How we are gentrified, impoverished and silenced – if we allow it

Momentous change almost always begins with the courage of people taking back their own lives against the odds.

I have known my postman for more than 20 years. Conscientious and goodhumoured, he is the embodiment of public service at its best. The other day, I asked him, “Why are you standing in front of each door like a soldier on parade?”
“New system,” he replied. “I am no longer required simply to post the letters through the door. I have to approach every door in a certain way and put the letters through in a certain way.”
“Ask him.”
Across the street was a solemn young man, clipboard in hand, whose job was to stalk postmen and see they abided by the new rules, no doubt in preparation for privatisation. I told the stalker my postman was admirable. His face remained flat, except for a momentary flicker of confusion.
In Brave New World Revisited, Aldous Huxley describes a new class conditioned to a normality that is not normal “because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does”.
Surveillance is normal in the Age of Regression – as Edward Snowden revealed. Ubiquitous cameras are normal. Subverted freedoms are normal. Effective public dissent is now controlled by the police, whose intimidation is normal.
The traducing of noble terms such as “democracy”, “reform”, “welfare” and “public service” is normal. Prime ministers lying openly about lobbyists and war aims is normal. The export of £4bn worth of British arms, including crowd control ammunition, to the medieval state of Saudi Arabia, where apostasy is a capital crime, is normal.
The wilful destruction of efficient, popular public institutions such as the Royal Mail is normal. A postman is no longer a postman, going about his decent work; he is an automaton to be watched, a box to be ticked. Aldous Huxley described this regression as insane and our “perfect adjustment to that abnormal society” a sign of the madness.
Are we “perfectly adjusted” to all of this? No, not yet. People defend hospitals from closure, UK Uncut forces bank branches to close and six brave women climb the highest building in western Europe to show the havoc caused by the oil companies in the Arctic. There, the list begins to peter out.
At this year’s Manchester International Festival, Percy Bysshe Shelley’s epic Masque of Anarchy – all 91 verses written in rage at the massacre of Lancashire people protesting against poverty in 1819 – was an acclaimed piece of theatre, and utterly divorced from the world outside. In January, the Greater Manchester Poverty Commission had disclosed that 600,000 Mancunians were living in “extreme poverty” and that 1.6 million, or nearly half the population of the city, were at risk of “sliding into deeper poverty”.
Poverty has been gentrified. The Park Hill Estate in Sheffield was once an edifice of public housing – but unloved by many for its Le Corbusier brutalism, poor maintenance and lack of facilities. With its English Heritage Grade II listing, it has been renovated and privatised. Two-thirds of the refurbished flats, reborn as modern apartments, are selling to “professionals” such as designers, architects and a social historian. At the sales office you can buy designer mugs and cushions. This façade offers not a hint that, ravaged by the government’s “austerity” cuts, Sheffield has a social housing waiting list of 60,000.
Park Hill is a symbol of the two-thirds society that is Britain today. The gentrified third do well, some of them extremely well, a third struggle to get by on credit and the rest slide into poverty.
Although the majority of the British people are working class – whether or not they see themselves that way – a gentrified minority dominates parliament, senior management and the media. David Cameron, Nick Clegg and Ed Miliband are their authentic representatives. They fix the limits of political life and debate, aided by gentrified journalism and the “identity” industry. The greatest ever transfer of wealth upwards is a given. Social justice has been replaced by meaningless “fairness”.
While promoting this normality, the BBC rewards a senior functionary with a pay-off of almost £1m. Although it regards itself as the media equivalent of the Church of England, the corporation now has ethics comparable with those of the “security” companies G4S and Serco, which have “overcharged” on public services by tens of millions of pounds. In other countries, this is called corruption.
Like the fire sale of the power utilities, water and the railways, the sale of Royal Mail is to be achieved with bribery and the collaboration of the union leadership, regardless of vocal outrage. At the start of his 1983 documentary series Questions of Leadership, Ken Loach shows trade union firebrands exhorting the masses. The same men are then shown, older and florid, adorned in the ermine of the House of Lords. In the recent Queen’s Birthday Honours, the former general secretary of the TUC Brendan Barber received his knighthood.
How long can the British watch the uprisings across the world and do little apart from mourn the long-dead Labour Party? The Edward Snowden revelations show the infrastructure of a police state emerging in Europe, especially Britain. Yet people are more aware than ever before; and governments fear popular resistance – which is why truth-tellers are isolated, smeared and pursued.
Momentous change almost always begins with the courage of people taking back their own lives against the odds. There is no other way now. Direct action. Civil disobedience. Unerring. Read Shelley: “Ye are many – they are few.” And do it.
John Pilger’s new film, “Utopia”, will be previewed at the National Film Theatre, London, in the autumn 
The Park Hill Flats in Sheffield in 1972. Photograph: Getty Images

John Pilger, renowned investigative journalist and documentary film-maker, is one of only two to have twice won British journalism's top award; his documentaries have won academy awards in both the UK and the US. In a New Statesman survey of the 50 heroes of our time, Pilger came fourth behind Aung San Suu Kyi and Nelson Mandela. "John Pilger," wrote Harold Pinter, "unearths, with steely attention facts, the filthy truth. I salute him."

This article first appeared in the 29 July 2013 issue of the New Statesman, Summer Double Issue

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US election 2016: Trump threatens to deny democracy

When asked if he would accept the result of the election, the reality TV star said that he would have to “keep you in suspense.”

During this insane bad-acid-trip of an election campaign I have overused the phrase “let that sink in.”

There have been at least two dozen moments in the last 18 months which I have felt warranted a moment of horrified contemplation, a moment to sit and internalise the insanity of what is happening. That time a candidate for president brought up his penis size in a primary election debate, for one.

But there was a debate last night, and one of the protagonists threatened to undermine democracy in the United States of America, which throws the rest of this bizarre campaign into stark relief.

It was the third and final clash between an experienced if arguably politically problematic former senator and secretary of state – Hillary Clinton –  and a reality TV star accused of a growing number of sexual assaults – Donald Trump – but the tone and content of the debate mattered less than what the latter said at one key, illuminating moment.

That statement was this: asked if he would accept the result of the election, Donald Trump said that he was going to “look at it at the time,” and that he would have to “keep you in suspense.”

If your jaw just hit the floor, you have responded correctly. The candidate for the party of Lincoln, the party of Reagan, the party of Teddy Roosevelt, declined to uphold the most fundamental keystone of American democracy, which is to say, the peaceful transition of power.

Let that sink in. Let it sit; let it brew like hot, stewed tea.

This election has been historic in a vast number of ways, most important of which is that it will be, if current polling is to be believed, the election which will bring America's first female president to the White House, almost a century after women's suffrage was enabled by the 19th amendment to the constitution in August 1920.

If the last near-century for women in America has been a journey inexorably towards this moment, slowly chipping away at glass ceiling after glass ceiling, like the progression of some hellish video game, then Donald Trump is as fitting a final boss as it could be possible to imagine.

For Trump, this third and final debate in Las Vegas was do-or-die. His challenge was near-insurmountable for even a person with a first-class intellect, which Trump does not appear to possess, to face. First, he needed to speak in such a way as to defend his indefensible outbursts about women, not to mention the increasing number of allegations of actual sexual assault, claims backstopped by his own on-tape boasting of theoretical sexual assault released last month.

This, he failed to do, alleging instead that the growing number of sexual assault allegations against him are being fabricated and orchestrated by Clinton's campaign, which he called “sleazy”, at one point to actual laughs from the debate audience.

But he also needed to reach out to moderates, voters outside his base, voters who are not electrified by dog-whistle racism and lumbering misogyny. He tried to do this, using the Wikileaks dump of emails between Democratic party operators as a weapon. But that weapon is fatally limited, because ultimately not much is in the Wikileaks email dumps, really, except some slightly bitchy snark of the kind anyone on earth's emails would have and one hell of a recipe for risotto.

In the debate, moderator Chris Wallace admirably held the candidates to a largely more substantive, policy-driven debate than the two previous offerings – a fact made all the more notable considering that he was the only moderator of the three debates to come from Fox News – and predictably Trump floundered in the area of policy, choosing instead to fall back on old favourites like his lean-into-the-mic trick, which he used at one point to mutter “nasty woman” at Clinton like she'd just cut him off in traffic.

Trump was more subdued than the bombastic lummox to which the American media-consuming public have become accustomed, as if his new campaign manager Kellyanne Conway had dropped a couple of Xanax into his glass of water before he went on stage. He even successfully managed to grasp at some actual Republican talking-points – abortion, most notably – like a puppy who has been semi-successfully trained not to make a mess on the carpet.

He also hit his own favourite campaign notes, especially his opposition to the North American Free Trade Agreement (NAFTA) - but ultimately his intrinsic Donald Trumpiness couldn't stop itself from blazing through.

Remember the Republican primary debate when Trump refused to say that he would accept the party's nominee if it wasn't him? Well, he did it again: except this time, the pledge he refused to take wasn't an internal party matter; it was two centuries of American democratic tradition chucked out of the window like a spent cigarette. A pledge to potentially ignore the result of an election, given teeth by weeks of paranoiac ramblings about voter fraud and rigged election systems, setting America up for civil unrest and catastrophe, driving wedges into the cracks of a national discourse already strained with unprecedented polarisation and spite.

Let it, for what is hopefully just one final time, sink in.

Nicky Woolf is a writer for the Guardian based in the US. He tweets @NickyWoolf.