Why don't women speak out about sexual harassment? Here's why

Whistleblowers are often incredibly badly treated - even when they have sheaves of documents to prove wrongdoing. Imagine being a whistleblower when you know that half your listeners don't think that being patted on the leg sounds like such a big deal, an

There's a line in Nick Cohen's blog about the allegations about Lord Rennard (and the earlier SWP scandal) that really hit home:

I have one further point, which I accept it is difficult for a man to make. If women in either the Liberal Democrats or the Socialist Workers Party feel that the hierarchy is brushing their grievances aside for the sake of political convenience they should not just go to the police. They should also think of going to a TV studio and making a fuss. I know, I know, easy to say and hard to do. But there is nothing the Comrade Deltas and Comrade Cleggs fear more than a woman speaking to camera, live and on air.

Much though I appreciate Cohen's wider point - that internal investigations into sex abuse allegations are often compromised - I did balk a little at his suggestion that a victim of any crime related to sex - assault, harassment or discrimination - "out" herself on TV.

I found myself asking: if I were in that position, would I?

And then I thought: hang on, I have been in that position. Or something near it.

As I went through school and university, I worked in lots of places; a shop, a warehouse, a taxi dispatch office, a burger van, several newsrooms. In more than one of them I found "flirty" (older, male) bosses and inappropriate comments, although thankfully I can't remember anyone trying to touch me up, or worse.

Did I say anything? Yes, I grumbled to other people at the same level as me. To the "authorities"? No. Who are these mysterious authorities? In many places, the groper is the ultimate authority: he is the boss, and there's no one to complain to about him. The police? Come off it. They are obviously the people to report serious sex assault allegations to, but what can they reasonably be expected to do about derogatory comments, touching employees up by the photocopier, or after the Christmas drinks party? If you're young - your parents? Hell no. Who wants to talk to their parents about sex?

Allegations of sexual harassment are so difficult to deal with because they are about two things: hierarchy, and shame. Whistleblowers are often incredibly badly treated - even when they have sheaves of documents to prove wrongdoing. Imagine being a whistleblower when you know that half your listeners don't think that being patted on the leg sounds like such a big deal, anyway. 

Meanwhile, as a woman in the workplace, one of the safest strategies to pursue is to deny your gender entirely. Be one of the boys. Watch your every move, and every outfit, so that you can never be accused of using your femininity to get ahead. Because the same people who don't take harassment allegations seriously are also those who think that young women have it easy, being able to flirt with the boss. They don't see that those two things are sides of the same coin: reflections of workplaces where the power is concentrated in the hands of older men.    

When pretending not to be a woman seems to be the best way to be treated as well as a man, complaining about harassment would break the spell. Suddenly, you are exposed: you have drawn attention to your female body. It would be, more than anything else, embarrassing. Demeaning. Shameful. Even if you're saying "he touched my breast", you're still talking to total strangers about your breasts. Most of us are fairly reluctant to do that in public.

Meanwhile, I feel embarrassed even writing this. . . because who wants to be seen as weak? Who would choose to be a victim? And yet that's the situation into which probably every woman in Britain has been forced at one time or another, whether in the workplace or in the street, or at home. Never feeling like that is a luxury that most men don't even appreciate.

So, Nick - maybe it would be the best thing for society if a woman with allegations to make would do so to camera, live on air. But which of us can say that would be the best thing for the woman?

Photo: Flickr/Sk8geek, used under Creative Commons

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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Relive your worst experiences for $15 an hour: how confessional journalism exploits women writers

The women’s website Bustle asks its writers to fill out a checklist covering every possible personal angle; it puts a low-market value on their most intimate truths.

Let me tell you about the worst thing that ever happened to me, the most terrible thing I’ve ever done. Let me tell you everything there is to know about me, all the buried markers of self that live under my skin. OK not that one, and I’ll keep that one too. I have to have something left over, after all. Even so, I’ve written about being the May Queen at school, and the time I got flashed in an underpass; about having depression as a teenager, and the unplanned pregnancy that became my son.

Actually, I’ve written about that last one twice: my first successful pitch for a comment piece was a response to anti-abortion comments by the then-influential semi-thinker Phillip Blond. It was a kind of pitch I now refer to now as the “what I think about X as a Y”: what I think about abortion as a woman who had and chose to continue an unplanned pregnancy. Experience is capital, and in 2009, I used it to buy my way into writing.

It’s a standard route for women writers, but not usually as formalised as it is at women’s website Bustle, which (as Gawker reported last week) asks its writers to fill out a checklist covering every possible personal angle: “I see a therapist”, “I’ve had group sex (more than three)”, “I used to have a Fitbit but I don’t now”.

Every bit of what you are, granulated and packaged for easy dispersal through a range of stories. It’s an editorial approach that gives rise to a weird, impersonally-personal tone. “Five Reasons I’m Grateful For My Parents’ Divorce”, chirrups a listicle; “that’s why I tried anal sex in the first place”, trills a gif-heavy piece about the benefits of bumming.

That’s just the shallow end of the confessional genre. The ideal online women’s interest story combines a huge, life-changing disclosure with an empowering message. Like this, from xoJane: “I'm Finally Revealing My Name and Face As the Duke Porn Star” (the last line of that one is: “My name is Belle Knox, and I wear my Scarlet Letter with pride”). Or this, from Jezebel: “On Falling In and Out of Love With My Dad” (which concludes like this: “And to the victims of their abuse, I want to say what I have finally been able to understand myself: that my attraction, and what it led to, was not my fault”).

It’s tempting to think of this blend of prurience and uplift as a peculiar product of the internet, but it’s been a staple of women’s publishing forever: the covers of women’s magazines are full of lines like “Raped for 50p and a biscuit!” and “The groom who went ZOOM!” about a jilted bride, exactly as they were when I used to sneak them from my aunt’s magazine rack to read them as a child. The difference is that, in the trashy weeklies, there’s no pretence that trauma is the overture for a career. You get paid for your story, and someone else writes it up. The end.

At Bustle, the rate apparently runs to $90 for a six-hour shift. That feels like a low market value to put on your most intimate truths, especially when the follow-up success you’re investing in might never materialise. The author of the father-daughter incest story for Jezebel told a Slate writer that, despite the huge web traffic her confessional received, her subsequent pitches were ignored. Her journalistic career currently begins and ends with her very grimmest experience.

“Everything is copy” is the Nora Ephron line. But when she said it, she didn’t intend the disclosure economy we live in now. For Ephron, “everything is copy” meant claiming control: “When you slip on the banana peel, people laugh at you. But when you tell people you slipped on the banana peel, it’s your laugh. So you become the hero, rather than the victim of the joke.”

Does the aspiring writer plucked from an editor’s checklist to retail her own Worst Thing Ever get to call the banana skin her own?

The Bustle checklist suggests not. “Don’t put anything on here you don’t want to write about,” it stresses, before adding, “that said, you can always say ‘no’ . . . You might be too busy when an editor approaches you about possibly writing an identity post, or simply not interested, and that’s okay! We won’t be mad!”

Ticking the box basically puts you in a position of assumed consent, but which hopeful young woman would dare to set her boundaries too close when an editor tells her this could be good for her career? (Yes, I know this sounds a bit like a story of sexual harassment. Funny, that.)

So many confessionalist pieces of writing tell stories about women having their limits overridden. Rape and coercion. Abuse and assault. Being talked over and ignored. But the logic of the perpetual confession journalism machine is the same: everything about a woman should be available to use, nothing a woman has to say is valid without a personal claim to authority, repackage their guts as shiny sausages and call it an “identity piece”.

Women writers shouldn’t be waiting for permission to say no. We need to tell our stories on our own terms, and we need to set better terms than $15 an hour and the hope of some exposure. The worst thing that ever happened to me? It’s mine. I’m keeping it.

Sarah Ditum is a journalist who writes regularly for the Guardian, New Statesman and others. Her website is here.