The Steubenville trial is over, but what drove a group of teenagers to “live-blog” a rape?

For many people, the internet doesn’t just confirm your existence: it is your existence.

When the high school American football players Trent Mays and Ma’lik Richmond were arrested on suspicion of rape in Steubenville, Ohio, last August, the international media barely reacted. Locally, however, what happened on the evening of 11 August last year and early the next morning was all anyone could talk about. That night, a “rape crew” of local footballers allegedly dragged a drunk and unconscious 16-year-old girl from party to party while assaulting and urinating on her.

“Jane Doe” awoke the next day with no memory of those events. There were rumours that photographs existed of the assault and the level of gossip and conjecture prompted the crime blogger Alexandria Goddard to undertake some internet sleuthing. What she found has disgusted the world: the documentation of a horrific crime by its perpetrators and their friends, posted on the internet for anyone to see.

“The case that social media won”, the headlines proclaimed, after Mays and Richmond were handed guilty verdicts on 17 March. The media love a good Twitter hook – how things play out online is an angle that fascinates us as we try to come to terms with the technological mediation of our lives. But there was more to it. Talk of a cover-up or conspiracy is seductive. However, in this instance, it was the hero worship of the local football team – now believed by most people in Steubenville to be an overblown and destructive force in the town – that bred a culture of silence surrounding the rape. Many of the teenagers who were present that night refused to talk to the police and the victim found herself alienated from her classmates, threatened, disparaged online and under immense pressure to retract the allegations.

That a survivor of a sexual assault should be subjected to public shaming and mockery is sadly unsurprising; victim-blaming is a common occurrence in societies that excuse and normalise rape. Doe’s clothing, her inebriated state, her previous sexual conduct and her decision to go to the party alone were all used as “evidence” to suggest that what had happened was not rape.

The now-infamous Instagram photograph that Goddard uncovered told another story. It showed Doe unconscious, being dangled like an animal by two men holding her by her arms and legs. Since the convictions, we have learned that another photograph was taken using a mobile phone, this time showing the young woman lying naked on the floor at the party with the semen of one of the defendants on her chest. Perhaps most heartbreaking in all the evidence was the text message that Doe sent to a friend: “I wasn’t being a slut. They were taking advantage of me.” As though, looking at those pictures, you could imagine it being any other way.

More disturbing still was the knowledge that these photographs were taken at all – and the lack of shame or remorse in taking them. In the tweets and texts that surfaced, thanks to the work of Goddard and the hacker collective Anonymous, the defendants and their classmates repeatedly used the word “rape” and referred to the victim as “dead” and “sloppy”. A video has emerged in which partygoers laugh about what happened. That the young men knew the nature of their crime and could even name it yet still felt it acceptable to boast about it on the internet was the worst aspect of the case.

Anonymous claimed that its decision to publicise potential evidence was motivated by a commitment to truth and justice, but there is another possible narrative, which reflects the preferential position in the social hierarchy given to high school athletes, the popularity contests that are so dominated by egotism and machismo. Mays and Richmond may have believed themselves above the law but the computer geeks are now the ones with the power. In other words, jocks may win at sports but they will never win on the internet.

These young men and their classmates are not the first to take the decision to “live-blog” a rape and they will probably not be the last. Their actions have exposed the darker side of the sense of male entitlement that has been fostered by a whole town. They are rape culture writ large.

Internet posts, photographs and text messages made up the bulk of the evidence, so understandably the news coverage has focused on social media as the trial’s driving force. Yet to describe it as a “trial by internet” that “unfolded online” is to misunderstand the ways in which young people have come to use technology and how they perceive it. The texts and tweets were not separate from the sex crime but an extension of it. They were the crime itself.

Rather than seeing the web as a witness to their lives, standing outside the action, as many of the older generation would, younger people consider it a component of their lived experience. The internet doesn’t just confirm your existence: it is your existence. This goes some way towards explaining the teenagers’ lack of understanding as far as the permanence and public nature of the Steubenville social media updates are concerned; they were intended to be “of the moment”. Indeed, they are that moment.

At times, the internet, rather than being accessible to everyone, can instinctively feel personal. It may look as though such posts come from a need to disseminate, but the act of “sharing” is a subjective one that sends a highly individualistic message: “Here is me, doing this, now.” It is a statement of agency. Doe did not have that luxury, because those men destroyed it. While those around her snapped away and pinged their tweets out into the ether, she was nowhere. Her voice was muffled.

Rhiannon Lucy Cosslett is one half of the Vagenda Magazine. She blogs for the New Statesman at The V Spot. 

The town of Steubenville in Ohio. Photograph: Getty Images

Rhiannon Lucy Cosslett is a writer for the New Statesman and the Guardian. She co-founded The Vagenda blog and is co-author of The Vagenda: A Zero Tolerance Guide to the Media.

This article first appeared in the 25 March 2013 issue of the New Statesman, After God

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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