Darkened figures descend into the Chicago subway. Photograph: Clarissa Bonet
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Ruins of people’s lives

The shadowy subculture of gang stalking.

In 1919, the psychoanalyst Viktor Tausk published his famous paper “On the Origin of the ‘Influencing Machine’ in Schizophrenia”, in which he wrote about patients who believed they were under the control of malign technology beyond their understanding. Sometimes, they claimed, this technology would cause “erections and seminal emissions that are intended to deprive the patient of his male potency and weaken him”. In typical Viennese fashion, Tausk concluded that “the influencing apparatus is a representation of the patient’s genitalia projected to the outer world . . . a machine independent of the aims of the ego and subordinated to the foreign will”.

Right away, we might be reminded of Thomas Pynchon’s Gravity’s Rainbow, in which Tyrone Slothrop may or may not have been secretly conditioned to get an erection every time a V-2 rocket is about to strike London. Yet to find more patients for Tausk, we don’t need to look to fiction. “At first I believed they could only terminate my erection, but recently I also started believing that they could create my erection,” writes the author of a recent blog about electromagnetic persecution by the government. “Often I am given erections in co-ordination with the brain butchery, and occasionally voided of semen,” writes another in the same field.      

Both these bloggers are part of an online community centred on a phenomenon called gang stalking. Gang stalking, according to one website:

. . is a covert investigation that is opened on an individual. The individual is then placed under overt and covert forms of surveillance. The person is followed around 24/7. Foot patrols and vehicle patrols are used to follow the individual around, as part of the monitoring process . . . The secondary goals seem to be to make the target homeless, jobless, give them a breakdown, and the primary goal seems to be to drive the target to forced suicide.

Gang stalking has been linked with, but doesn’t necessarily involve, remote mind control. No one has ever come forward as a perpetrator. But large numbers of people have come forward as victims.

Before the internet, if you had developed the belief that you’d been targeted in this way, you would have been isolated. Anyone hearing your story – whether a friend or a relation, or a doctor such as Tausk – would have tried to persuade you that you were suffering from paranoid delusions. But today you would find confirmation of your suspicions on dozens of websites, blogs and message boards. “When you read the methods used by gang stalkers to harass their victims,” writes one blogger, “it is helpful to know that the stories told by victims worldwide are remarkably consistent.”

You would also find information on developments similar to gang stalking that have been documented in the respectable media, such as a declassified Pentagon report on the “Bioeffects of selected non-lethal weapons” or Ealing Council signing up eight-year-olds as “Junior Streetwatchers”. You could even make some friends. In other words, you’d be part of a community – and, as the British psychiatrist Vaughan Bell points out in his paper “‘Mind control’ experiences on the internet”, the American Psychiatric Association’s Diagnostic and Statistical Manual stipulates that a belief cannot be classed as a delusion if it is “accepted by other members of the person’s culture or subculture”.

Reading about gang stalking online can be dispiriting, because one has the sense that someone such as Tausk really ought to be intervening. But I confess I also find it addictive. For instance, consider one blogger who believes even birds and animals are his enemies:

Birds, pigeons and crows, that can be controlled to fly (screaming) over me, to land in my garden when I walk into my kitchen and look outside, to crash into my kitchen window and car front window while driving. Birds, pigeons, that come sit, walk, on the roof of my house when I am upstairs having sex. Cats walking by like being programmed. Barking of dogs, flying away ducks etc, not by mind control but by beaming these animals with laser beams (directed energy weapons).

An entire menagerie of animal spies – if that isn’t in Pynchon, it should be. One might also recall Kafka or Don DeLillo, not to mention Mark Lombardi, the American artist whose work consisted of diagrams of various conspiracies involving the Vatican or the World Finance Corporation.

On another website, I found a collection of photographs of household objects – folding chairs, velcro straps, long underwear – that their owner believes to have been damaged during secret incursions into his home. The pictures have such eerie power that you could easily imagine them on a gallery wall next to a William Eggleston or a Laura Letin - sky. Elsewhere, the idea of harassment through the “everyday stimuli” of “red, white, yellow, strips, pens clicking, key jangling, loud coughing, loud whistling, loud smacking of clapping of hands together, cell phones, laptops, etc” evokes Sartre’s metaphysical nausea.

Still other online writers veer towards the psychedelic visions of Philip K Dick, proposing that the gang stalkers are really “lower astral entities, some aliens/non-humans, and Neg entities in general [who] are known to feed on the energies created by lower frequency emotions, since that’s what they resonate with, farming us for them in the same way we farm animals for their meat, milk, eggs and parts”, or, alternatively, normal humans wearing “frequency suits”, which “are invisible to the naked eye, but they seem to transport either your etheric layer, or another such layer from place to place”.

This is dangerous territory, however. Yes, there are precedents for appreciating the special energies we find in work by people who deviate from the psychological norm, going back to Hans Prinzhorn’s book Artistry of the Mentally Ill (1922). After reading it, the painter Paul Klee wrote: “In our own time, worlds have opened up which not everybody can see into, although they too are part of nature. Perhaps it’s really true that only children, madmen and savages see into them” – a remark the open-mindedness of which is not quite enough to outweigh its condescension. At Lausanne’s Collection de l’Art Brut and London’s Bethlem Royal Hospital there are whole museums devoted to such art.

None of the people describing their gang stalking experiences on the internet think of themselves as making art, however. They are serious. They want their writing and photography to be taken seriously. In most cases it is harmless to aestheticise modes of expression that are not deliberately aesthetic, otherwise there could be no such thing as Pieces of Intelligence: the Existential Poetry of Donald H Rumsfeld. (And there are grey areas: although Henry Darger’s The Story of the Vivian Girls, one of the cornerstones of the very idea of outsider art, was certainly intended as a creative work, there is no reason to think it was ever intended for public consumption.)

But human misery is different. A comparison here might be what’s sometimes called “ruin porn”. I can spend hours looking at beautiful photographs of derelict houses in Detroit or condemned council estates in London, but at the back of my mind I feel guilty about it, because I’m aware that these aren’t just evocative scenery, they’re also places where people less fortunate than me actually had to sleep every night. Gang stalking websites, similarly, are the ruins of people’s lives and I shouldn’t be cruising them for ephemeral thrills. I feel the same way about a lot of amateur YouTube videos that go viral: some of those “zany characters” wouldn’t be behaving like that on camera if the US had a functional mental health-care system. This is what the philosopher Mark Reinhardt, in his essay on the idea of “beautiful suffering”, calls “a kind of morally obtuse obscuring or exploitation of pain”.

Gang stalking is more resonant than these other examples, because here we find ourselves counterpoising two different methods of making sense of the inferno in which we all live. To compare notes on gang stalking with like-minded strangers on the internet is to take part in an investigation, almost a forensic science, a project to expose what Pynchon calls “other orders below the visible”, instead of merely sitting in your house with the blinds closed because you’re worried that everyone is out to get you. And to appreciate the artefacts of this subculture on an aesthetic level is not only to look sidelong at despair: it is also to play on sensibilities that were first sharpened in us by the work of Pynchon, DeLillo, Dick and so on: writers who were themselves trying to confront a world so large, so secretive, so random, so pitiless that not much human feeling can survive in it.

These two postures differ in the important respect that one comes from a state of abjection and the other from one of literary privilege. All the same, they are both ways of coming to terms with life. I would like to say that in future I’ll spend less time on gang stalking websites, but my own work is so derivative of the aforementioned authors in its preoccupation with conspiracies that I will inevitably find myself going back to these sources to forage for inspiration. Then I will launder them in my work like dirty money. Perhaps the challenge, then, is to prove that an aesthetic attitude and an empathetic one need not be mutually exclusive – that even if I’m planning a novel about remote-control spy-ducks, I can forage and feel at the same time.

Ned Beauman’s latest novel is “The Teleportation Accident” (Sceptre, £8.99)

This article first appeared in the 20 May 2013 issue of the New Statesman, The Dream Ticket

Mike Lombardo via @moreMiLo
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“I was almost brainwashed by him”: How male YouTubers get away with preying on young fans

A multitude of YouTube stars have been accused of taking advantage of young fans, but little is being done to tackle the problem.

In June, a 24-year-old YouTuber named Austin Jones was charged with two counts of producing images of child abuse. Court documents allege that the internet personality – who has more than half a million subscribers to his YouTube channel – solicited explicit videos from two of his young female fans. According to the criminal complaint, Jones asked one of the teenage girls – known only as Victim B – to dance for him, and said: “Bounce again and smile at the camera while you bounce. And while you bounce, say ‘I’m only 14’ 3 times throughout the video.” Jones has been released on bail and is awaiting trial. Jones’ attorney Gerardo Solon Gutierrez points out that the singer is “innocent until proven guilty”.

A few weeks later, a YouTuber known as Durte Dom was accused of filming a 15-year-old girl from behind while she danced at a party, without her consent. “He filmed my ass dancing,” the girl wrote anonymously on Twitter. Dom responded to the allegations via the social network, writing: “the party was 18+, the girl snuck in. don't fool yourself.” He says he will now “start having people sign release forms” before he films them.

These allegations are not isolated. In 2014, a Tumblr user called Olga accused the YouTuber Tom Milsom of coercing her into sexual activities when she was 15 and he was 21. Milsom did not comment publicly on the accusations and was never charged. Only a month earlier, a YouTube musician, Mike Lombardo, was jailed for five years on child pornography charges after soliciting explicit photographs and videos from 11 of his underage fans. 

These events set off a series of other allegations. Vlogger Alex Day admitted to having “manipulative relationships with women” after 14 women and teenage girls accused him of manipulation and abuse. One anonymous 15-year-old wrote on Tumblr that Day had sex with her knowing she was underage and “didn’t listen to me when I asked to stop”. Day denied any sexual relations with underage girls, and none of his alleged victims pressed charges. Another YouTuber, Ed Blann, admitted in a now-deleted Tumblr post that he “manipulated” an of-age fan into sex even after he was “repeatedly told to stop”. Like Day, Blann never faced any charges, but, also like Day, he apologised for his actions.  

 In September 2014, a 19-year-old woman accused the YouTube prankster Sam Pepper of raping her, and another woman filed a police report accusing him of rape. Pepper denied the accusations, was never arrested and charges were never filed. He did, however, apologise for YouTube pranks that included pinching women’s behinds while wearing a fake hand.

A Tumblr post set up to track emotional and sexual abuse in the YouTube community to date features allegations against 43 YouTubers.

***

Social media revolutionised the concept of celebrity – and celebrity-fan interactions. YouTubers are both incredibly adored and incredibly accessible. Products they design sell out overnight and their live events fill arenas. At the same time, fans are often just a few clicks away from engaging in private, one-on-one conversations with their heroes.

“I feel like I was kind of blinded to the whole situation, like I was almost brainwashed by him,” says Ashley LaPrade, a 16-year-old who claims that when she was 15, Austin Jones coerced her into creating sexualised videos on the messaging app Kik. She posted screenshots of their conversations on social media after the news of Jones’s arrest broke.

“It was kind of casual at first and he asked me to model his merchandise for him... so I did. I took a couple pictures and I’m a gymnast so I was trying to like impress him and I did like splits and stuff,” she says. She alleges that Jones asked her to film herself from behind while bending down or dancing. “I didn't want to upset him and make him not like me,” she says.

LaPrade explains that as a young 15-year-old fan she “looked up” to Jones and was initially excited by his interest in her. After she began to feel uncomfortable with his requests, they stopped talking, but she continued to listen to his music and go to his concerts. She says that she only realised the severity of his actions after his arrest.

Many young fans like Ashley are initially unable to comprehend that anything wrong – legally or morally – has happened to them. Neesey Pathan is a 20-year-old student and YouTuber who claims she was sexually harassed by Sam Pepper when she was 15. In 2014, she posted a YouTube video of her allegations, showing screenshots of alleged conversations with Pepper in which he asks her to “do a naked a dance” and show him her cleavage.

“As a young naïve 15-year old girl, I just wanted to keep talking to him because I was a huge fan,” Neesey tells me. “When he started to get inappropriate with me, at the time that made me feel uncomfortable but I didn’t understand how serious that was, because of how young I was.

“I wanted him to stop being inappropriate with me but I didn't want him to stop speaking to me.”

***

Since the concept of celebrity was invented, nefarious individuals have used their fame to manipulate and take sexual advantage of young fans. In the 1970s, Lori Mattix was a “baby groupie” to musicians – alleging in a Thrillist article that she lost her virginity to David Bowie aged just 14. When the guitarist Ted Nugent couldn’t legally marry 17-year-old Pele Massa, he became her guardian instead. Anna Garcia met Prince aged 15 and began a relationship with him aged 17. “I guess it’s kind of a dream to a young girl of 17,” she said in the Nineties. “You can be influenced very easily and stuff like that because he’s 12-13 years older than me.”

It now seems as though a slew of YouTubers have taken advantage of this imbalanced fan-creator relationship, and have deliberately exploited the naivety of their young fans. Ashley and Neesey both claim they were emotionally manipulated.

“I think I put him on this pedestal, which put him in a position to very easily manipulate me and get what he wanted,” says Neesey. “I was just so excited to get to speak to someone who I had looked up to for a long time.”

Ashley claims that when she wouldn’t film increasingly explicit videos for Jones, he treated her coldly. “He went on about how he was in a bad mood now and he didn’t want to talk any more,” she says. “If I did something wrong to him, like if I didn’t blow a kiss or something, then he would make me redo [the video].”

In 2015, Jones was first accused of asking his underage fans to film themselves twerking. In a video entitled “Setting The Record Straight”, he admitted to asking for the twerking videos and said he became suicidal after this news became public. “I’m a pretty insecure person... I began researching different suicide methods. I started planning my suicide. It’s something I was very, very serious about,” he says in the video. 

“A lot of times when we were talking he was talking about how he was going to therapy so I kind of felt bad for him and that’s why I didn't really say anything [to the authorities],” says Ashley.

The American National Domestic Violence Hotline outlines on its website that threatening suicide can be a form of emotional abuse. “If your partner regularly threatens suicide, particularly whenever you’re not doing something he or she wants you to do, or when you’re trying to leave the relationship... this is a form of emotional abuse.”

According to Neesey’s screenshots, Pepper flippantly mentioned he was “suicidal” when she refused to show him her breasts. In Olga’s blogpost about Tom Milsom, she alleges: “he’d like sob and cut himself in front of me he threatened weird suicidal shit a lot”.

“Obviously, if someone is saying to you that they're suicidal, you want to help them, because obviously they don't mean it but as a young person you think they do,” explains Neesey. “And you don't want to be held responsible for them hurting themselves and you maybe care about this person because you’ve been watching them for so long. So you’re manipulated into carrying on contact with them because if you don’t, what will happen...” 

***

To date, Lombardo is the only YouTuber who has ever been jailed for sexually abusing his fans. There are a multitude of reasons for this. Some victims are too afraid to press charges, fearing backlash from a YouTuber’s fandom. Many victims are unable to see the severity of their abuse until they are older. More still are manipulated into silence. Parents can’t comprehend YouTube stardom, and fail to understand what is happening in their children’s lives. Some victims simply don’t know which authorities to turn to.

“I'm kind of steaming about this whole issue,” says Michelle LaPrade, Ashley’s mother. “I can’t even look at a picture of the guy. It makes me want to punch him.”

At the time, Ashley never told her mother about Jones’s behaviour, but Michelle overheard conversations about it between her daughter and her friends. “I feel like a bad mother. I never even really investigated it. Because I know girls and their drama and you know, [they] overreact sometimes.”

After Jones’s arrest, Michelle wanted to report his interactions with Ashley to the authorities, but she found her local police department unhelpful. “I don't know who to turn to,” she says.

Many more victims are unaware that a crime has even occurred. “When I was 15 I didn't see how problematic it was,” says Neesey. “I knew it was a bit strange, and I did feel uncomfortable, but I didn't realise that he was actually sort of committing a crime in terms of asking a minor, as an adult, to do these things...

“It wouldn't even have crossed my mind to go to the police.”

While the UK has the large-scale Operation Yewtree into sexual abuse by celebrities, there is no equivalent for YouTube. Despite the multitude of allegations spanning half a decade, there is no single helpline or dedicated investigation into YouTube abuse. When questioned on this, a Home Office spokesperson said:

“We cannot allow social media platforms to be looked upon as a safe space for predators to target our children and share indecent images. It is vital that communication service providers have easily identifiable reporting systems for people to flag inappropriate or illegal content – and that they are clear about what is and isn’t allowed on their sites.”

A YouTube spokesperson said: “We have clear policies against harassment and we enforce these policies by removing both flagged content and comments that break our rules as well as terminating the accounts of repeat offenders.”

Sam Pepper is still on YouTube, where his channel has over two million subscribers. Alex Day returned to YouTube in December 2015, and now has over 80,000 subscribers. Austin Jones’s YouTube channel remains live, though he is not allowed to use social media before his trial.

***

“I feel like it is really hard to be taken seriously,” says Ashley. On social media, people are prone to victim-blaming Ashley and other alleged victims, saying that they should have stopped replying to the YouTubers harassing them. “Yeah, we did send stuff back but it was... we were being pressured into it and we didn't want to upset him or anything like that,” Ashley says. Her mother tells me she is glad Ashley “took the high ground” in not sending overtly sexual videos to Jones.

Unsure which authorities to speak to, many victims turn to social media to discuss their abuse. Accusations play out on Tumblr, Twitter and YouTube itself. Ashley tweeted screenshots of her interactions with Jones, while Neesey created two videos about her conversations with Pepper. Although this is an effective, and unprecedented, way for victims to get their voices heard, many online are distrustful of complaints that didn’t go through the authorities. Many more leave misogynistic and hateful comments.

“People will just be absolutely horrible to you and call you demeaning things... I got called a flirt, I got told it was all my fault because I continued speaking to him...” says Neesey, of the reaction to her videos. “I think that's a lot of the reason why people sometimes don’t come forward, because they don't want to go through all that stress again. They’ve already dealt with the situation; why would they want to deal with the stress of people being horrible to them about it?”

Some commenters criticise Neesey and other victims who have made YouTube videos and claim they were doing so for attention. “No one in their right mind would do it for attention because the attention you get is negative,” Neesey says. “I honestly don’t believe that someone would sit down and accuse someone of doing something if they didn’t mean it. So I really think it should be taken seriously.”

Whether it makes sense to those outside of the community or not, many victims' first recourse is social media, not the police or authorities. The accusations about Durte Dom – the YouTuber who allegedly filmed a 15-year-old dancing – were publicised by another YouTuber, Elijah Daniel, on his Twitter page.

Damon Fizzy is a YouTuber who called out Austin Jones after the initial accusations in 2015, and continues to do so on Twitter now. Although he agreed to speak with me, he was unable to find time to do so over a series of weeks.

For many YouTubers and their victims, social media is more important that the traditional media. Perhaps this makes sense – when the Mail Online covered the arrest of Lombardo, the YouTuber who solicited child abuse images from 11 underage fans, they added inverted commas around the word “star” in their headline. If the media and the authorities can’t take YouTube seriously, how seriously will they take accusations of YouTuber abuse?

***

In the past, YouTubers have often been good at self-policing. Hank and John Green are American brothers who run the YouTube channel Vlogbrothers, which has over three million subscribers. They own a record label, DFTBA, and run the annual YouTube convention VidCon. Lombardo and Day were DFTBA artists, and were dropped from the label after the accusations emerged. The Green brothers also banned Pepper from VidCon.

After the storm of accusations in 2014, an enormous number of popular YouTubers made videos in response. Hank Green explained consent to his audience, while the comedy YouTuber TomSka created a guide to YouTube gatherings. The popular YouTube duo Jack and Dean even made a music video about consent. The community came together to exile those who weren’t being punished in other ways. The subscriber numbers on the accused’s channels dropped dramatically.

Yet within a few months, many disgraced YouTubers can return to the platform to harness a new generation of fans, many of whom might not be aware of the accusations.

“YouTube still allows them to create content and make money off it, and that to me is just communicating that the behaviour is just not that bad. It’s sort of equivalent to a slap on the wrist and it doesn't convey the extremity of the situation of what they’ve done,” says Neesey. “I think they should be completely ostracised from the community, and have their status stripped from them, and I think YouTube should support that. Because they’re criminals.”

On Twitter, YouTuber Damon Fizzy claims he received backlash from Jones’s fans when trying to speak out years ago. “It’s crazy the backlash I received versus now. I was literally treated worse than the person who uses his underage fans for sexual gain,” he wrote.

And it’s true that YouTubers’ leagues of adoring fans can make it difficult to speak out about abuse. It is hard for many adults to understand how consuming being a young fan can be, particularly when manipulation is involved. When I ask both Ashley and Neesey what they would say to young female fans who start talking to YouTubers, they both say this is fine. Neesey warns that when a youngster becomes uncomfortable, they should end communication, but both she and Ashley feel that safe, normal fan-creator interaction is fine, indeed desirable.  

Sapphire Putt is a 20-year-old who claims a YouTuber coerced her into filming videos of herself dancing when she was 16. When I ask if she thinks it would be OK for the YouTuber to return to YouTube, she says she would be “cautious” but “wouldn’t throw the possibility of maybe giving him a chance again”.

“If he actually shows that he’s learned, you know, I would give it a chance and if he would mess it up again then that’s it, you know.”

When I ask Ashley what she would say to people who remain fans of Austin Jones she says: “I’d say that I probably understand... but they also need to understand that what he’s doing isn’t right and no one should be treated the way he is treating people.”

***

The NSPCC is currently calling for an independent regulator to scrutinise internet companies and fine them if they fail to keep children safe.

“We want the government to draw up a list of minimum standards that internet companies must observe to protect children, and children should be automatically offered safer accounts that protect them from grooming and harmful content,” an NSPCC spokesperson says.

“We know from our Childline service that online sexual exploitation is increasing so it’s vital that more is done to protect young people from abusers who use social media to target and manipulate them.”

For now, Ashley is simply glad things didn’t go further. “It's scary not knowing what could've happened, knowing that I was brainwashed like to believe it was OK, and I'm just happy he's not able to message other girls at this point,” she says.

Neesey hopes that schools will get better at teaching consent. “As a young person, I knew I felt a bit uncomfortable but I just thought that I was being dramatic... so I think people need to be educated, for sure.”  She says education needs to be improved not just in schools, but in the media.

“Unfortunately, people are sort of used to it now, after quite a few YouTubers, so it’s sort of like, ‘Oh another one.' People aren’t talking about it as much – not that it’s old news, but it’s not as shocking. People aren’t giving it as much attention as it needs.”

The NSPCC advises that if a child is worried about an online situation they should talk to a trusted adult or contact Childline on 0800 1111. Parents can find out more about talking to their child about staying safe online by searching Share Aware or visiting www.nspcc.org.uk

Amelia Tait is a technology and digital culture writer at the New Statesman.

This article first appeared in the 20 May 2013 issue of the New Statesman, The Dream Ticket