In search of feral apples and underground men

My village, just outside Barnsley on the A635, used to supply the workers for lots of coal mines: Darfield Main, Grimethorpe, Houghton Main, Dearne Valley Drift, Goldthorpe, Barnburgh, Cortonwood; names of closed pits ringing like bells.

It’s a Sunday evening in late, late November and I’m just about to walk down through the village with my wife to her mother’s for tea. There will be homemade pies and celery sticks in a jug. I’ve got my thick coat on and my lucky Barnsley FC hat, and I’m carrying my carrier bag and my stick. Actually, it’s not really my stick: it was the one my mother had for the last few years before she died, the one she hung on to in the hope she might walk again.

The sky is clear as we set off and the full and insistent moon lights up the field behind the high wall; the herons are there, four of them sitting on the bare earth like constructions, like toys. We stand and watch them not moving, being still. Behind the field the Grimethorpe bypass is lit by passing cars, and the huge ugly Asos warehouse glows beside the hill that used to be the Houghton Main pit stack.

I’m pointing with my stick at the stars. I wish I knew more about the names of the constellations. Maybe I could just make some up: Uncle Frank’s Cap. The Unravelling Muffler. Somebody did it once, after all. Beyond Asos is the RSPB site, the ducks rising and falling from the water to the air and back again beside the double-glazing place.

My village, just outside Barnsley on the A635, used to supply the workers for lots of coal mines: Darfield Main, Grimethorpe, Houghton Main, Dearne Valley Drift, Goldthorpe, Barnburgh, Cortonwood; names of closed pits ringing like bells. Winding gear and slag heaps were slapped on to landscapes that had hardly changed over decades and miners like my father-in-law walked to work down a bridle path that had been there for centuries.

There was a persistent rumour of a mandrake growing in the swampy patches near the river; “When tha pulls ‘em up they scream!” Jim Marsden said one afternoon as we stood together in the drizzle at the top of the hill listening for sounds of the men working in the mines underneath. Jim insisted that some days you could hear them. “Blokes coughing” he’d say, “and blokes swearing.”

I walk this route every morning at the crack of dawn and I tweet about it; I see the most amazing things and I struggle to squeeze them into 140 characters, like the time I saw that man in a camouflage jacket walk by that man in a hi-vis jacket and as they passed they cancelled each other out.

The owner of the big house put a wall up some time in the last century so that he wouldn’t be able to see men like my father-in-law walking to Houghton Main, and now the workers from Asos stroll that way too, a historical continuation with boots and snap bags. I never found the mandrake but there are three or four plum trees down there, grown from spat stones; the jam glows (metaphorically) at the back of my pantry.

Now we’re at the top of the bridle path and I pull the carrier bag out of my pocket and get my stick ready. This is the reason for the stick – the apple tree by the wall, still full of fruit even this late in the year. Us hunters of the feral apple know what a good year 2013 has been: that mini orchard by the roundabout at Junction 37 of the M1, that huge crop of green beauties across from Tesco’s at Stairfoot near the fossil bank that my kids used to dig in, those heavy cookers that fall to the ground beside the fishing tackle shop in Low Valley.

And these: Yeats’s “silver apples of the moon” hanging just out of reach. Potential crumbles that I poke with my stick until they tumble and I catch them in the carrier. Some are as small as marbles but I’ll take them home anyway. Some roll into the road and a car passes and somebody beeps their horn and gestures to me. It’s either a thumbs-up or a raised pair of fingers. You can’t tell round here, in this Barnsley of the mind where layers of history cover the ground like fallen apples. I’ll just keep poking with my mother’s stick.

 

This season has ssen a bumper crop of British apples. Photo: Nicolo' Minerbi/Luzphoto/Redux

This article first appeared in the 27 November 2013 issue of the New Statesman, The North

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Cabinet audit: what does the appointment of Karen Bradley as Culture Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Culture, Media and Sport.

The most politically charged of the culture minister's responsibilities is overseeing the BBC, and to anyone who works for - or simply loves - the national broadcaster, Karen Bradley has one big point in her favour. She is not John Whittingdale. Her predecessor as culture secretary was notorious for his belief that the BBC was a wasteful, over-mighty organisation which needed to be curbed. And he would have had ample opportunity to do this: the BBC's Charter is due for renewal next year, and the licence fee is only fixed until 2017. 

In her previous job at the Home Office, Karen Bradley gained a reputation as a calm, low-key minister. It now seems likely that the charter renewal will be accomplished with fewer frothing editorials about "BBC bias" and more attention to the challenges facing the organisation as viewing patterns fragment and increasing numbers of viewers move online.

Of the rest of the job, the tourism part just got easier: with the pound so weak, it will be easier to attract visitors to Britain from abroad. And as for press regulation, there is no word strong enough to describe how long the grass is into which it has been kicked.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.