Master of artifice: Anton Chekhov pictured in Russia in 1897. Image: Corbis.
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My grandfather’s Chekhovian death in the deep blue sea

A seafaring Chekhov story dredges up some family history.

My grandad was born with a caul – a strange, papery bonnet, the remains of the amniotic sac. In those days there was a widely held superstition among sailors that if you were born “in caul” you could never drown. I never met him but I suppose that if you were, as he was, a sailor at war, it was comforting to believe that you weren’t going to drown. Having survived the Battle of Jutland, he got married. He was late arriving for his ship, the HMS Hampshire, which sailed without him, and he was thrown into the Bridewell. All but 12 of the Hampshire’s 600 hands were lost, including Lord Kitchener. Maybe Grandad thought his caul – his luck – had saved him.

He got safely through two world wars. In the end he died in peacetime. His ship – the Cydonia – was blown into an unexploded mine off the Pembrokshire coast. He was the stoker. His epic, sweaty, hellish job was to keep the fires going. He wasn’t supposed to be on duty at the time. He was covering for someone else. He didn’t drown when the engines blew. He was boiled alive.

I lived with my grandmother – his wife – when I was small, in a little flat on Stanley Road near the docks in Liverpool. Apart from the odd excursion to the city centre (two stops away), I don’t remember her ever straying beyond the little network of streets that was her parish. Yet there was a glass cupboard in the corner of the parlour that was stuffed with the fine, untouchable things that Grandad had brought back from his voyages in the South China Sea or across the Atlantic. A pale tea service so delicate it seemed to tremble like a sea creature behind the glass, a chunk of coral, a shell with Psalm 107 burned into it and a varnished porcupine fish.

That’s about all I know about my grandad.

My father barely knew him either – he was at sea for most of Dad’s childhood and then he was dead. So Dad didn’t talk about him much. My grandma didn’t talk about anyone much. So I hardly ever gave my grandad a second thought. One day I was at a film festival doing press for a film I’d written. In the interval between interviews, it looked rude to pick up a book, so I noodled around on my phone and found a short story by Anton Chekhov that I had not read before called “Gusev”. Technologically, sociologically, geographically and emotionally I was a solar system distant from my grandma’s flat. But one paragraph in, for the first time in my life, I saw in my imagination Grandad. Everything about the story lead me to think of him.

Gusev is an orderly heading home to Russia in the sickbay of a tramp steamer. Talkative and feverish, he annoys one of the other passengers – Pavel Ivanitch – by worrying that the ship will be broken on the back of a big fish, or that the wind will “break its chains”. As he slips in and out of consciousness, he has visions of life at home. Heartbreakingly, these visions feature a pond – a domestic, manageable version of the sea. Eventually, he dies and his body is sewn up in sailcloth and tipped overboard. It splashes into the sea and the foam makes it look as though he is wrapped in lace. He disappears beneath the waves. Then Chekhov produces his amazing ending, following Gusev’s corpse as it sinks to the sea floor, past startled pilot fish and a curious shark.

My grandad’s corpse, like Gusev’s, would have rolled around on the bottom of the ocean. There’s also the fact Gusev is returning from a war and that he is dreaming of home, that he didn’t belong out there on the sea. On top of all the parallels, though, Gusev seems like a real person and this seems like a real incident. This happens so often when you’re reading Chekhov – that feeling you’re reading about something that really happened. How does he do this?

Chekhov was out and about in the world with his eyes open. In 1890 he spent three months trekking across Siberia to get to the penal colony at Sakhalin. On the way, he wrote extraordinary, vivid letters to his sister. He came back on a steamer and there were two passengers on board who were extremely ill. The character of Gusev has the kind of oddity you feel comes from observation. He dislikes Chinese people intensely and gets into trouble for beating up four of them. When Pavel Ivanitch asks him why, he says, “Oh nothing. They came into the yard so I hit them.” When he is dead, trussed up in the sailcloth, Chekhov describes him with a vivid but undignified phrase. He looks like a carrot or a radish, broad at the top and narrow at the bottom. And, of course, he dies – what could be more “real” than that? Chekhov was a doctor. It’s a serious matter when a doctor lets a person die, even if that person is fictional.

The landscape, too, is drawn from observation. In another of the Siberian letters he describes crossing Lake Baikal and looking down into its crystal-clear waters. The first time I read it, I felt a shock of delight: this must have been the inspiration for Gusev’s watery descent.

The extraordinary thing about any Chekhov story is that when you begin to read one, you have no idea where it’s going to end up. You can easily imagine the story that Maupassant, for instance, would have made of my grandad’s life. The Macbethy irony of his believing that just because you couldn’t drown you wouldn’t die at sea and then – ha ha, cruel fate – he’s boiled instead. He should have known! But for me the most arresting thing about his life was how utterly unpredictable its consequences were. If he hadn’t jumped ship that night, been prepared to be locked up for an extra night with his wife, I wouldn’t be here writing. I wouldn’t exist. Nor would my children, my siblings, my cousins. Dozens of people are only alive because of his tipsy whim.

“Gusev” is unpredictable in the way that life is. It starts with a kind of comedy routine between the ignorant Gusev and the superior Ivanitch but ends up with that soaring, sacramental prose poem. Writers who try to imitate Chekhov sometimes mistake this unpredictability for randomness, a trudging “realism”, or worse, “honesty”. But Chekhov isn’t a journalist or a memoirist. He began as a hack, writing skits and sketches. “Oh with what trash I began,” he wrote later. He can write anywhere – for instance, on a tramp steamer; about anything – for instance, a garrulous sick passenger. These are the things that being a hack teaches you. He also has a hack’s repertoire of tricks and techniques. Chekhov’s unpredictability doesn’t come from rejecting artifice and contrivance. It comes from being an absolute master of artifice and contrivance.

If you go back through the story you will see that the unexpected ending is perfectly set up. In Gusev’s nonsense about wind and chains and giant fish, in his remembered pond, the sea is always threatening to overwhelm the story. This is also true tonally. Gusev and Ivanitch are convincing individual characters but as they bicker, they move further and further apart until each comes to stand for a different view of life. Ivanitch dismisses Gusev’s chances of ever grasping the point of life. “Foolish, pitiful man,” he says, “you don’t understand anything.” Yet Gusev reaches out for understanding:

A vague urge disturbs him. He drinks water, but that isn’t it. He stretches towards the port-hole and breathes in the hot, dank air, but that isn’t it either. He tries to think of home and frost – and it still isn’t right.

Chekhov’s great tenderness is that his story seems to be reaching out for a shape and an ending, just as Gusev tries to reach out through his fever for a meaning. They’re in this together.

Then there’s the ending. In one sense it shows us Gusev as nothing but a piece of meat, dumped over the side, sinking to the bottom. But we’re also overwhelmed by the sense of the grandeur and beauty of the food chain, of what a magnificent thing meat is. It’s impossible to read that section without being pulled up short by how ridiculous we are – like a carrot or a radish – but also how beautiful – wrapped in lace. It describes life reduced to its components but it also recalls, inevitably, Psalm 107 – the psalm that was inscribed on my grandad’s shell.

“They that go down to the sea in ships, that do business in great waters; these see the works of the Lord, and his wonders in the deep.”

Frank Cottrell Boyce is a children’s author and screenwriter. He was the writer for the 2012 London Olympics opening ceremony This is an edited extract from “Morphologies: Short Story Writers on Short Story Writers”, published by Comma Press on 30 January (£9.99)

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The French millennials marching behind Marine Le Pen

A Front National rally attracts former socialists with manicured beards, and a lesbian couple. 

“In 85 days, Marine will be President of the French Republic!” The 150-strong crowd cheered at the sound of the words. On stage, the speaker, the vice-president of the far-right Front National (FN), Florian Philippot, continued: “We will be told that it’s the apocalypse, by the same banks, media, politicians, who were telling the British that Brexit would be an immediate catastrophe.

"Well, they voted, and it’s not! The British are much better off than we are!” The applause grew louder and louder. 

I was in the medieval city of Metz, in a municipal hall near the banks of the Moselle River, a tributary of the Rhine from which the region takes its name. The German border lies 49km east; Luxembourg City is less than an hour’s drive away. This is the "Country of the Three Borders", equidistant from Strasbourg and Frankfurt, and French, German and French again after various wars. Yet for all that local history is deeply rooted in the wider European history, votes for the Front National rank among the highest nationally, and continue to rise at every poll. 

In rural Moselle, “Marine”, as the Front National leader Marine Le Pen is known, has an envoy. In 2014, the well-spoken, elite-educated Philippot, 35, ran for mayor in Forbach, a former miner’s town near the border. He lost to the Socialist candidate but has visited regularly since. Enough for the locals to call him “Florian".

I grew up in a small town, Saint-Avold, halfway between Metz and Forbach. When my grandfather was working in the then-prosperous coal mines, the Moselle region attracted many foreign workers. Many of my fellow schoolmates bore Italian and Polish surnames. But the last mine closed in 2004, and now, some of the immigrants’ grandchildren are voting for the National Front.

Returning, I can't help but wonder: How did my generation, born with the Maastricht treaty, end up turning to the Eurosceptic, hard right FN?

“We’ve seen what the other political parties do – it’s always the same. We must try something else," said Candice Bertrand, 23, She might not be part of the group asking Philippot for selfies, but she had voted FN at every election, and her family agreed. “My mum was a Communist, then voted for [Nicolas] Sarkozy, and now she votes FN. She’s come a long way.”  The way, it seemed, was political distrust.

Minutes earlier, Philippot had pleaded with the audience to talk to their relatives and neighbours. Bertrand had brought her girlfriend, Lola, whom she was trying to convince to vote FN.  Lola wouldn’t give her surname – her strongly left-wing family would “certainly not” like to know she was there. She herself had never voted.

This infuriated Bertrand. “Women have fought for the right to vote!” she declared. Daily chats with Bertrand and her family had warmed up Lola to voting Le Pen in the first round, although not yet in the second. “I’m scared of a major change,” she confided, looking lost. “It’s a bit too extreme.” Both were too young to remember 2002, when a presidential victory for the then-Front National leader Jean-Marie Le Pen, was only a few percentage points away.

Since then, under the leadership of his daughter, Marine, the FN has broken every record. But in this region, the FN’s success isn’t new. In 2002, when liberal France was shocked to see Le Pen reach the second round of the presidential election, the FN was already sailing in Moselle. Le Pen grabbed 23.7 per cent of the Moselle vote in the first round and 21.9 per cent in the second, compared to 16.9 per cent and 17.8 per cent nationally. 

The far-right vote in Moselle remained higher than the national average before skyrocketing in 2012. By then, the younger, softer-looking Marine had taken over the party. In that year, the FN won an astonishing 24.7 per cent of the Moselle vote, and 17.8 per cent nationwide.

For some people of my generation, the FN has already provided opportunities. With his manicured beard and chic suit, Emilien Noé still looks like the Young Socialist he was between 16 and 18 years old. But looks can be deceiving. “I have been disgusted by the internal politics at the Socialist Party, the lack of respect for the low-ranked campaigners," he told me. So instead, he stood as the FN’s youngest national candidate to become mayor in his village, Gosselming, in 2014. “I entered directly into action," he said. (He lost). Now, at just 21, Noé is the FN’s youth coordinator for Eastern France.

Metz, Creative Commons licence credit Morgaine

Next to him stood Kevin Pfeiffer, 27. He told me he used to believe in the Socialist ideal, too - in 2007, as a 17-year-old, he backed Ségolène Royal against Sarkozy. But he is now a FN local councillor and acts as the party's general co-ordinator in the region. Both Noé and Pfeiffer radiated a quiet self-confidence, the sort that such swift rises induces. They shared a deep respect for the young-achiever-in-chief: Philippot. “We’re young and we know we can have perspectives in this party without being a graduate of l’ENA,” said another activist, Olivier Musci, 24. (The elite school Ecole Nationale d’Administration, or ENA, is considered something of a mandatory finishing school for politicians. It counts Francois Hollande and Jacques Chirac among its alumni. Ironically, Philippot is one, too.)

“Florian” likes to say that the FN scores the highest among the young. “Today’s youth have not grown up in a left-right divide”, he told me when I asked why. “The big topics, for them, were Maastricht, 9/11, the Chinese competition, and now Brexit. They have grown up in a political world structured around two poles: globalism versus patriotism.” Notably, half his speech was dedicated to ridiculing the FN's most probably rival, the maverick centrist Emmanuel Macron. “It is a time of the nations. Macron is the opposite of that," Philippot declared. 

At the rally, the blue, red and white flame, the FN’s historic logo, was nowhere to be seen. Even the words “Front National” had deserted the posters, which were instead plastered with “in the name of the people” slogans beneath Marine’s name and large smile. But everyone wears a blue rose at the buttonhole. “It’s the synthesis between the left’s rose and the right’s blue colour”, Pfeiffer said. “The symbol of the impossible becoming possible.” So, neither left nor right? I ask, echoing Macron’s campaign appeal. “Or both left and right”, Pfeiffer answered with a grin.

This nationwide rebranding follows years of efforts to polish the party’s jackass image, forged by decades of xenophobic, racist and anti-Semitic declarations by Le Pen Sr. His daughter evicted him from the party in 2015.

Still, Le Pen’s main pledges revolve around the same issue her father obsessed over - immigration. The resources spent on "dealing with migrants" will, Le Pen promises, be redirected to address the concerns of "the French people". Unemployment, which has been hovering at 10 per cent for years, is very much one of them. Moselle's damaged job market is a booster for the FN - between 10 and 12 per cent of young people are unemployed.

Yet the two phenomena cannot always rationally be linked. The female FN supporters I met candidly admitted they drove from France to Luxembourg every day for work and, like many locals, often went shopping in Germany. Yet they hoped to see the candidate of “Frexit” enter the Elysee palace in May. “We've never had problems to work in Luxembourg. Why would that change?” asked Bertrand. (Le Pen's “144 campaign pledges” promise frontier workers “special measures” to cross the border once out of the Schengen area, which sounds very much like the concept of the Schengen area itself.)

Grégoire Laloux, 21, studied history at the University of Metz. He didn't believe in the European Union. “Countries have their own interests. There are people, but no European people,” he said. “Marine is different because she defends patriotism, sovereignty, French greatness and French history.” He compared Le Pen to Richelieu, the cardinal who made Louis XIV's absolute monarchy possible:  “She, too, wants to build a modern state.”

French populists are quick to link the country's current problems to immigration, and these FN supporters were no exception. “With 7m poor and unemployed, we can't accept all the world's misery,” Olivier Musci, 24, a grandchild of Polish and Italian immigrants, told me. “Those we welcome must serve the country and be proud to be here.”

Lola echoed this call for more assimilation. “At our shopping centre, everyone speaks Arabic now," she said. "People have spat on us, thrown pebbles at us because we're lesbians. But I'm in my country and I have the right to do what I want.” When I asked if the people who attacked them were migrants, she was not so sure. “Let's say, they weren't white.”

Trump promised to “Make America Great Again”. To where would Le Pen's France return? Would it be sovereign again? White again? French again? Ruled by absolutism again? She has blurred enough lines to seduce voters her father never could – the young, the gay, the left-wingers. At the end of his speech, under the rebranded banners, Philippot invited the audience to sing La Marseillaise with him. And in one voice they did: “To arms citizens! Form your battalions! March, march, let impure blood, water our furrows...” The song is the same as the one I knew growing up. But it seemed to me, this time, a more sinister tune.