Nelson Mandela’s last days, paying for boar stew in Corsica, and the Tories of Generation Y

Peter Wilby's "First Thoughts" column.

One can see why MPs think they ought to have the pay rise – from £66,396 to more than £70,000 –proposed by the Independent Parliamentary Standards Authority. The new wage would still leave them well behind many doctors, lawyers, bankers, consultants and other London-based professionals with whom MPs most often mix.

Yet that is precisely why they shouldn’t get an increase. Far too many enter the Commons from metropolitan, middle-class backgrounds and have little feel for how most of the country lives even when they represent provincial constituencies.

Failure to increase MPs’ wages would deter “able” professional folk from seeking election, we are told. Let’s hope it does. We may then have more MPs from humble, non-metropolitan backgrounds. Able or not, they could hardly do a worse job of running the country.

New kids on the right

Why is the so-called Generation Y, born after 1980 and therefore aged under 34, so Tory? According to Ipsos MORI, over 20 per cent of this group supports the Conservatives, double the proportion in 2005. Members of Generation Y also take much harsher attitudes towards benefits and are far less proud of the welfare state than their parents and particularly their grandparents.

The most obvious reason for Generation Y’s Toryism is that it has little memory of the effects of Thatcherism. On the night of the 1991 census, 2,703 people in England and Wales were counted as sleeping rough. The figure was almost certainly an underestimate; a year earlier, the Old Etonian minister George Young (who is now the Chief Whip in the coalition government) had observed, “The homeless are what you step over when you come out of the opera.”

In the 2001 census, the figure was down to 938. Any big-city-dweller knows that the sleeping bags have started to reappear on our streets – according to some estimates, they have doubled in five years –and they will grow in number more noticeably, along with media stories of hungry children, as the benefit cuts bite. Young people’s opinions are volatile and I suspect they may yet swing violently against David Cameron and his government.

Wedded to the cause

On the subject of the Prime Minister, I am baffled by his eagerness to reward marriage with tax breaks. Presumably the idea is to encourage behaviour that is statistically associated with higher educational achievement, better health and lower levels of delinquency among children. Similar associations could probably be demonstrated for all sorts of other behaviours: sitting at tables for proper meals, serving greens, visiting National Trust properties, turning off the television, learning the violin.

Why doesn’t the government simply bug our homes to check we are all conducting ourselves as ministers would wish? Recent disclosures about GCHQ suggest it is more than equal to the task.

The art of a good death

By the time you read this, Nelson Mandela, who was described as being in a “critical but stable condition”, may at last, sadly, have succumbed to the inevitable. In the meantime, I don’t envy his large extended family making decisions about how long to keep him alive. Not only are they divided among themselves, as families often are, they must also contend with a divided nation that clings to Mandela as an icon of the national liberation struggle and unity.

Though obituary writers may praise a courageous fight to the end, nobody really wants to die in hospital, connected to tubes and machines. At nearly 95, Mandela can make at best only a temporary recovery, giving him minimal quality of life. If he is unable to express an opinion about his treatment (as I assume he isn’t), his family will be asked to make one on his behalf.

Prospective parents have no shortage of advice about childbirth, as Sophie Elmhirst wrote in this magazine last week. Yet I know of no equivalents of parenting classes for those struggling to cope with elderly relatives at the end of life.

When my 84-year-old mother neared her end 18 years ago, the hospital asked if, in the event of her heart stopping, I wished them to attempt to revive her. I had no idea what to say. Only later, when a team of black-clad paramedics burst in as she passed peacefully away, did I realise that the answer should have been “no”.

In addition to good food . . .

On a recent holiday in Corsica, I reflected, not for the first time, on the peculiarities of French restaurants. Most of the food was excellent – I particularly recommend the local wild boar stew, provided you make sure they haven’t substituted pork – and it usually arrived in reasonable time. The difficulty was with the bill. At one restaurant, we received, before we had been given our bill, someone else’s change, amounting to about €40. Next, we received someone else’s bill, which was roughly twice the size of ours. Then we got our own bill but minus the wine we had drunk. We pointed this out (generously, I thought) and the correct bill finally arrived, 30 minutes after we had first asked for it.

The staff then seemed bemused that we objected to waiting more than 15 minutes for our change.

Peter Wilby was the editor of the New Statesman from 1998 to 2005

A red geranium pictured against the Three Sisters rock formation in the mountains of Corsica. Photograph: Getty Images

Peter Wilby was editor of the Independent on Sunday from 1995 to 1996 and of the New Statesman from 1998 to 2005. He writes the weekly First Thoughts column for the NS.

This article first appeared in the 08 July 2013 issue of the New Statesman, The world takes sides

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Over a Martini with my mother, I decide I'd rather not talk Brexit

A drink with her reduces me to a nine-year-old boy recounting his cricketing triumphs.

To the Royal Academy with my mother. As well as being a very competent (ex-professional, on Broadway) singer, she is a talented artist, and has a good critical eye, albeit one more tolerant of the brighter shades of the spectrum than mine. I love the RA’s summer exhibition: it offers one the chance to be effortlessly superior about three times a minute.

“Goddammit,” she says, in her finest New York accent, after standing in front of a particularly wretched daub. The tone is one of some vexation: not quite locking-yourself-out-of-the-house vexed, but remembering-you’ve-left-your-wallet-behind-a-hundred-yards-from-the-house vexed. This helps us sort out at least one of the problems she has been facing since widowhood: she is going to get cracking with the painting again, and I am going to supply the titles.

I am not sure I have the satirical chops or shamelessness to come up with anything as dreadful as Dancing With the Dead in My Dreams (artwork number 688, something that would have shown a disturbing kind of promise if executed by an eight-year-old), or The End From: One Day This Glass Will Break (number 521; not too bad, actually), but we work out that if she does reasonably OK prints and charges £500 a pop for each plus £1,000 for the original – this being at the lower end of the price scale – then she’ll be able to come out well up on the deal. (The other solution to her loneliness: get a cat, and perhaps we are nudged in this direction by an amusing video installation of a cat drinking milk from a saucer which attracts an indulgent, medium-sized crowd.)

We wonder where to go for lunch. As a sizeable quantity of the art there seems to hark back to the 1960s in general, and the style of the film Yellow Submarine in particular, I suggest Langan’s Brasserie, which neither of us has been to for years. We order our customary Martinis. Well, she does, while I go through a silly monologue that runs: “I don’t think I’ll have a Martini, I have to write my column this afternoon, oh sod it, I’ll have a Martini.”

“So,” she says as they arrive, “how has life been treating you?”

Good question. How, indeed, has life been treating me? Most oddly, I have to say. These are strange times we live in, a bit strange even for me, and if we wake up on 24 June to find ourselves no longer in Europe and with Nigel Farage’s toadlike mug gurning at us from every newspaper in the land, then I’m off to Scotland, or the US, or at least strongly thinking about it. Not even Hunter S Thompson’s mantra – “When the going gets weird, the weird turn pro” – will be enough to arm myself with, I fear.

The heart has been taking something of a pummelling, as close readers of this column may have gathered, but there is nothing like finding out that the person you fear you might be losing it to is probably going to vote Brexit to clear up that potential mess in a hurry. The heart may be stupid, but there are some things that will shake even that organ from its reverie. However, operating on a need-to-know basis, I feel my mother can do without this information, and I find myself talking about the cricket match I played on Sunday, the first half of which was spent standing watching our team get clouted out of the park, in rain not quite strong enough to take us off the field, but certainly strong enough to make us wet.

“Show me the way to go home,” I sang quietly to myself, “I’m tired and I want to go to bed,” etc. The second half of it, though, was spent first watching an astonishing, even by our standards, batting collapse, then going in at number seven . . . and making the top score for our team. OK, that score was 12, but still, it was the top score for our team, dammit.

The inner glow and sense of bien-être that this imparted on Sunday persists three days later as I write. And as I tell my mother the story – she has now lived long enough in this country, and absorbed enough of the game by osmosis, to know that 17 for five is a pretty piss-poor score – I realise I might as well be nine years old, and telling her of my successes on the pitch. Only, when I was nine, I had no such successes under my belt.

With age comes fearlessness: I don’t worry about the hard ball coming at me. Why should I? I’ve got a bloody bat, gloves, pads, the lot. The only things that scare me now are, as usual, dying alone, that jackanapes Farage, and bad art. 

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 23 June 2016 issue of the New Statesman, Divided Britain