‘‘What’s your name, darlin’?” The bouncer examines his clipboard. “Erm, Amanda Collins,” I say, my voice going a bit squeaky. I am lying to the bouncer in order to get guest-list tickets to a house rave.
No, that is not a typo. I, a thirtysomething, suburban mother-of-two, am attending a rave in Kentish Town. I have a very tight dress on. I feel like I should also be wearing a badge reading: “DON’T LOOK AT ME. I AM NOT SUPPOSED TO BE HERE.”
The only reason I am here is that DJ Slippa, the headliner, is a childhood friend of mine. One of my new resolutions is to get out of the house more. So when his sister offered me her spare ticket I thought, why not?
In more innocent days, Slippa (aka Dan) and I used to play “Daddies” together in the sandpit at Highbury Fields playground. Since then, our paths have diverged somewhat radically. I am living in a slightly-toosmall flat, bringing up two children and spending weekends grappling with Ikea self-assembly furniture. He is earning megabucks, jetting around the world first class, buying flats across Europe with nary a mortgage, playing to crowds of adoring fans, batting off the groupies . . .
The bouncer waves me on. Inside, the club is dark and thunderous. Young people are milling about clutching bottles of water. I can’t help but notice that many of the girls are wearing very impractical shoes.
I make my way rapidly to the bar and spot my friend Lizzie, who is just about to be served.
“Thank goodness you’re here!” I pant. “I feel like a prehistoric fossil!”
“I don’t think fossils wear Lycra. What is that dress?” Lizzie, who is more rock’n’roll than me, has bought a double vodka and Red Bull. I ask for a bottled lager (£4!!!) and we retreat to a dark corner.
Slippa’s set is about to begin. Hundreds of mobile phones wave in the air and green lasers dart up and down. In a puff of smoke, Dan emerges from the wings and ascends a great altar-like construction in the middle of the stage. He raises his hand to the audience, presses a button, and a bassline shudders up through my feet. The place goes crazy.
After watching for a few minutes, I turn to Lizzie. “What do those buttons he’s pressing actually do?”
“Oh, nothing. The music is pre-recorded. He’s just pretending,” she says.
Truly, the world is a strange place. Dan gets paid thousands of pounds an hour for pratting around on stage, not even pressing buttons, but pretending to press them. Meanwhile, I slave away from dawn till dusk raising the next generation and I get paid . . . nothing.
Never mind all that. It feels amazing to have a dance. My body has spent so long in the service of small humans that I’d almost forgotten it could move just for fun. As I head off into the far-too-late night, I conclude that in return for their huge salaries DJs should have to give free tickets to all mums. Come on, fair’s fair.
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