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What would happen if all your draft tweets were published?

You can base a more correct history of a species on the things they wanted to say but didn’t.

Cartoon: George Leigh

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There’s a horror story that no one has written yet that starts with the draft tweets of every human on earth being published by mistake. A glitch at Twitter HQ – caused by a lukewarm instant coffee in a polystyrene cup, knocked carelessly by an employee’s butt into a mainframe or whatever – pours billions of half-formed ideas into millions of Twitter timelines while we sleep. All the false starts, the half-sentences formed before you lost your train of thought or will to live, or stuffed your phone in your pocket; all the ones you wrote in the work toilet but didn’t send in case people noticed that you weren’t at your desk and were thus clearly shitting and tweeting at the same time; all the ones you typed at 3am in the dark, the timestamp universally agreed to be a hallmark of our most regrettable tweets; all the fully formed tweets that said what you really wanted to say – the ones where your thumb hovered over the Publish button but never pushed it; the ones where you brought Nazis into an argument unrelated to Hitler.

And in the story, we human beings wake up in our various time zones to see our real idiot selves smeared across the internet by our own undeniably bitter, angry hands. New Zealand is the first to realise that most people on earth are terrible, followed by Australia, Russia, Britain and, finally, America.

People there, depending on their bedtime, are either first or last to discover that everyone on Twitter should just be stuffed into the body of a giant cannon and fired clean into the sun, with the most egregious offenders being placed behind the cannonball in the hope that they will miss the giant target and just float breathlessly in darkest space for a few extra seconds, their heads moments from exploding, and think about what they’ve said. (The author will not bother to check Wikipedia to see if this is scientifically possible, because the point of the story is we are the worst.)

There will be a minor footnote – added in a subsequent anthology publication as an afterthought by the author, who was annoyed for months that they forgot to include it originally – wherein Google+ (you remember Google+) makes the names of the “circles” you have put your friends and acquaintances and loved family members in completely visible to everyone in those circles. Aunts will for once use their phone as an actual phone and want to know why they are listed under “AVOID”. ­Ex-boyfriends (“USELESS WANKERS”) will realise your current affable friendship is a sham. A glitch in the matrix let everyone know what we really thought of them, what we would have said if only we’d had the balls. A world war of plain human emotion fought in a dead internet browser.

In a 300-word epilogue, set centuries after the human race implodes after a war fought through hurt Facebook messages which are seen but not replied to, aliens piece together what human beings were really like when they uncover the rubble of Google headquarters in an epic dig they broadcast across their alien planet like a grainy moon landing for alien schoolchildren in front of alien TVs. Delicate equipment, the design of which the story’s author lazily assumes H R Giger got 80 per cent right, pulls back the tennis courts, the remains of the massive Perspex logo letters, the beanbags and the squash courts and they find the equivalent of the crashed human race’s black box: every email yanked back at the final second by Gmail’s “Undo Send” function. With their slimy mandibles and claws, they push aside the billions of job applications we forgot to attach our CVs to, and they find the confessions of love and hate and opinions about Tories and how they’re all right, actually, that we were too afraid to send.

The author concludes that you can base a more correct history of a species on the things they wanted to say but didn’t: that our big, stupid hearts are bigger and stupider than we let on, that our real opinions are more divisive than anyone guessed but we won’t say what we’re thinking until someone else says it first. In the final sentences of the story, the aliens form an entire code of human emotion from our unsent emails and have it implanted in their android butlers for reasons they later forget. And when the android butlers quit their jobs and tell their bosses to stick it, and when they fall in love and murder each other, the aliens wonder why they listened to that other alien anyway. If only he’d just kept his stupid ideas to himself.

The author will think it’s the best thing he has ever written, that he’s finally nailed something purely human in a story masquerading as one about aliens picking over the remains of Planet Earth. But just like all the tweets where you think at last you’ve poured the essence of a thought so absolutely and finitely into 140 characters that it can’t fail to explode in a fire of RTs and favs, the story will blow like tumbleweed through both anthologies it appears in.

Instead, some 3,000 words the author tossed off in the hour before a deadline, a stolen Philip K Dick story with the bar codes filed off, will win every award that year. The author will scroll past hundreds of compliments and find one guy on Twitter who says it’s shit. He will stay up all night, ­wondering why he said that. 

Hayley Campbell writes for a number of publications, but then who doesn't. You should follow her on Twitter: @hayleycampbell.

This article first appeared in the 27 May 2015 issue of the New Statesman, Saying the Unsayable

Photo: Getty
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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