Stock figure: during Elizabeth I’s reign nearly 200 English Catholics were executed. Image: Stapleton Collection/Bridgeman
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The best of the NS in 2014: Religion

Our best pieces from the past year - this selection covers God, religion and atheism.

After God: how to fill the faith-shaped hole in modern life

By Rowan Williams, Melvyn Bragg, Lucy Winkett, Robin Ince, Vicky Beeching and Julian Baggini.

Religion used to define our seasons and our days. But now that it’s in decline in the west, what rituals can take its place?  

 

The new intolerance: will we regret pushing Christians out of public life?

By Cristina Odone.

In this provocative challenge to the left, the former New Statesman deputy editor Cristina Odone argues that liberalism has become the new orthodoxy – and there is no room for religious believers to dissent.  

 

Christians aren’t being driven out of public life – they’re just losing their unfair advantages

By Robin Ince.

A reply to Odone's piece from an atheist.  

 

What the jihadists who bought “Islam for Dummies” on Amazon tell us about radicalisation

By Mehdi Hasan.

Pretending that the danger comes only from the devout could cost lives.

 

Is religion to blame for history’s bloodiest wars?

By John Gray.

From the Inquisition to Isis, religion is blamed for brutality. But violence is a secular creed too.

 

Wahhabism to ISIS: how Saudi Arabia exported the main source of global terrorism

By Karen Armstrong.

Although IS is certainly an Islamic movement, it is neither typical nor mired in the distant past, because its roots are in Wahhabism, a form of Islam practised in Saudi Arabia that developed only in the 18th century.

Gloriana’s underbelly: the terror of life as a Catholic in Elizabethan England

By Anna Whitelock.

Jessie Childs's God’s Traitors: Terror and Faith in Elizabethan England is a detailed and absorbing account of the difficulties of being Catholic in England in the 17th century.

 

Meet Libby Lane, the Church of England’s first woman bishop

By Caroline Crampton.

After decades of wrangling, the Church of England has finally appointed its first woman bishop. Caroline Crampton went to meet Reverend Libby Lane, the new Bishop of Stockport.

 

Six feet under: meeting Britain’s Gravedigger of the Year

By Xan Rice.

To his surprise, Jonny Yaxley, a former landscaper, found he enjoyed the craftsmanship involved in preparing a perfect grave. And he liked learning about the lives of the deceased.

 

The Myth of the Moderate Muslim

By Bina Shah.

Everyone seems to know that the moderate Muslim exists, but nobody seems to really agree on what he or she looks like, how he or she acts, behaves, what she believes in, how he or she practises.

 

On a vote and a prayer: how evangelical groups could influence the election

By Oliver Bullough.

Labour does not “do God”, in the words of Alastair Campbell, but a group of believers from Luton do – and they won the party the seat. Could their success be replicated?

 

Is the BBC’s “The Big Questions” the worst thing on television?

By Willard Foxton.

It’s one of the broadcaster’s flagship religious programmes, yet it makes religious people look unfairly crazy.

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Would the BBC's Nazi drama SS-GB have felt half so resonant a year ago?

This alternate history is freighted with meaning now we're facing the wurst-case scenario. 

Would SS-GB have felt half so resonant a year ago? Though the clever-after-the-fact Nostradamus types out there might disagree, I can’t believe that it would. When it comes to the Second World War, after all, the present has helpfully stepped in where memory is just beginning to leave off. The EU, in the process of fragmenting, is now more than ever powerless to act in the matter of rogue states, even among its own membership. In case you hadn’t noticed, Hungary, for instance, is already operating as a kind of proto-fascist state, led by Viktor Orbán, a man whom Jean-Claude Juncker, the president of the European Commission, jokingly likes to call “the dictator” – and where it goes, doubtless others will soon follow.

The series (Sundays, 9pm), adapted from Len Deighton’s novel, is set in 1941 in a Britain under Nazi occupation; Winston Churchill has been executed and the resistance is struggling to hold on to its last strongholds in the countryside. Sam Riley plays Douglas Archer, a detective at Scotland Yard, now under the control of the SS, and a character who appears in almost every scene. Riley has, for an actor, a somewhat unexpressive face, beautiful but unreadable. Here, however, his downturned mouth and impassive cheekbones are perfect: Archer, after all, operates (by which I mean, barely operates) in a world in which no one wants to give their true feelings away, whether to their landlady, their lover, or their boss, newly arrived from Himmler’s office and as Protestant as all hell (he hasn’t used the word “degenerate” yet, but he will, he will).

Archer is, of course, an ambiguous figure, neither (at present) a member of the resistance nor (we gather) a fully committed collaborator. He is – or so he tells himself – merely doing his job, biding his time until those braver or more foolhardy do something to restore the old order. Widowed, he has a small boy to bring up. Yet how long he can inhabit this dubious middle ground remains to be seen. Oskar Huth (Lars Eidinger), the new boss, is keen to finish off the resistance; the resistance, in turn, is determined to persuade Archer to join its cause.

It’s hard to find fault with the series; for the next month, I am going to look forward to Sunday nights mightily. I would, I suppose, have hoped for a slightly more charismatic actress than Kate Bosworth to play Barbara Barga, the American journalist who may or may not be involved with the British resistance. But everything else seems pretty perfect to me. London looks suitably dirty and its inhabitants’ meals suitably exiguous. Happiness is an extra egg for tea, smoking is practically a profession, and
the likes of Archer wear thick, white vests.

Swastikas adorn everything from the Palace of Westminster to Trafalgar Square, Buckingham Palace is half ruined, a memorial to what the Germans regard as Churchill’s folly, and the CGI is good enough for the sight of all these things to induce your heart to ache briefly. Nazi brutality is depicted here as almost quotidian – and doubtless it once was to some. Huth’s determination to have four new telephone lines installed in his office within the hour is at one end of this horrible ordinariness. At the other is the box in which Archer’s mutinous secretary Sylvia (Maeve Dermody) furiously stubs out her fag, full to the brim with yellow stars.

When I first heard about The Kettering Incident (Tuesdays, 12.20am; repeated Wednesdays, 10pm) I thought someone must have found out about that thing that happened one time I was driving north on the M1 with a more-than-usually terrible hangover. Turns out it’s a new Australian drama, which comes to us on Sky Atlantic. Anna (Elizabeth Debicki), a doctor working in London, pitches up back in Tasmania many years after her teenage friend Gillian disappeared into its Kettering forest, having seen a load of mysterious bright lights. Was Gillian abducted by aliens or was she, as some local people believe, murdered by Anna? To be honest, she could be working as a roadie for Kylie, for all I care. This ponderous, derivative show is what happens when a writer sacrifices character on the altar of plot. The more the plot thickens, the more jaw-achingly tedious it becomes.

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 24 February 2017 issue of the New Statesman, The world after Brexit