Selling the Royal Mail, and the country that banned fee-paying schools

Finland, where fee-paying schools are illegal and league tables don't exist, does consistently well in educational surveys and produces some of the cleverest children. Plus: a magic formula for regulation.

Even by the usual standards of Tory privatisations, the sell-off of Royal Mail is an outrage. Ministers have offered the shares at a maximum of £3.30 each, valuing the company at £3.3bn. As I write, analysts reckon that is at least £1bn below the true value and predict that shares will sell at £4 once they go on the market. Even if the analysts prove wrong in the short term, they are unlikely to be wrong about the medium-term prospects for Royal Mail. The shares are a bargain, offered at taxpayers’ expense.

How can a government be so generous when it is cutting benefits, supposedly to repair the public finances? Why is it giving City banks and hedge funds, for which most shares are reserved, a free lunch? Why is it, in effect, transferring money from poor folk who can’t meet weekly food, fuel and rent bills to people who have enough spare cash at least to buy the shares for a few days? Dare I suggest it’s a straightforward bribe to potential Tory donors and voters?

George Osborne fusses about the UK’s credit rating, arguing that he must reduce debt if the government is to continue borrowing cheaply. Someone should explain to him that governments can borrow because they hold assets such as Royal Mail. He accuses Labour of failing to repair the roof while the sun was shining. He’s dismantling it in the middle of a downpour.

Press charges

To break the interminable deadlock over press regulation – the Privy Council has rejected the newspapers’ proposal and is now trying to adapt the Royal Charter to its tastes – can we have a dummy run?

Let both sides set up their complaints commissions. Give them two cases: the Daily Mail and its treatment of Ralph Miliband; the Sun and its treatment of the mentally ill. (The latter, in case you missed it, headlined “1,200 people killed by mental patients” over a story that, according to a Telegraph blogger, was not only “irresponsible and dangerous” but also “nonsense from top to bottom”.) Let their commissioners pass judgement and recommend penalties, if any. The Mail should get a mild reprimand for the headline “The man who hated Britain”. The Sun should be required to publish a prominent correction and clarification, pointing out that the true figure should have been 738, not 1,200; that, in an average year, less than 0.005 per cent of the 1.2 million people in touch with hospital mental health services kill anyone; and that the danger of their doing so is falling, not rising.

The one that comes up with the above answers –which I believe most people would accept as the right ones – would be declared the winner.

For Pete’s sake

I welcome the promotion of the cerebral Tristram Hunt to shadow education secretary. But the idea that he’s part of an anti-Blairite coup, dictated by Unite’s Len McCluskey, is laughable. When I edited the NS, we published several pieces from Hunt, then unknown. I was told he had written to a friend saying “I owe so much to Peter”, which seemed a refreshing change from contributors who griped about our modest fees. Further inquiries, however, revealed that the reference was to Peter Mandelson, Hunt’s political mentor.

Great Finnish

“England’s young people near bottom of global league table for basic skills,” scream the headlines, and that’s just the Guardian website. The source is an OECD survey of adult skills in industrialised countries. What stands out is that, while English adults as a whole are around average when tested on literacy and numeracy, those aged 16 to 24 are behind even their Polish, Estonian and Slovakian contemporaries. Tories blame the usual suspects: comprehensive schools, lack of academic rigour, Labour governments.

Many comparisons are made with South Korea, where young adults score far better than their elders, while here there’s hardly any difference. Fewer comparisons are made with Finland, which, as usual in educational surveys, comes at or near the top in everything. “Older Finns,” the OECD reports, “perform at around the average . . . while younger Finns are, together with young adults from Japan, Korea and the Netherlands, among today’s top performers.”

Finland has no selective schools, no feepaying schools (they’re illegal), no streaming within schools, no league tables, no external exams until the age of 18, no national curriculum beyond broad outlines. Before the 1970s, its schools were similar to ours, with grammar schools, private schools and so on. Finland also has one of the most equal income distributions among the 22 countries in the survey; we have the most unequal, next to the United States, which also does badly in the tests.

I leave you to draw conclusions.

Finnish children on their second day at school in Vaasa, Finland. Image: Getty

Peter Wilby was editor of the Independent on Sunday from 1995 to 1996 and of the New Statesman from 1998 to 2005. He writes the weekly First Thoughts column for the NS.

This article first appeared in the 11 October 2013 issue of the New Statesman, Iran vs Israel

John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.