Testing the limits: M’bala M’bala draws on anti-establishment and anti-Jewish feelings that are deeply rooted in France François Berthier/Contour/Getty.
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Dieudonné’s war on France: the Holocaust comedian who isn’t funny

Dieudonné is no Bernard Manning or Frankie Boyle, whose humour is purposelessly offensive. In recent years, he has set out on a political mission to provoke the French state and test the limits of French law.

The Passage de la Main d’Or, half a mile or so from the Place de la Bastille, is a nondescript, narrow street in the Faubourg Saint-Antoine, which these days is a fairly chic quarter in eastern Paris. Halfway down the street is the Théâtre de la Main d’Or, a tiny theatre-cum-cabaret. At the entrance to the theatre there is pro-Jewish graffiti – a Star of David and the insignia of the LDJ (Ligue de Défense Juive, or “Jewish Defence League”), a hardcore group of young Jewish activists. Despite its historical credentials – this is the part of Paris where the revolution of 1789 really kicked off – there is little here to suggest any serious threat to the French republic.

The cramped theatre is the headquarters of Dieudonné M’bala M’bala, a comedian who comes from a mixed French and Cameroonian background and whose allegedly anti-Semitic performances have lately convulsed France. Dieudonné has only recently come to the attention of the British public following Nicolas Anelka’s use of the quenelle, a form of inverted Nazi salute invented by Dieudonné, to celebrate scoring a goal for West Bromwich Albion against West Ham. The gesture baffled spectators in England, including the West Brom manager, Keith Downing, but spoke directly to a French public for which the quenelle used by Dieudonné and his supporters is a gesture of contempt for and defiance of what they see as “official France”, mainly controlled by a Jewish elite whose only mission is to preserve Jewish interests.

Unsurprisingly, a large part of Dieudonné’s audience is male and comes from the banlieue of Paris, the poor and run-down suburbs surrounding the city which have a predominantly immigrant population. One of the common beliefs in the banlieue is that France is under the control of Jews.

“France is under Israeli occupation,” said Denis, a 47-year-old Dieudonné fan in the pages of Le Parisien. Denis often attends the comedian’s shows brandishing a pineapple – a reference to the song “Shoananas” (the name a mash-up of “Shoah” and the French word for “pineapple”), a Dieudonné favourite that makes fun of the Holocaust.

“We just come to see Dieudonné for a laugh,” I was told by a middle-aged couple at a café down the road from the theatre. “He takes the piss and that’s why the establishment hate him. The quenelle is just a joke.”

But it’s a joke the French government is taking very seriously. In the most recent twist in the tale of Dieudonné’s confrontations with the French state (he has several convictions for making anti-Semitic statements), the interior minister, Manuel Valls, has invoked the Conseil d’État, the highest legal authority in France, to uphold a ban on Dieudonné’s performances. They are deemed a risk to “public order” and “national cohesion”.

On the face of it, this seems clumsy and heavy-handed. Valls has been criticised by many on his own side for ensuring that Dieudonné gets what he wants – the status of victim and martyr. In recent days Valls has made himself look petty and vengeful by threatening to pursue a lawsuit against Dieudonné for “public insult”, reinforcing the man’s position as a satirist who is tweaking the nose of authority.

For a long time this was Dieudonné’s shtick (a word he probably doesn’t use) – the view of the “petit Français moyen”, the average French bloke, who laughs at the hypocrisies and stupidities of the world beyond the café counter. His usual targets were the powerful and the rich.

The comedian’s monologues are always punctuated by a grating snigger. But Dieudonné is no Bernard Manning or Frankie Boyle, whose humour is purposelessly offensive. In recent years, he has set out on a political mission to provoke the French state and to test the limits of French law – specifically the Loi Gayssot of 1990, the so-called loi anti-négationniste, which, among other things, in effect makes Holocaust denial (“négationnisme”, in French) a crime.

More to the point, the Loi Gayssot places limits on how far an individual can claim that crimes against humanity, as defined at the Nuremberg trials, did not happen – and that is the point of law he has been challenging with his propaganda.

This is what the so-called Affaire Dieudonné has been all about and it is why Valls had no choice but to ban the performer.

Most provocatively, Dieudonné has several times invited the “negationist” writer Robert Faurisson on stage with him. There are many in Dieudonné’s audience who probably don’t know who Faurisson is, even as they cheer on his rants. But, for the French government, Faurisson is one of the most notorious and militant “negationists” active in France. Though he has been fined heavily and repeatedly for breaking the Loi Gayssot, he is still loudly vocal in denying that the Holocaust ever happened. In recent years, he has declared this from Tehran, where in 2012 Mahmoud Ahmad­inejad awarded him a “prize for courage, strength and force” and received him at a private audience. (Ahmadinejad also had a private meeting with Dieudonné when he went to Iran and there are rumours that Iran has been financing the comedian.)

With all this, Dieudonné is placing himself firmly in the “negationist” tradition of French politics. It is a strain of thinking that began in the 1950s with the writings of Paul Rassinier, who argued that the Jews had brought the calamities of the Second World War on themselves and that the gas chambers never existed anyway. For a time these ideas held currency in far-left circles (the big names backing them included Pierre Guillaume, Jacques Vergès and Roger Garaudy) but also found approval in the Front National (Jean-Marie Le Pen’s infamous reference to the gas chambers as a “detail of history”).

Dieudonné is taking negationism from being an underground conspiracy theory and moving it up into the mainstream. He is, as an article for Le Monde by Michel Dreyfus, a senior historian at the University of Paris, described it, making a “negationism” for the masses.

Dieudonné has never explicitly denied the Holocaust: he doesn’t have to. You can see what he means by the company he keeps; it’s easy to find on YouTube the sickening sight of Robert Faurisson being hailed as a hero by Dieudonné’s audience at the Théâtre de la Main d’Or.

One may or may not agree with the Loi Gayssot – there is no such law in England – but it is also true, from the Dreyfus affair to the German occupation to the killings of Jewish children by an Islamist fanatic in Toulouse in 2012, that the French experience of anti-Semitism is very specific.

For the time being, Dieudonné seems to have capitulated, promising to concentrate on Africa rather than the Jews. And yet, at the same time, he has become an even bigger hero to the disaffected youths who form the core of his audience.

A short walk from the Passage de la Main d’Or is the rue des Rosiers, which, despite an influx of designer showrooms, remains the heart of Jewish life in Paris. This is a place steeped in suffering, from the deportations of the Second World War to the massacre at Goldenberg’s deli in 1982, when six people were killed by unknown gunmen. Accordingly, for all its friendly falafel stores and coffee shops, the atmosphere can be tense. This was the case one afternoon recently when I took a stroll through the district and watched as an Italian television crew, reporting on the Dieudonné affair, was manhandled by a group of Jewish lads.

“We are sick of this,” a middle-aged lady who’d been shouting at the Italians told me. “We do not care about this miserable Dieudonné. Why should we care? We just want to get on with our lives.”

I understood her anger. The Dieudonné affair had not been created by Jews, but once again this community was being scrutinised in the media as if the Jews themselves were on trial. “What you have to understand,” I was told by a young Orthodox Jew who spoke fluent Hebrew, French and Brooklynese, “is that Dieudonné is not the problem. He’s just one guy, one anti-Semite. The real problem is that in France there are so many of them out there.”

Andrew Hussey is the dean of the University of London Institute in Paris. His new book, “The French Intifada: the Long War Between France and Its Arabs” (Granta), will be published in March

Martin O’Neill for New Statesman
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1966 and all that

A year of World Cup glory, meeting Paul McCartney and eating placenta.

Fifty years ago this Saturday, on 30 July 1966, I was at Wembley. I have my ticket and my programme to prove it. I also have my 1966 ­diary, which I am looking at now. I was 30, weighed ten stone and eight pounds, and my waist was 32 inches – about as hard to believe now as England winning another World Cup final.

I am still in the same house, all these decades later, but my telephone number then was GUL 4685. GUL was short for Gulliver, I can’t remember why. In my list of contacts at the end of my diary is Melvyn Bragg, who was another recent arrival in London from Cumbria, like myself and my wife, on PRO 0790. PRO stood for Prospect, I think, which was the exchange name for somewhere over the river, possibly Kew.

My office number was TER 1234. I always thought that was a great and memorable number. It’s only now, thinking about it, that I realise that TER – meaning Terminus –
probably related to King’s Cross, which the Sunday Times was near in those days.

At the top of the charts in July 1966 were the Kinks with “Sunny Afternoon”, which I can well remember, as it was so ironically chirpy, and Georgie Fame with “Getaway”. I liked Georgie Fame – low-key, cool – but I can’t remember that tune. Both were replaced in August by the Beatles’ “Yellow Submarine”/“Eleanor Rigby”.

My day job in July 1966, on the Sunday Times staff, was writing the Atticus column. It still exists, but in a smaller, more skittery format. Previous incumbents included Ian Fleming, John Buchan and Sacheverell Sitwell, who was reputed to have got free Mateus rosé for life after giving the wine its first mention in an English newspaper.

I had been on the paper since 1960, after spending two years as a so-called graduate trainee journalist, mainly in Manchester, which was a laugh. There was no training and there were no lessons in law. You had a mentor for a few weeks and then you got on with it.

In my first few years as the boy on Atticus, I never had my name in the paper. I had to write dreary paragraphs about who might be our next man in Washington, or the bishop of London, or the master of Balliol, as if I cared. I wanted to write about footballers, gritty northern novelists, pop stars.

When I started at the Sunday Times, I felt for a while that people were prejudiced against me, because I was northern and working class and had gone to grammar school and a provincial university (Durham). Everyone else seemed to have been at Oxbridge and gone to public school.

But this prejudice was all in my head, imagined, just as it had been when I used to go from Durham to visit my girlfriend, Margaret – whom I married in 1960 – at Oxford. I was convinced that some of her posh friends were being condescending ­towards me. Total nonsense, but I had a chip on my shoulder for some years. Gone, all gone, just like my 32-inch waist. (I am now 12 stone and the new shorts I bought last week have a 38-inch waist. Oh, the horror.) If anything, these past 50 years, any prejudice has been in my favour.

Harold Wilson was the prime minister in 1966. His northern accent was even stronger than mine. I still have a letter from him, dated 21 March 1963, after I interviewed him for Atticus. In the letter, he ­describes the 1938 FA Cup final in which Preston beat Huddersfield Town 1-0, scoring in the last minute of extra time. At the bottom of the page, in handwriting, he’d added: “after hitting the crossbar”.

What I remember most about the interview was George Brown, who was deputy to
Wilson as Labour leader at the time, hanging around outside his office, drunk. Marcia Williams, Wilson’s secretary, was going around tut-tutting, making faces, complaining about George. I thought she shouldn’t have done, not in front of me, as I was a total stranger and a hack. (I don’t think we called ourselves hacks in those days, which is the normal, half-ironic self-description today.)

Harold was a football man and also a real know-all, forever boasting about his memory for facts and figures. The contents of this letter illustrate both aspects of his character. It led me later to collect a letter or autograph from every prime minister, going back to Robert Walpole. Only took me ten years.

There is a myth that England’s 1966 win helped Labour stay in power – which does not quite stand up. The general election was in March – four months before the final. But Wilson did milk England’s victory, identifying himself and the nation with our English champions.

It is possible that the reverse effect happened in 1970, when Wilson was chucked out and Edward Heath came in. England’s defeat at the 1970 World Cup by West Germany was just four days before the June general election.

***

I got my ticket for the 1966 World Cup final – for one of the best seats, priced at £5 – from my friend James Bredin, now dead, who was the boss of Border Television. Based in Carlisle, Border covered the Scottish Borders and the Isle of Man. It was a thriving, thrusting regional ITV station, now also deceased.

James’s chauffeur came to pick me up and waited for us after the match, a sign of the importance and affluence of even minor ITV stations. Border contributed quite a bit to the network, such as Mr and Mrs, starring Derek Batey, who presented 450 editions of this very popular national show. Batey was a local lad who started his show business life as an amateur ventriloquist in the little market town of Brampton, Cumbria, before becoming Carlisle’s Mr Show Business. He was so polished – lush hair, shiny suits, so starry, so glittery – that I always wondered why he was not in London, in the West End.

Border TV also produced some excellent documentaries that were networked across the ITV region, two of which I presented. One was about walking along Hadrian’s Wall and the other was about George Stephenson. For a while in the 1970s, I began to think I was going to become a TV presenter, despite being not much good. I was lousy at acting, which you need for television, and disliked asking questions to which I already knew the answers. And it took so much time. For each programme, we spent eight weeks on location with a crew of eight, just to make a one-hour documentary. Now they
do docs in a week with just two people.

For half an hour, I also imagined that I was going to become a playwright. In 1967, I had a play in the BBC’s Wednesday Play slot, awfully prestigious at the time, called The Playground. It was one of those shows that were filmed live and then wiped, so I have never seen it since, nor has anybody else. I blamed that for blighting my playwriting career, though till I was looking in my 1966 diary and saw that I was working on that play, I’d forgotten about its existence. As we go through life, we forget all the paths not trodden.

I’ve boasted endlessly about being at the 1966 Wembley final, and it was so exciting, but I can’t remember many of the details. I must have been aware of Geoff Hurst’s second goal being a bit dodgy, as there were loud complaints from the German fans, but as Sir Geoff, as he then wasn’t, went on to score a third goal, it didn’t really matter. At the time, I considered that the England-Portugal semi-final had been a better game, with our Bobby Charlton scoring two goals against one from Eusebio, but of course winning a final is winning a final and the excitement and the patriotic pride continued for weeks and months. We felt as if it had been our right to win – after all, did we not give the game to the world, lay down the first rules, show all those foreigners how to play our game?

The result was that we usually ignored all the new ideas and developments that were emerging from Europe and South America, carrying on with our old ways, stuffing our faces with steak before a game and knocking back six pints afterwards, a bit like Alf Tupper in the Rover comic. He lived on fish and chips, but on the race track he could beat anyone.

Those funny Continental players started playing in funny lightweight boots, more like slippers or ballet shoes, which seemed barmy to us. How we scoffed. How can you play properly, far less kick someone properly, unless your ankles are encased in hard leather as tough as steel? Who cared if they weighed a ton, especially in wet weather? We Brits were tough.

The top First Division stars of 1966 earned about £200 a week, including bonuses, and lived in £20,000 houses, semi-detached, on new estates with Tudor overtones. The top players drove Jaguars. But most were lucky to afford a Ford Cortina. I had one myself for a while. Awfully smart, or so I thought at the time.

Their basic wages were little more than double that of the best-paid working men, such as a foreman bricklayer or a successful plumber. Their neighbours on their estates were bank mangers or salesmen, a higher scale socially than their own background, but still fairly modest. Not like today. Footballers don’t even have neighbours any more. They are cocooned in their own gated mansions, with personal staff, gardeners, nannies, accountants, lawyers, agents.

Yet despite their modest lifestyles in those days, there were celebrity players, such as Bobby Moore, Bobby Charlton and, before them, Billy Wright, all household names, loved and admired, recognised everywhere.

None of them had an agent in 1966. The nearest thing to it was the system that operated if a team got to the FA Cup final. They would then agree to divvy up the peripheral proceeds, such as money from giving newspaper interviews, posing for staged corny photographs, opening shops, or selling their spare tickets to touts (which they were not supposed to do). They’d appoint some dodgy friend of one of the senior players to arrange the deals and collect the monies for them. Times, they always change. Otherwise, what’s the point, eh?

***

In 1966, two big events occurred in my personal life. In May that year, my son, Jake, was born – at home, in what is now our kitchen. He arrived so quickly that the midwife hadn’t turned up yet and he emerged with the cord twisted around his neck. I managed to untie it, which I have maintained since kept him alive (a trick I had learned at fathers’ classes).

Fathers’ classes – wow, what a novelty that was in the 1960s. Who says we were all chauvinist pigs back then? (Today’s young, female star writers at the New Statesman, probably.) I attended my first ones, at the Royal Free Hospital in 1964, when our firstborn, Caitlin, was about to arrive. I remember immediately thinking when the invite came that I would get 1,000 words out of this – which I did, for the Sunday Times women’s pages.

Also at those first-ever fathers’ classes at the Royal Free was a young BBC producer whose wife was also about to give birth: Wilfred De’Ath. He, too, was desperate to get a piece out of it. (He now writes occasionally for the Oldie, and he appears to be down and out and living in France.)

After Jake’s birth, I got the midwife to give me the placenta and I ate it, fried with onions. Tasted like liver. Another 1,000 words.

The other event of note in my ever-so-exciting life in 1966 was meeting Paul McCartney. When “Eleanor Rigby” came out, I thought the words – not just the tune – were so wonderful. Possibly the best poetry of the year, I said, as if I knew anything about poetry. I went to see him for Atticus in his new house in St John’s Wood, which he still has, being a very conservative feller. I talked to him about the background to the lyrics, as opposed to his hair, which interviewers were still asking him about.

A few months later, at the end of 1966, I went to see him again, wearing a different cap, as a screenwriter. I’d had a novel published the previous year, Here We Go Round the Mulberry Bush, which was being made into a film, with Clive Donner directing. We went to see Paul at his house and discussed with him if he would do the theme tune. He turned us down in the end but it was while I was with him that I suggested that there should be a proper biography of the Beatles. He said Brian (Epstein, the band’s manager) would have to agree – and there and then sat me down and helped me write a suitable arse-licking letter to him.

I eventually saw Brian, after several cancellations, at his home in Belgravia and he played me the acetate of “Strawberry Fields Forever”. I was astounded. It seemed to break every rule of what was then considered pop music. I wondered if all Beatles fans
would take to it. But I could see that it was amazing and perhaps the Beatles weren’t finished, which was what some people were saying in 1966. At my publisher, Heinemann, which paid me £3,000 for the book, there was one director who maintained the Beatles bubble was about to burst.

Brian agreed to my project and offered a clause in the contract that we had not requested or even thought of. He said he would not give any other writer access to the Beatles for two years after my book came out. This was 1966. The book came out in 1968. Two years later, in 1970, the Beatles were no more. Without realising it at the time, I became the only authorised ­biographer of the Beatles.

***

So, 1966, a big year for me, so glad I kept that diary, and also a big year for the nation. I thought at the time that the Beatles were bound to fade, eventually, while England surely would dominate world football from now on. After their humbling by Iceland at this year’s World Cup, I now realise that England will never win the World Cup again in my life, what’s left of it. And probably not even another game.

The only way to rationalise it is to tell ourselves that we are ahead of the game. We are rubbish, but in turn it will happen to all the other so-called advanced nations.

You could say Brexit is a bit like that. We are ahead of the other leading European nations in going it alone, even though it is depressing and awful and shameful. We are advanced in wilfully turning ourselves into a rubbish nation. We are leading the way, as ever. Inger-land, Inger-land.

Hunter Davies’s memoir of the postwar years, “The Co-op’s Got Bananas!” (Simon & Schuster), was published in April, followed by “Lakeland: a Personal Journal” (Head of Zeus). His final book on the Fab Four, “The Beatles Book” (Ebury), will be published on 1 September

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue