Damian McBride: Repentant spinner

Damian McBride is a bastard. And, unusually for a memoirist, he’s very keen to let you know that from the start, writes Helen Lewis.

Power Trip: a Decade of Policy, Plots and Spin
Damian McBride
Biteback, 320pp, £20
 

Damian McBride is a bastard. And, unusually for a memoirist, he’s very keen to let you know that from the start. “I wasn’t always a nasty bastard, but you could argue the signs were there,” he writes in chapter two, and then relates how he ruined an undergraduate football match by repeatedly fouling the other team. By the end of the book, the transformation is complete: “the corrosive nature of our political system . . . slowly ate away my principles, scruples and judgement to the point where someone I’d never met before could call me a bastard and one of my closest colleagues could call me cruel, and I’d almost take those things as compliments”.  

So what exactly did McBride do that made him so bad? He was Gordon Brown’s spin doctor during Brown’s time at the Treasury and his first two years at No 10, in which capacity he schmoozed, bullied, berated, lied and not-quite-lied relentlessly in the service of his “brilliant” boss. If that doesn’t sound so bad, remember that this is a spinner against whom Alastair Campbellhas taken the moral high ground. (He called McBride’s book “sickening” and the man himself “odious”, adding: “You lied and stole and cheated, you damaged Labour and team players like me had to put up with it.”)   McBride started his political career in the civil service, working on tax regulation as an official in Customs. Here, he offers the weirdly fascinating nugget that one of the most progressive possible changes to the tax system would be cutting the VAT on pet food to 5 per cent. “Yep, compared to other options, there’s a hugely disproportionate benefit for pensioners and low-income families with kids,” he tells Ed Balls and Ed Miliband, who were then Brown’s special advisers at the Treasury. In return, they look at him “as if I was an idiot”.

He soon parlays his expertise into a role as the head of communications at the Treasury in 2003, from where he volunteers for frontline service in the Blair/Brown wars. Unlike just about everyone else in the party, he sees their conflict as a good thing for Labour. “As long as their feud continued, it was the only political story that mattered,” he writes. “No one else, least of all the Conservative Party, could get a look in . . . A relatively dry policy issue which would barely rate a mention by the newspapers in normal circumstances could be turned into a front-page story for a week afterwards simply by injecting a bit of No 11 fury or No 10 irritation.”

Unfortunately this trench warfare persists for so long that everyone gets too good at it; it becomes an end in itself. And although McBride never whispers a word against his patron, it is clear from his account that after so many years scheming against the enemy next door, Brown feels oddly bereft when he moves in there. It reminds me a little of the Comedian in Watchmen going to see his dying arch-enemy, Moloch, and crying real tears. Without anyone to define himself against, Brown was inevitably diminished.

Meanwhile, McBride grows ever more monstrous. After Ivan Lewis, then a junior health minister, strays into talking about tax policy, he is slapped down by a “No 10 source” who tells him to stick to his brief. Lewis makes the mistake of telling McBride that such bully-boy tactics don’t frighten him: McBride retaliates with a story about his “supposed pestering of a young civil servant”, planted in the News of the World. It is only when he sees the photo of the woman involved, snatched on her doorstep, that he feels a brief pang of guilt.

Later, Harriet Harman overhears him spinning the line that she’s unhappy at not teeing up Brown’s 2008 conference speech, which was intended to bolster the narrative that Sarah Brown’s gushing introduction was a spontaneous, last-minute gesture. “She was naturally furious, given she’d been actively encouraging Sarah . . . what I regarded as harmless white lies designed to tell a wider story often seemed like gratuitous and totally unnecessary slanders if you were on the receiving end.” No shit.

After a few hundred pages of this, the reader is left with one question: you say you were a lying bastard then, so why should I trust a word you say now? McBride offers as evidence his Catholic faith, his later work for his old school in Finchley and the charity Cafod, and the assertion that by confession he hopes for redemption. The only trouble is that the book seems a careful construction rather than a warts-and-all unburdening. There is one anecdote about him being drunk at conference, passing out naked in bed and having to be woken up by Ed Balls. Assuming that a “female bedmate was indulging in some amorous play-wrestling”, he pulls Balls on top of him. The future shadow chancellor responds by going to the bathroom and returning with a binful of cold water, which he dumps over the prone adviser.

Now, McBride is a canny enough operator to know this story has “newspaper serialisation sidebar” written all over it – it involves a politician you’ve heard of and it sounds slightly saucy without actually being damaging. (It duly appeared as a sidebar in the Mail on Sunday’s buy-up of the book.)

Similarly, Power Trip is often as interesting for what it doesn’t say as for what it does. Although it was published just before the Labour party conference, its effect was less that of a neutron bomb and more of a queasy fart. The party’s current reigning duo, Balls and Miliband, appear fleetingly and flatteringly; they are knowledgeable, calm and loyal. McBride even pre-empts the inevitable criticism Miliband will face by including a conversation where Ed cuts off contact with him in disgust over his briefings. “I don’t believe you, Damian . . . I think we are finished,” Miliband tells him, and “something in his voice and tone reminded me of Hal, the computer in 2001: a Space Odyssey”. Yet this “clean break” narrative is undermined when you realise how many of the Brownite loyalists McBride thanks at the end are still close to Miliband: the former special advisers Greg Beales and Stewart Wood work directly for him; the Sunday Telegraph’s Patrick Hennessy has just joined his press team.

Meanwhile, a brutal portrait emerges of the lobby, those journalists who have unfettered access to Westminster. They are, in McBride’s telling, like baby birds, constantly cheeping for regurgitated morsels of news or gossip; occasionally one stumbles on a proper story, only to kill it in exchange for something better from the spin doctor’s “back pocket”. But it must be said that the lobby doesn’t think very highly of McBride, either – “pass the sickbag” was Andrew Rawnsley of the Observer’s verdict on the book – and there is no mention of how often the Brown spin machine bullied political journalists who were deemed to be the enemy, or undermined them to their colleagues and employers. Even a repentant spinner, it seems, easily falls into spin again.

Damian McBride. Photo: Getty

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

This article first appeared in the 07 October 2013 issue of the New Statesman, The last days of Nelson Mandela

Getty
Show Hide image

The economics of outrage: Why you haven't seen the end of Katie Hopkins

Her distasteful tweet may have cost her a job at LBC, but this isn't the last we've seen of Britain's biggest troll. 

Another atrocity, other surge of grief and fear, and there like clockwork was the UK’s biggest troll. Hours after the explosion at the Manchester Arena that killed 22 mostly young and female concert goers, Katie Hopkins weighed in with a very on-brand tweet calling for a “final solution” to the complex issue of terrorism.

She quickly deleted it, replacing the offending phrase with the words “true solution”, but did not tone down the essentially fascist message. Few thought it had been an innocent mistake on the part of someone unaware of the historical connotations of those two words.  And no matter how many urged their fellow web users not to give Hopkins the attention she craved, it still sparked angry tweets, condemnatory news articles and even reports to the police.

Hopkins has lost her presenting job at LBC radio, but she is yet to lose her column at Mail Online, and it’s quite likely she won’t.

Mail Online and its print counterpart The Daily Mail have regularly shown they are prepared to go down the deliberately divisive path Hopkins was signposting. But even if the site's managing editor Martin Clarke was secretly a liberal sandal-wearer, there are also very good economic reasons for Mail Online to stick with her. The extreme and outrageous is great at gaining attention, and attention is what makes money for Mail Online.

It is ironic that Hopkins’s career was initially helped by TV’s attempts to provide balance. Producers could rely on her to provide a counterweight to even the most committed and rational bleeding-heart liberal.

As Patrick Smith, a former media specialist who is currently a senior reporter at BuzzFeed News points out: “It’s very difficult for producers who are legally bound to be balanced, they will sometimes literally have lawyers in the room.”

“That in a way is why some people who are skirting very close or beyond the bounds of taste and decency get on air.”

But while TV may have made Hopkins, it is online where her extreme views perform best.  As digital publishers have learned, the best way to get the shares, clicks and page views that make them money is to provoke an emotional response. And there are few things as good at provoking an emotional response as extreme and outrageous political views.

And in many ways it doesn’t matter whether that response is negative or positive. Those who complain about what Hopkins says are also the ones who draw attention to it – many will read what she writes in order to know exactly why they should hate her.

Of course using outrageous views as a sales tactic is not confined to the web – The Daily Mail prints columns by Sarah Vine for a reason - but the risks of pushing the boundaries of taste and decency are greater in a linear, analogue world. Cancelling a newspaper subscription or changing radio station is a simpler and often longer-lasting act than pledging to never click on a tempting link on Twitter or Facebook. LBC may have had far more to lose from sticking with Hopkins than Mail Online does, and much less to gain. Someone prepared to say what Hopkins says will not be out of work for long. 

0800 7318496