What makes us alive? Moreover, what makes us dead?

When it comes to death, science is part of the problem as well as part of the solution. Deepening our understanding of the body’s processes and learning how to keep them going longer has complicated and obfuscated the end of life.

There’s a claustrophobic moment in the new film of Stephen Hawking’s life when he describes his wife being given the option to let him die. It was 1985 and A Brief History of Time was a still-unpublished manuscript. Hawking had been hospitalised with pneumonia. He was placed on a life-support machine and put into a drug-induced coma. The doctors asked Jane Hawking if she wanted them to turn off the machine.
 
We can all be glad she said no, otherwise the planet would have been much the poorer for the past 28 years. Nonetheless, the shadow of death hangs over the whole film. One day – and it may not be many years away – Hawking will be no more. His declaration in September that assisted suicide should be possible without fear of prosecution suggests he might be squaring up to the idea.
 
Death seems to be the one thing that sets human beings apart: we are aware, unlike most (if not all) other animals, of our impending demise. Worse – as Jane Hawking knows too well – in this technological age, we have to make fine decisions about death. And here the advance of science seems to offer more hindrance than help.
 
Death is not what it was. Until half a century ago if you couldn’t breathe, you would soon be officially dead. Then someone invented the ventilator. Is a body that needs a machine to operate its lungs still alive? For sure, we now say.
 
It’s no longer the case that the heart has any jurisdiction over whether you’re dead. Remember the Bolton Wanderers footballer Fabrice Muamba? His heart stopped for 78 minutes but then defibrillation got it started again. It’s a testimony to our scientific resourcefulness that we have learned how to choreograph the pulses of electrical current that will kick-start a long-immobile heart. Nonetheless, this, too, has complicated the notion of being “alive”.
 
Even what has been termed “brain death” is not enough. A lack of electrical activity inside your skull is not a sign that your brain cells are all dead. It takes up to eight hours to start dying and you can lose a lot of them before significant damage ensues. What’s more, damage to some cells makes permanent loss of consciousness inevitable. But damage to some others isn’t much of a problem.
 
Perhaps the most extreme technological management of death is among those who have paid to have their bodies frozen. Their hope is that future technologies will be able to defrost them and repair the damage that freezing cells full of water inevitably causes. This is not the last refuge of the frightened fool: plenty of our finest minds, including the MIT professor of artificial intelligence Marvin Minsky, have signed up to be cryo-preserved.
 
So, when it comes to death, science is part of the problem as well as part of the solution. Deepening our understanding of the body’s processes and learning how to keep them going longer has complicated and obfuscated the end of life. That’s why a few researchers have suggested that doctors are no longer qualified to make life-and-death decisions. Robert Veatch, a medical ethicist at Georgetown University, goes further: he thinks you should be allowed to come up with your own definition of death and inscribe it in a living will for others to respect.
 
It would certainly be nice to have a say – especially when you can see it coming. Long live Stephen Hawking. As long as he wants, that is.
Science has complicated death. Image: Getty

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

This article first appeared in the 30 September 2013 issue of the New Statesman, The Tory Game of Thrones

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The Tinder dating app isn't just about sex – it's about friendship, too. And sex

The lines between sex, love and friendship are blurrier than ever, as I found out quickly while using the app.

The first time I met someone using Tinder, the free dating app that requires users to swipe left for “no” and right for “yes” before enabling new “matches” to chat, it was an unqualified success. I should probably qualify that. I was newly single after five years in a committed relationship and wasn’t looking for anything more than fun, friendship and, well, who knows. A few weeks earlier I had tried to give my number to a girl in a cinema café in Brixton. I wrote it on a postcard I’d been using as a bookmark. She said she had a boyfriend, but wanted to keep the postcard. I had no date and I lost my page.

My Tinder date was a master’s student from Valencia called Anna (her name wasn’t really Anna, of course, I’m not a sociopath). When I arrived at the appointed meeting place, she told me I was far more handsome IRL (“in real life”) than my pictures suggested. I was flattered and full of praise for the directness of continental Europeans but also thought sadly to myself: “If only the same could be said about you.”

Anna and I became friends, at least for a while. The date wasn’t a success in the traditional sense of leading us into a contract based on exclusivity, an accumulating cache of resentments and a mortgage, but it had put me back in the game (an appropriate metaphor – people speak regularly of “playing” with the app).

According to Sean Rad, the co-founder who launched Tinder in late 2012, the service was invented for people like me. “It was really a way to overcome my own problems,” he told the editor of Cosmopolitan at an event in London last month. “It was weird to me, to start a conversation [with a stranger]. Once I had an introduction I was fine, but it’s that first step. It’s difficult for a lot of people.” After just one outing, I’d learned two fundamental lessons about the world of online dating: pretty much everyone has at least one decent picture of themselves, and meeting women using a so-called hook-up app is seldom straightforwardly about sex.

Although sometimes it is. My second Tinder date took place in Vienna. I met Louisa (ditto, name) outside some notable church or other one evening while visiting on holiday (Tinder tourism being, in my view, a far more compelling way to get to know a place than a cumbersome Lonely Planet guide). We drank cocktails by the Danube and rambled across the city before making the romantic decision to stay awake all night, as she had to leave early the next day to go hiking with friends. It was just like the Richard Linklater movie Before Sunrise – something I said out loud more than a few times as the Aperol Spritzes took their toll.

When we met up in London a few months later, Louisa and I decided to skip the second part of Linklater’s beautiful triptych and fast-track our relationship straight to the third, Before Midnight, which takes place 18 years after the protagonists’ first meet in Vienna, and have begun to discover that they hate each others’ guts.

Which is one of the many hazards of the swiping life: unlike with older, web-based platforms such as Match.com or OkCupid, which require a substantial written profile, Tinder users know relatively little about their prospective mates. All that’s necessary is a Facebook account and a single photograph. University, occupation, a short bio and mutual Facebook “likes” are optional (my bio is made up entirely of emojis: the pizza slice, the dancing lady, the stack of books).

Worse still, you will see people you know on Tinder – that includes colleagues, neighbours and exes – and they will see you. Far more people swipe out of boredom or curiosity than are ever likely to want to meet up, in part because swiping is so brain-corrosively addictive.

While the company is cagey about its user data, we know that Tinder has been downloaded over 100 million times and has produced upwards of 11 billion matches – though the number of people who have made contact will be far lower. It may sound like a lot but the Tinder user-base remains stuck at around the 50 million mark: a self-selecting coterie of mainly urban, reasonably affluent, generally white men and women, mostly aged between 18 and 34.

A new generation of apps – such as Hey! Vina and Skout – is seeking to capitalise on Tinder’s reputation as a portal for sleaze, a charge Sean Rad was keen to deny at the London event. Tinder is working on a new iteration, Tinder Social, for groups of friends who want to hang out with other groups on a night out, rather than dating. This makes sense for a relatively fresh business determined to keep on growing: more people are in relationships than out of them, after all.

After two years of using Tinder, off and on, last weekend I deleted the app. I had been visiting a friend in Sweden, and took it pretty badly when a Tinder date invited me to a terrible nightclub, only to take a few looks at me and bolt without even bothering to fabricate an excuse. But on the plane back to London the next day, a strange thing happened. Before takeoff, the woman sitting beside me started crying. I assumed something bad had happened but she explained that she was terrified of flying. Almost as terrified, it turned out, as I am. We wound up holding hands through a horrific patch of mid-air turbulence, exchanged anecdotes to distract ourselves and even, when we were safely in sight of the ground, a kiss.

She’s in my phone, but as a contact on Facebook rather than an avatar on a dating app. I’ll probably never see her again but who knows. People connect in strange new ways all the time. The lines between sex, love and friendship are blurrier than ever, but you can be sure that if you look closely at the lines, you’ll almost certainly notice the pixels.

Philip Maughan is Assistant Editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad