A market that won't go pop: why helium balloons could one day cost £100 each

Once the US - which supplies 80 per cent of the world's helium - stops selling off its store at an artificially low price, we have a problem.

Here’s a new word for you: phytonugget. It’s a tiny bit of gold, the dimensions of which are roughly half the thickness of a human hair. It doesn’t sound particularly interesting until you hear that it grows on trees. Not all trees, mind. Only trees that are sitting above a deposit of gold ore. Trees mine their soil for water and nutrients; the gold comes up with the good stuff and gets deposited in the tree’s leaves.

Earth science engineers in Kensington, Australia made the discovery. So no more expensive mining and prospecting: you can now do an X-ray analysis of a few twigs and leaves to work out where the gold is buried.

If only we could do the same with lithium. One of the few upsides of Chinese involvement in the next generation of nuclear reactors to be built in the UK is that we may not face the woes now troubling the US.

The US Government Accountability Office (GAO) has issued a warning that an imminent shortage of lithium for its 65 pressurised water reactors “places their ability to continue to provide electricity at some risk”. Every year, the US gets through about 300kg of the isotope known as lithium-7, an essential ingredient to prevent corrosion of water pipes in reactors. Because lithium-7 is a byproduct of processes to produce nuclear warheads, and the US is letting its stockpiles shrink, the US no longer manufactures any. That leaves China and Russia as the only suppliers.

Given the links to weapons programmes, the amounts available in these two countries are a closely guarded secret. With China embarking on a vast nuclear construction programme, the US is facing the possibility that there won’t be enough lithium-7 to go round. The GAO recommended that the US think about restarting domestic production of lithium and look into the possibility of reducing its reactors’ reliance on the element. Both options will take years and the US may not have that long.

There is precedent for this type of problem. When the US department of homeland security started to build a stockpile of bomb detectors for use at airports, it quickly used up reserves of the helium-3 isotope that the detectors needed. Helium-3 is another byproduct of warhead production and the US had stopped making any in 1988.

The biggest losers were the scientists who use the isotope to perform research at below -272° Celsius – helium-3 being the only way to get temperatures so low. And with their stores depleted, many researchers had no choice but to abandon their experiments.

It’s not clear which department is going to be blamed for the impending shortage of the gas that gives our party balloons a lift, though. Supplies of the lighter-than-air isotope helium-4 are falling rapidly. The US supplies 80 per cent of world demand but is trying to get rid of its reserves by 2015 and so it sells helium at an artificially low price.

That means helium consumers such as hospitals – it is used to cool the magnets in MRI machines – and party suppliers are buoyant for now. But once the helium is all gone we’ll have to pull it from the air. That will be so expensive we’ll be filling party balloons at £100 a pop; there will be no squeaky-voiced shenanigans at that price.

We desperately need to find more natural deposits of helium. It does occur, like gold ore, in underground rocks but locating it has proved even harder than finding extractable gold ore. If you spot any trees floating slightly above ground level, let the GAO know.

In the future, helium balloons could cost £100 a pop. Image: Getty

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

This article first appeared in the 30 October 2013 issue of the New Statesman, Should you bother to vote?

Azeem Ward
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Living the Meme: What happened to Azeem Ward and his flute?

In the first of a new series investigating what happens to people after they become memes, we speak to Azeem Ward, whose flute recital went viral in 2015.

The Sixties had Woodstock. The Nineties had Lollapalooza. The Tens – and, if we’re being honest, just a single year of them – had Azeem's Senior Flute Recital.

If you were inactive on the internet between 12 and 16 May 2015, you’ll be forgiven for not knowing who Azeem Ward is. After setting up a Facebook page for his end of year flute performance, the University of California student was inundated with over 100,000 RSVPs from the United Kindom, along with multiple requests to fly to England and play (for no apparent reason) Darude’s “Sandstorm” in Nando’s. After international news coverage, Ward – as all memes inevitably do – appeared on Jimmy Kimmel Live! to discuss his newfound fame. On 16 May, he had to turn hordes of people away from the 500 seat recital hall, and over 55,000 individuals tuned into a livestream of the event. Then, Ward disappeared. Not from social media, and not from the world, but from the internet’s collective consciousness.

Search interest in "Azeem Ward" over time

“I’d say no,” answers Ward, when I ask him whether, one and a half years later, he still receives any special attention or has any fan interactions. “I’m just regular Azeem now, and I’m okay with that. Regular me is a more focussed person that is not reacting to things that are happening around me.”

Ward is Skyping me from his home in Iowa, where he is getting his master’s degree in flute performance. He spends his time composing flute beatbox songs, learning how to produce music, and teaching a class on flute fundamentals at the university. “A lot of [the students] here in Iowa know what happened but they don’t go like: ‘Oh my God! It’s Azeem!’. It’s just like, ‘Hey, what’s up man? I saw that one thing about you on Jimmy Kimmel’.”  

The original Facebook event page

Ward regained his anonymity when he moved to Iowa, as many of his fellow undergraduate students in California recognised him because he was on the local news. “But the whole viral thing was a UK thing,” he explains, “It wasn’t really around the whole US.”

An Azeem meme

Four months after his famed flute recital, Ward did come to the UK and toured the country to perform as part of various university freshers’ weeks. “That was a crazy time,” he says, “I was over there for five weeks and played 22 shows in 12 different cities, all the way from London to Scotland.” His concerts were popular, though most people came to take a selfie or ask about how the recital happened, and only a few wanted to talk to him about music. Still, Ward profited from the events. “We did make some pretty good money," he says, admitting he earnt around $5,000. 

Despite clearly enjoying this time, Ward seems unfazed that his viral fame is now over. His only regrets, he says, are that he didn’t make any connections in the music business while in the UK, and that he didn’t have any social media accounts set up before he went viral, so there was nowhere for people to go to listen to his music. “When you go viral people hold onto that rather than taking you seriously as a musician,” he says. “Sometimes it annoyed me but sometimes I realised that I wouldn’t be there in the first place if it wasn’t for going viral.”

Azeem now, photo courtesy of Azeem Ward

So what advice would Ward give to the next person who finds themselves, unwittingly, the object of the internet’s affection?

“I'd say don't lose sight of what you've already been doing in your life, like keep your focus. I'd say that sometimes in your head you're like ‘Oh man, I have to do this now’, but you've just got to stay focussed on your goals. When you have your own path and you go viral you have a lot of people asking you to do all these different things. It was pretty intense – I’m not used to having a lot of people look at me and my actions, so I was pretty anxious at first. In the end I realised that I came to do what I came to do, and I had to go do it.”

Although Ward doesn’t miss being internet-famous, it is clear that going viral had an impact on him. He recalls the peak of the madness with telling clarity, sharing specific details such as "256 people” clicked attending in "four hours", and “then 512”, before 12,000 people RSVP’d overnight. Mostly, however, he seems very grounded, though he acknowledges it was “out of control” and “really crazy”.

Perhaps Ward feels this way because he received little in the way of negativity or hate. He fondly discusses memes that were created and art that was drawn about him, and the support of his family and friends. “Even though there were a lot of silly things going on, I managed to make it positive for the school,” he says. “I had no haters. Everyone was like ‘Damn, Azeem. Good job, man’.”

One day, Ward hopes to come back to London, although he is wary of returning. Not because of his viral fame, nor the number of selfies he might have to take with Nando's customers, but because of Brexit. Our conversation, like all post-June conversations, turns swiftly to the topic, and Ward asks me about the economy. “I was thinking about trying to do a doctorate over in London, but if things aren't going to be so good in a few years...” 

Ward admits he wouldn’t be bothered if he never went viral again. “When I think of something going viral, I think it has a point in time where there’s so much interest and then it goes away. I’d like to produce material and the attention to keep going up.” So do you want to be famous, I ask? “Do I really want to be famous?” he ponders. “Being famous is okay, I guess. But I want to be is respected and appreciated.”

To listen to Azeem’s music visit soundcloud.com/azeem-ward or Like his Facebook page.

To suggest an interviewee for Living the Meme, reach out to Amelia on Twitter.

Amelia Tait is a technology and digital culture writer at the New Statesman.