The memoirs of Richard Dawkins and Stephen Hawking: Evolution in the head

Two of the most visible of today’s scientists are Stephen Hawking and Richard Dawkins. Their autobiographies present an opportunity to find out how they became so visible in the first place.

An Appetite for Wonder – the Making of a Scientist: a Memoir
Richard Dawkins
Bantam Press, 320pp, £20

My Brief History: a Memoir
Stephen Hawking
Bantam Press, 144pp, £12.99

In 1977, visiting the University of Connecticut, I came across Rae Goodell’s book The Visible Scientists. It asked why a very small number of scientists, more often than not, dominated the media. In those days, they were people such as Isaac Asimov and Carl Sagan and it was unusual for any scientist to have a strong media presence. Now, a media profile is common enough not to raise many eyebrows but the same question applies. And the answer is much the same: the media prefer people with a proven track record, so they generate “gurus”.

Two of the most visible of today’s scientists are Stephen Hawking and Richard Dawkins. Both have now published autobiographies, presenting an opportunity to find out how they became so visible in the first place.

Clinton Richard Dawkins had a privileged upbringing in a family with a strong tradition in the colonial service. Born in Kenya, he attended a series of public schools: a boarding school in Southern Rhodesia (“now the sick dictatorship of Zimbabwe”); St Anne’s School in Chelmsford, where he was bullied by some big girls; then another boarding school, Chafyn Grove in Salisbury. It was perhaps here that the seeds of his atheism were sown: the then headmaster, Mr Galloway, “truly believed all that stuff, unlike many educators who pretend to do so out of duty, and politicians who pretend to do so because they are under the . . . impression that it wins votes”.

Dawkins credits his mother with telling him, when he was nine, that Christianity wasn’t the only religion and that they all contradicted each other. I’ve often felt that American creationists are backing the wrong horse when they try to get religion into state schools – in my experience, the best way to turn children off religion is to teach it to them in school. Be that as it may, when the 17-year-old Dawkins was in his final year at Oundle, another public school, he became militantly anti-religious, having arrived there as a confirmed Anglican.

From Oundle, he went to Oxford, eventually completing a DPhil under Niko Tinbergen, who specialised in animal behaviour. We gain some deep insights into Dawkins’s early scientific research, especially the extensive role of mathematics. The book ends just when everything is starting to get interesting, with the publication of The Selfish Gene in 1976.

The book’s central message was that genes, not organisms, are what drive evolution. From today’s perspective, this view looks a little simplistic: genes and organisms together create a feedback cycle, in which genes survive because they either contribute to the organism’s survival or, at least, do not weaken its prospects. The important point is that it is complicity between genes and organisms, in the context of the environment that best describes the evolutionary process.

Stephen Hawking’s background was less privileged than that of Dawkins but there are parallels. His great-grandfather and his grandfather went bankrupt in the agricultural depression of the 1930s. His grandmother ran a school in her house, which became the family’s main source of income – enough to send Stephen’s father to Oxford. He did research there in tropical medicine and travelled to eastern Africa in 1937.

Hawking was born in Oxford on the 300th anniversary of the death of Galileo. He complained to his parents that his first school “wasn’t teaching me anything”; as proof, he didn’t learn to read until he was eight. When his parents rented a house in Majorca, Hawking had a tutor. Intending to open his tutee’s mind to the beauty of the English language, he told him to read a chapter of the Bible every day and write a commentary. This ploy backfired when Hawking complained that many sentences started with “and”, contrary to what he was being taught about good English. The tutor replied that the language of the Bible was outdated. In that case, Hawking asked, why was he being made to read it?

At school in St Albans, he decided to focus on physics and astronomy, despite finding physics boring because it was too easy. His undergraduate years were spent at Oxford and his postgraduate years at Cambridge, working on cosmology and gravitation. He managed to upset Fred Hoyle by pointing out in public that Hoyle’s favoured steady state theory of the universe implied that all masses should be infinite. However, Hoyle later gave him a job.

During his final year at Oxford, the symptoms of his disease began to appear: he fell down the stairs. His doctor put it down to too much beer but it soon became apparent that Hawking had an incurable and probably fatal illness. Perhaps out of a misguided wish not to upset him, nobody told him that it was amyotrophic lateral sclerosis (also known as motor neurone disease, or Lou Gehrig’s disease). There was one bright spot in his life: he became engaged to Jane Wilde and “started working for the first time in my life”. They married in 1965.

By the early 1970s, his research on black holes had solved many of the big problems in the area and he was “at a bit of a loose end”. Trying to combine relativity and quantum theory, he discovered that a black hole should emit radiation, now called Hawking radiation. In 1975, he was awarded the Pius XI Medal. He considered refusing it because of the Vatican’s treatment of Galileo but relented because the Church had subsequently admitted this had been a mistake.

His condition was getting steadily worse and Jane became depressed, convinced that he would soon die. A bout of pneumonia led to a tracheotomy, after which he could not speak at all. He was rescued by Walt Woltosz, who sent him a computer program that allowed him to select words on a screen by pressing a switch, and by David Mason, who provided a speech synthesiser. Around this time, the marriage broke up and Hawking moved out, along with one of his nurses, Elaine Mason, whom he later married.

In 1982, Hawking had the idea of writing a popular science book about the universe. This eventually appeared as A Brief History of Time (1988), which sold more than ten million copies. Reviewers assumed that the main factor behind the book’s popularity was its author’s human-interest story and thought that often the book was displayed on coffee tables rather than being read (it is distinctly challenging). However, Hawking points out that he regularly received “a pile of letters about that book”.

Notoriously, it ends with this sentence: “If we discover a complete theory, it would be the ultimate triumph of human reason – for then we should know the mind of God.” Prominent scientists often invoke the Deity as a metaphor for the ordered workings of the universe and are taken literally by theists; this was such a case.

In reality, Hawking is an atheist and has often pointed out that we can understand the universe without requiring a creator. He tells us that he nearly deleted this sentence but: “Had I done so, the sales might have been halved.”

Both these books are fascinating but they left me wanting more – Hawking’s because his history is a bit too brief; Dawkins’s because he takes his story only up to The Selfish Gene. Hawking tells us at one point that he can write about three words a minute, so the wonder is that he has produced an autobiography at all. A further volume from Dawkins is promised. I suspect it will tell us a lot more about what drives him.

Ian Stewart’s books include “Seventeen Equations That Changed the World” (Profile Books, £8.99)

Richard Dawkins speaks during the National Atheist Organization's 'Reason Rally'. Image: Getty

This article first appeared in the 11 October 2013 issue of the New Statesman, Iran vs Israel

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Katy Perry’s new song is not so much Chained to the Rhythm as Chained to a Black Mirror episode

The video for “Chained to the Rhythm” is overwhelmingly pastel and batshit crazy. Watch out, this satire is sharp!

If you’ve tuned into the radio in the last month, you might have heard Katy Perry’s new song, “Chained to the Rhythm”, a blandly hypnotic single that’s quietly, creepingly irresistible.

If you’re a really attuned listener, you might have noticed that the lyrics of this song explore that very same atmosphere. “Are we crazy?” Perry sings, “Living our lives through a lens?”

Trapped in our white picket fence
Like ornaments
So comfortable, we’re living in a bubble, bubble
So comfortable, we cannot see the trouble, trouble
Aren’t you lonely?
Up there in utopia
Where nothing will ever be enough
Happily numb

The chorus muses that we all “think we’re free” but are, in fact, “stumbling around like a wasted zombie, yeah.” It’s a swipe (hehe) at social media, Instagram culture, online dating, whatever. As we all know, modern technology is Bad, people who take photos aren’t enjoying the moment, and glimpses other people’s Perfect Lives leave us lonely and empty. Kids these days just don’t feel anything any more!!!

The video for this new song was released today, and it’s set in a (get this) METAPHORICAL AMUSEMENT PARK. Not since Banky’s Dismaland have we seen such cutting satire of modern life. Walk with me, through Katy Perry’s OBLIVIA.

Yes, the park is literally called Oblivia. Get it? It sounds fun but it’s about oblivion, the state of being unaware or unconscious, i.e. the state we’re all living in, all the time, because phones. (I also personally hope it’s a nod to Staffordshire’s own Oblivion, but cannot confirm if Katy Perry has ever been on the Alton Towers classic steel roller coaster.)

The symbol of the park is a spaced-out gerbil thing, because, aren’t we all caged little hairy beings in our own hamster wheels?! Can’t someone get us off this never-ending rat race?!

We follow Katy as she explores the park – her wide eyes take in every ride, while her peers are unable to look past the giant iPads pressed against their noses.


You, a mindless drone: *takes selfies with an iPad*
Katy Perry, a smart, engaged person: *looks around with actual human eyes, stops to smell the roses*

She walks past rides, and stops to smell the roses – and the pastel-perfect world is injected with a dose of bright red reality when she pricks her finger on a thorn. Cause that’s what life really is, kids! Risk! At least she FEELS SOMETHING.


More like the not-so-great American Dream, am I right?!

So Katy (wait, “Rose”, apparently) takes her seat on her first ride – the LOVE ME ride. Heteronormative couples take their seats against either a blue heart or a pink one, before being whizzed through a tunnel of Facebook reaction icons.

Is this a comment on social media sexism, or a hint that Rose is just too damn human for your validation station? Who knows! All we can say for sure is that Katy Perry has definitely seen the Black Mirror episode “Nosedive”:

Now, we see a whole bunch of other rides.


Wait time: um, forever, because the human condition is now one of permanent stasis and unsatisfied desires, duh.

No Place Like Home is decorated with travel stamps and catapults two of the only black people in the video out of the park. A searing comment on anti-immigrant rhetoric/racism? Uh, maybe?

Meanwhile, Bombs Away shoots you around like you’re in a nuclear missile.


War: also bad.

Then everyone goes and takes a long drink of fire water (?!?!) at Inferno H2O (?!?!) which is also a gas station. Is this about polluted water or petrol companies or… drugs? Or are we just so commercialised even fire and water are paid-for privileges? I literally don’t know.

Anyway, Now it’s time for the NUCLEAR FAMILY SHOW, in 3D, no less. Rose is last to put her glasses on because, guess what? She’s not a robot. The show includes your typical 1950s family ironing and shit, while hamsters on wheels run on the TV. Then we see people in the rest of theme park running on similar wheels. Watch out! That satire is sharp.

Skip Marley appears on the TV with his message of “break down the walls to connect, inspire”, but no one seems to notice accept Rose, and soon becomes trapped in their dance of distraction.


Rose despairs amidst the choreography of compliance.

Wow, if that didn’t make you think, are you even human? Truly?

In many ways – this is the Platonic ideal of Katy Perry videos: overwhelmingly pastel, batshit crazy, the campest of camp, yet somehow walking the fine line between self-ridicule and terrifying sincerity. It might be totally stupid, but it’s somehow still irresistible.

But then I would say that. I’m a mindless drone, stumbling around like a wasted zombie, injecting pop culture like a prescription sedative.

I’m chained…………. to the rhythm.

Anna Leszkiewicz is a pop culture writer at the New Statesman.