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Remembering Stuart Hall, a denizen of the twentieth-century left in Britain

He expressed better than most what it meant to be red under Thatcher.

A few weeks ago at the British Film Institute’s public archive, I watched a programme by Stuart Hall called It Ain’t Half Racist, Mum. It had been broadcast on the BBC in 1979 and consisted of the late Professor Hall and a colleague from the Campaign Against Racism in the Media explaining, face to camera, against a plain black background, how racist ideas were disseminated through popular culture – in sitcoms, news reporting and documentaries.

It was clear, interesting, intellectual public-service broadcasting, cultural studies for the masses, impossible to imagine on today’s BBC, though much of the insidious racism it addressed remains unchanged 35 years later. Hall, instrumental in the creation of cultural studies, doyen of the 1960s New Left, passed away on 10 February and his loss has been keenly felt.

In last year’s documentary by John Akomfrah, The Stuart Hall Project, Hall’s interviews and archive footage dovetail brilliantly with the music of Miles Davis; something about the rhythms works to soothe yet reflects the fraught issues of identity, culture and politics that consumed Hall. In the late 1970s, when Margaret Thatcher was still seen as an oddball right-winger, Hall was the first to coin the term Thatcherism and recognise the paradigm shift that was about to come.

“People ask, well, how did you know?” he reflected in 2007. The answer was almost jazz-like: “I had to feel the accumulation of things going on and think, ‘This is a different rhythm’ – we’ve lived with one configuration, and this is another one.”

Hall didn’t join the Communist Party, but went to its meetings and argued with the tankies. History, he felt, was not about absolutes but about reconfigurations of the past; he wanted “a politics which constantly inspects the grounds of its own convictions”. Through the 1960s and 1970s he was a truly public intellectual, always more at home sharing his spirit of inquiry outside the ivory tower – as a supply teacher at a school in Kennington, south London, doing TV and radio work and speaking at countless anti-racist and CND meetings across Britain.

Born in Jamaica in 1932, he was from a middle-class family, “part Scottish, part African, part Portuguese Jew … living out this huge colonial drama”, internalising the tensions of race and class. He left Jamaica in 1951 for a different, entirely new type of alienation – that of the elite swagger of Oxford. His commentary on the diaspora in Britain and what it meant always to be from elsewhere, wherever you are, was both the result of intellectual inquiry and extremely personal.

As globalisation further exploded the norms of home and place, Hall suggested that some comfort could be taken from a widening of this experience of dislocation. “I can’t go back to any one origin – I’d have to go back to five; when I ask people where they’re from, I expect to be told an extremely long story,” he said in The Stuart Hall Project.

The trials of multicultural identity are “never being able to say ‘we’ or ‘us’ about anything”, he told Les Back from Goldsmiths in a 2007 interview. And yet Hall always preferred collaborating to working alone; in fact, he rarely used the first-person singular in his writing. Hall was the man who first identified the scale and contours of the neoliberal assault on solidarity and collectivism that Thatcher would begin – and all this because ultimately he wanted everyone to be able to say “we” and “us”.
 

This article first appeared in the 13 February 2014 issue of the New Statesman, Can we talk about climate change now?

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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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