of his body – that I half expected her to reach out and stroke him. Just in time for this nocturnal visit, she’d slipped into another of her slinky silk blouses that look like poured cream. (Moments earlier – think Jackie Kennedy in 1963 – she’d still been covered in her love object’s blood.)

The entire episode took place at the hospital, police procedural having morphed suddenly into Bodies or Cardiac Arrest. Except, this was so much more boring and cliché-bound than those excellent series – and so badly in need of their verisimilitude. When I watch The Fall, I’m all questions. Why doesn’t Stella ever tie her hair back? And why does she always wear high heels, even when trying to apprehend criminals? For how much longer will the presumably cash-strapped Police Service of Northern Ireland allow her to live in a posh hotel? Above all, I find myself thinking: why has this series been so acclaimed? First it was nasty, and then it was only bad. Five more episodes to go, after which its “feminist” writer (his word, not mine), Allan Cubitt, should join Gibson in the ICU, where together they can ceremonially pull the plug on it at last.

Can Jo Brand do for social workers in her new comedy, Damned, what she did a few years ago for geriatric nurses in the brilliant Getting On? I expect she probably can, even though this Channel 4 series (Tuesdays, 10pm), co-written with Morwenna Banks and Will Smith, does have an awfully inky heart. Hungry children, drug-addict parents, a man who can go nowhere without his oxygen tank: all three were present and correct when Rose (Brand) went to visit a client who turned out to be a woman who, long ago, had nicked her (Rose’s) boyfriend. Ha ha? Boohoo, more like.

Damned is basically The Office with added family dysfunction. Al (Alan Davies) is a hen-pecked wimp, Nitin (Himesh Patel) is a snitch, and Nat (Isy Suttie) is the stupidest and most annoying temp in the Western world. This lot have two bosses: Martin (Kevin Eldon), a kindly widower, and Denise (Georgie Glen), the cost-cutting line manager from hell. And Rose has a plonker of an ex-husband, Lee (Nick Hancock). “I’ve been invited to the Cotswolds for the weekend,” he told her, trying to wriggle out of looking after the children. “Is that why you look like a knob?” she replied.

Jerky camerawork, naturalistic acting, a certain daring when it comes to jokes about, say, race: these things are pretty familiar by now, but I like it all the same.

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 29 September 2016 issue of the New Statesman, May’s new Tories