WikiLeaks is a rare truth-teller. Smearing Julian Assange is shameful

WikiLeaks is a rare example of a newsgathering organisation that exposes the truth. Julian Assange is by no means alone.

Last December, I stood with supporters of WikiLeaks and Julian Assange in the bitter cold outside the Ecuadorean embassy in London. Candles were lit; the faces were young and old and from all over the world. They were there to demonstrate their human solidarity with someone whose guts they admired. They were in no doubt about the importance of what Assange had revealed and achieved, and the grave dangers he now faced. Absent entirely were the lies, spite, jealousy, opportunism and pathetic animus of a few who claim the right to guard the limits of informed public debate.

These public displays of warmth for Assange are common and seldom reported. Several thousand people packed Sydney Town Hall, with hundreds spilling into the street. In New York recently, Assange was given the Yoko Ono Lennon Courage Award. In the audience was Daniel Ellsberg, who risked all to leak the truth about the barbarism of the Vietnam war.

Like Jemima Khan, the investigative journalist Phillip Knightley, the acclaimed film director Ken Loach and others lost bail money in standing up for Assange. “The US is out to crush someone who has revealed its dirty secrets,” Loach wrote to me. “Extradition via Sweden is more than likely . . . is it difficult to choose whom to support?”

No, it is not difficult.

In the NS last week, Jemima Khan ended her support for an epic struggle for justice, truth and freedom with an article on Wiki­Leaks’s founder. To Khan, the Ellsbergs and Yoko Onos, the Loaches and Knightleys, and the countless people they represent, have all been duped. We are all “blinkered”. We are all mindlessly “devoted”. We are all “cultists”. In the final words of her j’accuse, she describes Assange as “an Australian L Ron Hubbard”. She must have known this would make a gratuitous headline, as indeed it did across the press in Australia.

I respect Jemima Khan for backing humanitarian causes, such as the Palestinians. She supports the Martha Gellhorn Prize for Journalism, of which I am a judge, and my own film-making. But her attack on Assange is specious and plays to a familiar gallery whose courage is tweeted from a smartphone.

Khan complains that Assange refused to appear in the film about WikiLeaks by the American director Alex Gibney, which she “executive produced”. Assange knew the film would be neither “nuanced” nor “fair” and “represent the truth”, as Khan wrote, and that its very title, We Steal Secrets: The Story of Wikileaks, was a gift to the fabricators of a bogus criminal indictment that could doom him to one of America’s hellholes. Having interviewed axe-grinders and turncoats, Gibney abuses Assange as paranoid. DreamWorks is also making a film about the “paranoid” Assange. Oscars all round.

The sum of Khan’s and Gibney’s attacks is that Ecuador granted him asylum without evidence. The evidence is voluminous. Assange has been declared an official “enemy” of a torturing, assassinating, rapacious state. This is clear in official files, obtained under Freedom of Information, that betray Washington’s “unprecedented” pursuit of him, together with the Australian government’s abandonment of its citizen: a legal basis for granting asylum.

Khan refers to a “long list” of Assange’s “alienated and disaffected allies”. Almost none was ever an ally. What is striking about most of these “allies” and Assange’s haters is that they exhibit the very symptoms of arrested development they attribute to a man whose resilience and good humour under extreme pressure are evident to those he trusts.

Another on the “long list” is the lawyer Mark Stephens, who charged him almost half a million pounds in fees and costs. This bill was paid from an advance on a book whose unauthorised manuscript was published by another “ally” without Assange’s knowledge or permission. When Assange moved his legal defence to Gareth Peirce, Britain’s leading human rights lawyer, he found a true ally. Khan makes no mention of the damning, irrefutable evidence that Peirce presented to the Australian government, warning how the US deliberately “synchronised” its extradition demands with pending cases and that her client faced a grave miscarriage of justice and personal danger. Peirce told the Australian consul in London in person that she had known few cases as shocking as this.

It is a red herring whether Britain or Sweden holds the greatest danger of delivering Assange to the US. The Swedes have refused all requests for guarantees that he will not be despatched under a secret arrangement with Washington; and it is the political executive in Stockholm, with its close ties to the extreme right in America, not the courts, that will make this decision.

Khan is rightly concerned about a “resolution” of the allegations of sexual misconduct in Sweden. Putting aside the tissue of falsehoods demonstrated in the evidence in this case, both women had consensual sex with Assange and neither claimed otherwise; and the Stockholm prosecutor Eva Finne all but dismissed the case.

As Katrin Axelsson and Lisa Longstaff of Women Against Rape wrote in the Guardian in August 2012, “. . . the allegations against [Assange] are a smokescreen behind which a number of governments are trying to clamp down on WikiLeaks for having audaciously revealed to the public their secret planning of wars and occupations with their attendant rape, murder and destruction . . .

“The authorities care so little about violence against women that they manipulate rape allegations at will . . . [Assange] has made it clear he is available for questioning by the Swedish authorities, in Britain or via Skype. Why are they refusing this essential step to their investigation? What are they afraid of?”

Editor's note: The full title of the film about Wikileaks "We Steal Secrets: The Story of Wikileaks" has now been included in this article.

Julian Assange. Photo: Zed Nelson/INSTITUTE

John Pilger, renowned investigative journalist and documentary film-maker, is one of only two to have twice won British journalism's top award; his documentaries have won academy awards in both the UK and the US. In a New Statesman survey of the 50 heroes of our time, Pilger came fourth behind Aung San Suu Kyi and Nelson Mandela. "John Pilger," wrote Harold Pinter, "unearths, with steely attention facts, the filthy truth. I salute him."

This article first appeared in the 18 February 2013 issue of the New Statesman, Iraq: ten years on

Photo: Getty/New Statesman
Show Hide image

The mother lode: how mums became the ultimate viral fodder

The internet’s favourite joke used to be "your mum". Now it's "my mum".

“I was like: oh my.”

Terri Squires is describing her reaction to the news that she had gone viral. Last month, more than 213,000 people shared a tweet about Terri – but it wasn’t sent from her account. The 50-year-old Ohioan was propelled to internet stardom by her son, Jeff, who had tweeted about his mother.

“I didn’t really realise what it meant at first until he was like: ‘Mum, you do realise that millions of people have looked at this?’ … When I started seeing those numbers I was like: ‘Oh boy’.”

It’s a funny story – and Terri laughs heartily all she tells it. After coming out of a meeting, she checked her phone and noticed a picture of a missing – white – dog on Facebook. She quickly texted 17-year-old Jeff to check that the family dog, Duey, was safe. “That’s not Duey… Duey’s face is brown,” replied her son. “OK – just checking,” replied Terri.

More than 600,000 people “liked” Terri’s mistake after Jeff shared screenshots of the text message exchange on Twitter. But Terri is just one of hundreds of mums who have gone viral via their sons and daughters. Texts mums send, mistakes they make, things they fail to notice – these have all become the ultimate viral fodder.

In the last three months alone, Gerald’s mum went viral for a microphone mishap, Adam’s mum shot to Twitter fame for failing to understand WhatsApp, Lois’ mum got tricked by her daughter, Harry’s mum was hit in the head with a football, Hanna’s mum misunderstood a hairstyle, and Jake’s mum failed to notice her son had swapped a photo in her home for a portrait of Kim Jong-un.

But how do the mothers behind these viral tweets feel?

“I'm pretty much a mum that everybody wants to talk to these days,” says Terri, with another warm laugh. The mum of three says going viral “is not that big of a deal” to her, but she is happy that her son can enjoy being a “local superstar”. But is she embarrassed at being the punchline of Jeff’s joke?

“Believe me, I have thick skin,” she says. “I kinda look at what it is, and it’s actually him and his fame. I’m just the mum behind it, the butt of the joke, but I don't mind.”

Not all mums feel the same. A handful of similar viral tweets have since been deleted, indicating the mothers featured in them weren’t best pleased. A few people I reach out to haven’t actually told their mums that they’re the subject of viral tweets, and other mums simply don’t want any more attention.

“I think I’ve put my mum through enough with that tweet already,” says Jacko, when I ask if his mum would be willing to be interviewed. In 2014, Jacko tweeted out a picture of his family writing the word “cock” in the air with sparklers. “This is still my favourite ever family photo,” he captioned the tweet, “My mum did the ‘O’. We told her we were going to write ‘Love’.”

“No one ever expects to call home and say ‘Mum, have you heard of something called LADbible? No, you shouldn’t have, it’s just that a quarter of a million of its fans have just liked a photo of you writing the word ‘cock’ with a sparkler’,” Jacko explains.

Although Jacko feels his mum’s been through enough with the tweet, he does say she was “ace” about her new found fame. “She’s probably cooler about it all than I am”. Apart from the odd deletion, then, it seems most mums are happy to become viral Twitter stars.

Yet why are mums so mocked and maligned in this way? Although dads are often the subject of viral tweets, this is usually because of jokes the dads themselves make (here’s the most notable example from this week). Mums, on the other hand, tend to be mocked for doing something “wrong” (though there are obviously a few examples of them going viral for their clever and cunning). On the whole: dads make jokes, mums are the butt of them.

“We all think our mums are so clueless, you know. They don’t know what’s going on. And the fun thing is, one day we come to realise that they knew way more of what was going on than we thought,” says Patricia Wood, a 56-year-old mum from Texas. “People always kind of make fun of their mums, but love them.”

Last year, Patricia went viral when her daughter Christina tweeted out screenshots of her mum’s Facebook posts. In them, Patricia had forgotten the names of Christina’s friends and had candidly written Facebook captions like: “My gorgeous daughter and her date for formal, sorry I forgot his name”. Christina captioned her tweet “I really can't with my mom” and went on to get more than 1,000 likes.

“I felt, like, wow, it was like we’re famous, you know. I thought it was really cool,” says Patricia, of going viral. Her experiences have been largely positive, and as a part-time Uber driver she enjoys telling her customers about the tweet. “But I did have one bad experience,” she explains. A drunken passenger in her car saw the tweet and called Patricia an “asshole”.

Another aspect of viral fame also worried Patricia. She and her daughter were invited on a reality show, TD Jakes, with the production company offering to pay for flights and hotels for the pair. “I have too many skeletons in my closet and I didn't want them to come dancing out,” says Patricia, of her decision not to go. “By the time I got off it, it would be the Jerry Springer show, you know. I’m kind of a strange bird.”

On the whole, then, mothers are often amused by going viral via their offspring – and perhaps this is the real beauty of tweeting about our mums. Since the moment they earn the title, mums can’t afford to be fragile. There is a joy and relatability in “my mum” tweets – because really, the mum in question could be anyone’s. Still, from now on, mums might be more careful about what they tell their sons and daughters.

“When I send Jeff a text now I make sure I’m like: ‘Is my spelling correct? Is what I’m saying grammatically correct?’,” says Terri, “Because who knows where the words are gonna end up?”

Amelia Tait is a technology and digital culture writer at the New Statesman.