Darkened figures descend into the Chicago subway. Photograph: Clarissa Bonet
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Ruins of people’s lives

The shadowy subculture of gang stalking.

In 1919, the psychoanalyst Viktor Tausk published his famous paper “On the Origin of the ‘Influencing Machine’ in Schizophrenia”, in which he wrote about patients who believed they were under the control of malign technology beyond their understanding. Sometimes, they claimed, this technology would cause “erections and seminal emissions that are intended to deprive the patient of his male potency and weaken him”. In typical Viennese fashion, Tausk concluded that “the influencing apparatus is a representation of the patient’s genitalia projected to the outer world . . . a machine independent of the aims of the ego and subordinated to the foreign will”.

Right away, we might be reminded of Thomas Pynchon’s Gravity’s Rainbow, in which Tyrone Slothrop may or may not have been secretly conditioned to get an erection every time a V-2 rocket is about to strike London. Yet to find more patients for Tausk, we don’t need to look to fiction. “At first I believed they could only terminate my erection, but recently I also started believing that they could create my erection,” writes the author of a recent blog about electromagnetic persecution by the government. “Often I am given erections in co-ordination with the brain butchery, and occasionally voided of semen,” writes another in the same field.      

Both these bloggers are part of an online community centred on a phenomenon called gang stalking. Gang stalking, according to one website:

. . is a covert investigation that is opened on an individual. The individual is then placed under overt and covert forms of surveillance. The person is followed around 24/7. Foot patrols and vehicle patrols are used to follow the individual around, as part of the monitoring process . . . The secondary goals seem to be to make the target homeless, jobless, give them a breakdown, and the primary goal seems to be to drive the target to forced suicide.

Gang stalking has been linked with, but doesn’t necessarily involve, remote mind control. No one has ever come forward as a perpetrator. But large numbers of people have come forward as victims.

Before the internet, if you had developed the belief that you’d been targeted in this way, you would have been isolated. Anyone hearing your story – whether a friend or a relation, or a doctor such as Tausk – would have tried to persuade you that you were suffering from paranoid delusions. But today you would find confirmation of your suspicions on dozens of websites, blogs and message boards. “When you read the methods used by gang stalkers to harass their victims,” writes one blogger, “it is helpful to know that the stories told by victims worldwide are remarkably consistent.”

You would also find information on developments similar to gang stalking that have been documented in the respectable media, such as a declassified Pentagon report on the “Bioeffects of selected non-lethal weapons” or Ealing Council signing up eight-year-olds as “Junior Streetwatchers”. You could even make some friends. In other words, you’d be part of a community – and, as the British psychiatrist Vaughan Bell points out in his paper “‘Mind control’ experiences on the internet”, the American Psychiatric Association’s Diagnostic and Statistical Manual stipulates that a belief cannot be classed as a delusion if it is “accepted by other members of the person’s culture or subculture”.

Reading about gang stalking online can be dispiriting, because one has the sense that someone such as Tausk really ought to be intervening. But I confess I also find it addictive. For instance, consider one blogger who believes even birds and animals are his enemies:

Birds, pigeons and crows, that can be controlled to fly (screaming) over me, to land in my garden when I walk into my kitchen and look outside, to crash into my kitchen window and car front window while driving. Birds, pigeons, that come sit, walk, on the roof of my house when I am upstairs having sex. Cats walking by like being programmed. Barking of dogs, flying away ducks etc, not by mind control but by beaming these animals with laser beams (directed energy weapons).

An entire menagerie of animal spies – if that isn’t in Pynchon, it should be. One might also recall Kafka or Don DeLillo, not to mention Mark Lombardi, the American artist whose work consisted of diagrams of various conspiracies involving the Vatican or the World Finance Corporation.

On another website, I found a collection of photographs of household objects – folding chairs, velcro straps, long underwear – that their owner believes to have been damaged during secret incursions into his home. The pictures have such eerie power that you could easily imagine them on a gallery wall next to a William Eggleston or a Laura Letin - sky. Elsewhere, the idea of harassment through the “everyday stimuli” of “red, white, yellow, strips, pens clicking, key jangling, loud coughing, loud whistling, loud smacking of clapping of hands together, cell phones, laptops, etc” evokes Sartre’s metaphysical nausea.

Still other online writers veer towards the psychedelic visions of Philip K Dick, proposing that the gang stalkers are really “lower astral entities, some aliens/non-humans, and Neg entities in general [who] are known to feed on the energies created by lower frequency emotions, since that’s what they resonate with, farming us for them in the same way we farm animals for their meat, milk, eggs and parts”, or, alternatively, normal humans wearing “frequency suits”, which “are invisible to the naked eye, but they seem to transport either your etheric layer, or another such layer from place to place”.

This is dangerous territory, however. Yes, there are precedents for appreciating the special energies we find in work by people who deviate from the psychological norm, going back to Hans Prinzhorn’s book Artistry of the Mentally Ill (1922). After reading it, the painter Paul Klee wrote: “In our own time, worlds have opened up which not everybody can see into, although they too are part of nature. Perhaps it’s really true that only children, madmen and savages see into them” – a remark the open-mindedness of which is not quite enough to outweigh its condescension. At Lausanne’s Collection de l’Art Brut and London’s Bethlem Royal Hospital there are whole museums devoted to such art.

None of the people describing their gang stalking experiences on the internet think of themselves as making art, however. They are serious. They want their writing and photography to be taken seriously. In most cases it is harmless to aestheticise modes of expression that are not deliberately aesthetic, otherwise there could be no such thing as Pieces of Intelligence: the Existential Poetry of Donald H Rumsfeld. (And there are grey areas: although Henry Darger’s The Story of the Vivian Girls, one of the cornerstones of the very idea of outsider art, was certainly intended as a creative work, there is no reason to think it was ever intended for public consumption.)

But human misery is different. A comparison here might be what’s sometimes called “ruin porn”. I can spend hours looking at beautiful photographs of derelict houses in Detroit or condemned council estates in London, but at the back of my mind I feel guilty about it, because I’m aware that these aren’t just evocative scenery, they’re also places where people less fortunate than me actually had to sleep every night. Gang stalking websites, similarly, are the ruins of people’s lives and I shouldn’t be cruising them for ephemeral thrills. I feel the same way about a lot of amateur YouTube videos that go viral: some of those “zany characters” wouldn’t be behaving like that on camera if the US had a functional mental health-care system. This is what the philosopher Mark Reinhardt, in his essay on the idea of “beautiful suffering”, calls “a kind of morally obtuse obscuring or exploitation of pain”.

Gang stalking is more resonant than these other examples, because here we find ourselves counterpoising two different methods of making sense of the inferno in which we all live. To compare notes on gang stalking with like-minded strangers on the internet is to take part in an investigation, almost a forensic science, a project to expose what Pynchon calls “other orders below the visible”, instead of merely sitting in your house with the blinds closed because you’re worried that everyone is out to get you. And to appreciate the artefacts of this subculture on an aesthetic level is not only to look sidelong at despair: it is also to play on sensibilities that were first sharpened in us by the work of Pynchon, DeLillo, Dick and so on: writers who were themselves trying to confront a world so large, so secretive, so random, so pitiless that not much human feeling can survive in it.

These two postures differ in the important respect that one comes from a state of abjection and the other from one of literary privilege. All the same, they are both ways of coming to terms with life. I would like to say that in future I’ll spend less time on gang stalking websites, but my own work is so derivative of the aforementioned authors in its preoccupation with conspiracies that I will inevitably find myself going back to these sources to forage for inspiration. Then I will launder them in my work like dirty money. Perhaps the challenge, then, is to prove that an aesthetic attitude and an empathetic one need not be mutually exclusive – that even if I’m planning a novel about remote-control spy-ducks, I can forage and feel at the same time.

Ned Beauman’s latest novel is “The Teleportation Accident” (Sceptre, £8.99)

This article first appeared in the 20 May 2013 issue of the New Statesman, The Dream Ticket

Martin O’Neill for New Statesman
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1966 and all that

A year of World Cup glory, meeting Paul McCartney and eating placenta.

Fifty years ago this Saturday, on 30 July 1966, I was at Wembley. I have my ticket and my programme to prove it. I also have my 1966 ­diary, which I am looking at now. I was 30, weighed ten stone and eight pounds, and my waist was 32 inches – about as hard to believe now as England winning another World Cup final.

I am still in the same house, all these decades later, but my telephone number then was GUL 4685. GUL was short for Gulliver, I can’t remember why. In my list of contacts at the end of my diary is Melvyn Bragg, who was another recent arrival in London from Cumbria, like myself and my wife, on PRO 0790. PRO stood for Prospect, I think, which was the exchange name for somewhere over the river, possibly Kew.

My office number was TER 1234. I always thought that was a great and memorable number. It’s only now, thinking about it, that I realise that TER – meaning Terminus –
probably related to King’s Cross, which the Sunday Times was near in those days.

At the top of the charts in July 1966 were the Kinks with “Sunny Afternoon”, which I can well remember, as it was so ironically chirpy, and Georgie Fame with “Getaway”. I liked Georgie Fame – low-key, cool – but I can’t remember that tune. Both were replaced in August by the Beatles’ “Yellow Submarine”/“Eleanor Rigby”.

My day job in July 1966, on the Sunday Times staff, was writing the Atticus column. It still exists, but in a smaller, more skittery format. Previous incumbents included Ian Fleming, John Buchan and Sacheverell Sitwell, who was reputed to have got free Mateus rosé for life after giving the wine its first mention in an English newspaper.

I had been on the paper since 1960, after spending two years as a so-called graduate trainee journalist, mainly in Manchester, which was a laugh. There was no training and there were no lessons in law. You had a mentor for a few weeks and then you got on with it.

In my first few years as the boy on Atticus, I never had my name in the paper. I had to write dreary paragraphs about who might be our next man in Washington, or the bishop of London, or the master of Balliol, as if I cared. I wanted to write about footballers, gritty northern novelists, pop stars.

When I started at the Sunday Times, I felt for a while that people were prejudiced against me, because I was northern and working class and had gone to grammar school and a provincial university (Durham). Everyone else seemed to have been at Oxbridge and gone to public school.

But this prejudice was all in my head, imagined, just as it had been when I used to go from Durham to visit my girlfriend, Margaret – whom I married in 1960 – at Oxford. I was convinced that some of her posh friends were being condescending ­towards me. Total nonsense, but I had a chip on my shoulder for some years. Gone, all gone, just like my 32-inch waist. (I am now 12 stone and the new shorts I bought last week have a 38-inch waist. Oh, the horror.) If anything, these past 50 years, any prejudice has been in my favour.

Harold Wilson was the prime minister in 1966. His northern accent was even stronger than mine. I still have a letter from him, dated 21 March 1963, after I interviewed him for Atticus. In the letter, he ­describes the 1938 FA Cup final in which Preston beat Huddersfield Town 1-0, scoring in the last minute of extra time. At the bottom of the page, in handwriting, he’d added: “after hitting the crossbar”.

What I remember most about the interview was George Brown, who was deputy to
Wilson as Labour leader at the time, hanging around outside his office, drunk. Marcia Williams, Wilson’s secretary, was going around tut-tutting, making faces, complaining about George. I thought she shouldn’t have done, not in front of me, as I was a total stranger and a hack. (I don’t think we called ourselves hacks in those days, which is the normal, half-ironic self-description today.)

Harold was a football man and also a real know-all, forever boasting about his memory for facts and figures. The contents of this letter illustrate both aspects of his character. It led me later to collect a letter or autograph from every prime minister, going back to Robert Walpole. Only took me ten years.

There is a myth that England’s 1966 win helped Labour stay in power – which does not quite stand up. The general election was in March – four months before the final. But Wilson did milk England’s victory, identifying himself and the nation with our English champions.

It is possible that the reverse effect happened in 1970, when Wilson was chucked out and Edward Heath came in. England’s defeat at the 1970 World Cup by West Germany was just four days before the June general election.

***

I got my ticket for the 1966 World Cup final – for one of the best seats, priced at £5 – from my friend James Bredin, now dead, who was the boss of Border Television. Based in Carlisle, Border covered the Scottish Borders and the Isle of Man. It was a thriving, thrusting regional ITV station, now also deceased.

James’s chauffeur came to pick me up and waited for us after the match, a sign of the importance and affluence of even minor ITV stations. Border contributed quite a bit to the network, such as Mr and Mrs, starring Derek Batey, who presented 450 editions of this very popular national show. Batey was a local lad who started his show business life as an amateur ventriloquist in the little market town of Brampton, Cumbria, before becoming Carlisle’s Mr Show Business. He was so polished – lush hair, shiny suits, so starry, so glittery – that I always wondered why he was not in London, in the West End.

Border TV also produced some excellent documentaries that were networked across the ITV region, two of which I presented. One was about walking along Hadrian’s Wall and the other was about George Stephenson. For a while in the 1970s, I began to think I was going to become a TV presenter, despite being not much good. I was lousy at acting, which you need for television, and disliked asking questions to which I already knew the answers. And it took so much time. For each programme, we spent eight weeks on location with a crew of eight, just to make a one-hour documentary. Now they
do docs in a week with just two people.

For half an hour, I also imagined that I was going to become a playwright. In 1967, I had a play in the BBC’s Wednesday Play slot, awfully prestigious at the time, called The Playground. It was one of those shows that were filmed live and then wiped, so I have never seen it since, nor has anybody else. I blamed that for blighting my playwriting career, though till I was looking in my 1966 diary and saw that I was working on that play, I’d forgotten about its existence. As we go through life, we forget all the paths not trodden.

I’ve boasted endlessly about being at the 1966 Wembley final, and it was so exciting, but I can’t remember many of the details. I must have been aware of Geoff Hurst’s second goal being a bit dodgy, as there were loud complaints from the German fans, but as Sir Geoff, as he then wasn’t, went on to score a third goal, it didn’t really matter. At the time, I considered that the England-Portugal semi-final had been a better game, with our Bobby Charlton scoring two goals against one from Eusebio, but of course winning a final is winning a final and the excitement and the patriotic pride continued for weeks and months. We felt as if it had been our right to win – after all, did we not give the game to the world, lay down the first rules, show all those foreigners how to play our game?

The result was that we usually ignored all the new ideas and developments that were emerging from Europe and South America, carrying on with our old ways, stuffing our faces with steak before a game and knocking back six pints afterwards, a bit like Alf Tupper in the Rover comic. He lived on fish and chips, but on the race track he could beat anyone.

Those funny Continental players started playing in funny lightweight boots, more like slippers or ballet shoes, which seemed barmy to us. How we scoffed. How can you play properly, far less kick someone properly, unless your ankles are encased in hard leather as tough as steel? Who cared if they weighed a ton, especially in wet weather? We Brits were tough.

The top First Division stars of 1966 earned about £200 a week, including bonuses, and lived in £20,000 houses, semi-detached, on new estates with Tudor overtones. The top players drove Jaguars. But most were lucky to afford a Ford Cortina. I had one myself for a while. Awfully smart, or so I thought at the time.

Their basic wages were little more than double that of the best-paid working men, such as a foreman bricklayer or a successful plumber. Their neighbours on their estates were bank mangers or salesmen, a higher scale socially than their own background, but still fairly modest. Not like today. Footballers don’t even have neighbours any more. They are cocooned in their own gated mansions, with personal staff, gardeners, nannies, accountants, lawyers, agents.

Yet despite their modest lifestyles in those days, there were celebrity players, such as Bobby Moore, Bobby Charlton and, before them, Billy Wright, all household names, loved and admired, recognised everywhere.

None of them had an agent in 1966. The nearest thing to it was the system that operated if a team got to the FA Cup final. They would then agree to divvy up the peripheral proceeds, such as money from giving newspaper interviews, posing for staged corny photographs, opening shops, or selling their spare tickets to touts (which they were not supposed to do). They’d appoint some dodgy friend of one of the senior players to arrange the deals and collect the monies for them. Times, they always change. Otherwise, what’s the point, eh?

***

In 1966, two big events occurred in my personal life. In May that year, my son, Jake, was born – at home, in what is now our kitchen. He arrived so quickly that the midwife hadn’t turned up yet and he emerged with the cord twisted around his neck. I managed to untie it, which I have maintained since kept him alive (a trick I had learned at fathers’ classes).

Fathers’ classes – wow, what a novelty that was in the 1960s. Who says we were all chauvinist pigs back then? (Today’s young, female star writers at the New Statesman, probably.) I attended my first ones, at the Royal Free Hospital in 1964, when our firstborn, Caitlin, was about to arrive. I remember immediately thinking when the invite came that I would get 1,000 words out of this – which I did, for the Sunday Times women’s pages.

Also at those first-ever fathers’ classes at the Royal Free was a young BBC producer whose wife was also about to give birth: Wilfred De’Ath. He, too, was desperate to get a piece out of it. (He now writes occasionally for the Oldie, and he appears to be down and out and living in France.)

After Jake’s birth, I got the midwife to give me the placenta and I ate it, fried with onions. Tasted like liver. Another 1,000 words.

The other event of note in my ever-so-exciting life in 1966 was meeting Paul McCartney. When “Eleanor Rigby” came out, I thought the words – not just the tune – were so wonderful. Possibly the best poetry of the year, I said, as if I knew anything about poetry. I went to see him for Atticus in his new house in St John’s Wood, which he still has, being a very conservative feller. I talked to him about the background to the lyrics, as opposed to his hair, which interviewers were still asking him about.

A few months later, at the end of 1966, I went to see him again, wearing a different cap, as a screenwriter. I’d had a novel published the previous year, Here We Go Round the Mulberry Bush, which was being made into a film, with Clive Donner directing. We went to see Paul at his house and discussed with him if he would do the theme tune. He turned us down in the end but it was while I was with him that I suggested that there should be a proper biography of the Beatles. He said Brian (Epstein, the band’s manager) would have to agree – and there and then sat me down and helped me write a suitable arse-licking letter to him.

I eventually saw Brian, after several cancellations, at his home in Belgravia and he played me the acetate of “Strawberry Fields Forever”. I was astounded. It seemed to break every rule of what was then considered pop music. I wondered if all Beatles fans
would take to it. But I could see that it was amazing and perhaps the Beatles weren’t finished, which was what some people were saying in 1966. At my publisher, Heinemann, which paid me £3,000 for the book, there was one director who maintained the Beatles bubble was about to burst.

Brian agreed to my project and offered a clause in the contract that we had not requested or even thought of. He said he would not give any other writer access to the Beatles for two years after my book came out. This was 1966. The book came out in 1968. Two years later, in 1970, the Beatles were no more. Without realising it at the time, I became the only authorised ­biographer of the Beatles.

***

So, 1966, a big year for me, so glad I kept that diary, and also a big year for the nation. I thought at the time that the Beatles were bound to fade, eventually, while England surely would dominate world football from now on. After their humbling by Iceland at this year’s World Cup, I now realise that England will never win the World Cup again in my life, what’s left of it. And probably not even another game.

The only way to rationalise it is to tell ourselves that we are ahead of the game. We are rubbish, but in turn it will happen to all the other so-called advanced nations.

You could say Brexit is a bit like that. We are ahead of the other leading European nations in going it alone, even though it is depressing and awful and shameful. We are advanced in wilfully turning ourselves into a rubbish nation. We are leading the way, as ever. Inger-land, Inger-land.

Hunter Davies’s memoir of the postwar years, “The Co-op’s Got Bananas!” (Simon & Schuster), was published in April, followed by “Lakeland: a Personal Journal” (Head of Zeus). His final book on the Fab Four, “The Beatles Book” (Ebury), will be published on 1 September

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue