H P Lovecraft peopled his mythical realms with slippery, palpitating cretaures to escape a worse prospect – a human world. Illustration by Sean Phillips
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The best of the NS in 2014: Books

Our best pieces from the past year - in this selection, the best book reviews and author interviews.

Mansplainers anonymous: Men Explain Things to Me by Rebecca Solnit

By Helen Lewis.

Solnit’s lead essay became a viral sensation because many women recognised the experience of having their expertise instantly dismissed because of the lady-shaped package it came in.


The books of revelations: why are novelists turning back to religion?

By Philip Maughan.

There is a sense that, in recent years, novelists have formed part of a rearguard action in response to Richard Dawkins’s New Atheist consensus. Philip Maughan talks to Marilynne Robinson, Francis Spufford and Rowan Williams about God in literature.


How Jim fixed it: the strange, dark life of Jimmy Savile

By Rachel Cooke.

It is impossible to look back on the world of light entertainment in the Savile era and not come to the conclusion that it was strikingly weird.


“One man who made history” by another who seems just to make it up: Boris on Churchill

By Richard J Evans.

The book reads as if it was dictated, not written. All the way through we hear Boris’s voice; it’s like being cornered in the Drones Club and harangued for hours by Bertie Wooster.


David Mitchell, the master builder

By Erica Wagner.

When he was a child, the novelist David Mitchell drew maps. Now he creates worlds.


How James Joyce’s Dubliners heralded the urban era

By Eimear McBride.

It is through Joyce’s intimate rummagings through the city’s yens and wardrobes that we come closest to identifying its inhabitants.


The book that will make you quit your job

By Sophie McBain.

Paul Dolan believes all humans strive for happiness, which he defines as a combination of pleasure and a sense of purpose. The problem is that we are often very bad at maximising our own well-being.


Lena Dunham is not real

By Helen Lewis.

Lena Dunham’s Not That Kind of Girl is a confessional book where you cannot be sure if the confessions are true: it’s either a brilliantly ironic subversion of the form, or a deeply wearying put-on by someone who has no sense of who they are when no one is watching.


Too much information: how scientists and historians captured the brains of Amis and McEwan

By Leo Robson.

Novels by both authors seems to be creaking under the burden of researched fact and rehearsed message, but there was a time when their impulses flowed in the opposite direction.


Wilfred Owen: The Peter Pan of the trenches

By Rowan Williams.

The anti-heroic reading of the First World War did not begin with Blackadder - Wilfred Owen has far more to answer for than Richard Curtis, says the former Archbishop of Canterbury.


Phalluses and fallacies: the poetry of sex

By Germaine Greer.

All poetry is driven by sex, whether or not it acknowledges the impulse.


The moral universe of H P Lovecraft

By John Gray.

The weird realism that runs through Lovecraft’s writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.  

The unfinished battles of Waterloo

By Simon Heffer.

How did a hamlet in Belgium become immortalised in the names of streets, districts, parks and buildings all over Britain? These five books, published in anticipation of the bicentenary of the Battle of Waterloo, explain why.

BBC/Chris Christodoulou
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Proms 2016: Violinist Ray Chen was the star of a varied show

The orchestra soaked up his energy in Bruch's first violin concerto to end on a triumphal note. 

Music matters, but so does its execution. This was the lesson of a BBC Symphony Orchestra and BBC Symphony Chorus programme which combined both a premiere of a composition and a young violinist’s first performance at the Proms. 

The concert, conducted by Sir Andrew Davis, opened with Tchaikovsky’s symphonic fantasy The Tempest, a lesser-known sibling to his Romeo and Juliet overture. The orchestra got off to a fidgety start, with some delayed entries, but fell into line in time for the frenetic chromatic runs that drive the piece. The end, a muted pizzicato, was suitably dramatic. 

Another nature-inspired piece followed – Anthony Payne’s composition for chorus and orchestra, Of Land, Sea and Sky. Payne drew on his memory of watching of white horses appearing to run across water, as well as other visual illusions. At the world premiere, the piece began promisingly. The chorus rolled back and forth slowly over scurrying strings with an eerie singing of “horses”. But the piece seemed to sink in the middle, and not even the curiosity of spoken word verse was enough to get the sinister mood back. 

No doubt much of the audience were drawn to this programme by the promise of Bruch violin concerto no. 1, but it was Ray Chen’s playing that proved to be most magnetic. The young Taiwanese-Australian soloist steered clear of melodrama in favour of a clean and animated sound. More subtle was his attention to the orchestra. The performance moved from furious cadenza to swelling sound, as if all players shared the same chain of thought. Between movements, someone coughed. I hated them. 

Ray Chen in performance. Photo: BBC/Chris Christodoulou

Chen’s playing had many audience members on their feet, and only an encore appeased them. It was his first time at the Proms, but he'll be back. 

The orchestra seemed to retain some of his energy for Vaughan Williams’ Toward the Unknown Region. Composed between 1904 and 1906, this is a setting of lines by the US poet Walt Whitman on death, and the idea of rebirth.

The orchestra and chorus blended beautifully in the delicate, dark opening. By the end, this had transformed into a triumphal arc of sound, in keeping with the joyful optimism of Whitman’s final verse: “We float/In Time and Space.” 

This movement from hesitancy to confident march seemed in many ways to capture the spirit of the concert. The programme had something for everyone. But it was Chen’s commanding performance that defined it.